Cinematic Ghosts

Cinematic Ghosts

Author: Murray Leeder

Publisher: Bloomsbury Publishing USA

Published: 2015-07-30

Total Pages: 321

ISBN-13: 1628922168

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In 1896, Maxim Gorky declared cinema "the Kingdom of Shadows." In its silent, ashen-grey world, he saw a land of spectral, and ever since then cinema has had a special relationship with the haunted and the ghostly. Cinematic Ghosts is the first collection devoted to this subject, including fourteen new essays, dedicated to exploring the many permutations of the movies' phantoms. Cinematic Ghosts contains essays revisiting some classic ghost films within the genres of horror (The Haunting, 1963), romance (Portrait of Jennie, 1948), comedy (Beetlejuice, 1988) and the art film (Uncle Boonmee Who Can Recall His Past Lives, 2010), as well as essays dealing with a number of films from around the world, from Sweden to China. Cinematic Ghosts traces the archetype of the cinematic ghost from the silent era until today, offering analyses from a range of historical, aesthetic and theoretical dimensions.


Cinematic Ghosts

Cinematic Ghosts

Author: Murray Leeder

Publisher: Bloomsbury Publishing USA

Published: 2015-07-30

Total Pages: 321

ISBN-13: 1628922141

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"A collection of essays that explores the various roles ghosts have played in motion pictures, spanning a range of time periods, genres and nations"--


Ghost Images

Ghost Images

Author: Tom Ruffles

Publisher: McFarland

Published: 2015-03-07

Total Pages: 280

ISBN-13: 0786484217

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The possibility of life after death is a significant theme in cinema, in which ghosts return to the world of the living to wrap up unfinished business, console their survivors, visit lovers or just enjoy a well-wreaked scaring. This work focuses on film depictions of survival after death, from meetings with the ghost of Elvis to AIDS-related ghosts: apparitions, hauntings, mediumship, representations of heaven, angels, near-death experiences, possession, poltergeists and all the other ways in which the living interact with the dead on screen. The work opens with a historical perspective, which outlines the development of pre-cinematic technology for "projecting" phantoms, and discusses the use of these skills in early ghost cinema. English-language sound films are then examined thematically with topics ranging from the expiation of sins to "hungry" ghosts. Six of the most significant films, Dead of Night, A Matter of Life and Death, The Innocents, The Haunting, The Shining, and Jacob's Ladder, are given a detailed analysis. A conclusion, filmography, and bibliography follow.


Film's Ghosts

Film's Ghosts

Author: Stephen Barber

Publisher: Diaphanes

Published: 2019

Total Pages: 0

ISBN-13: 9783035801477

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"Tokyo during the 1960s was in a state of uproar, full of protests, riots, and insurrection. Tatsumi Hijikata - the initiator of the 'Butoh' performance art and the seminal figure in Japan's experimental arts culture of the 1960s - created his most famous works in the context of that turmoil. Central to Hijikata's vital 1960s work are his many films, from experimental projects undertaken in collaboration with artists, to horror and sex films made for Japan's ailing studios, to his participation in the corporate, state-power spectacle of the Osaka World Expo '70. Based on original interviews with Hijikata's collaborators as well as new research, Film's Ghosts illuminates Hijikata's world-renowned, spectral 'Dance of Utter Darkness', Butoh, and explores Hijikata's films directly against the backdrop of 1960s urban culture in Tokyo, with the rise of its screen-constellated mega-towers, its fierce protests and riot-police battles, its ascendant security-guard and surveillance industries, and its experimentations in art, sex and tourism. This will be an essential book for readers engaged with film and performance, urban cultures and architecture, and Japan's experimental art and its histories"--Back cover.


Cinematic Hauntings

Cinematic Hauntings

Author: Gary J. Svehla

Publisher:

Published: 2009-01-09

Total Pages: 162

ISBN-13: 9781936168118

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The history of ghost cinema, as well as the haunting literature upon which the films are often based, is a noble tradition. Ghost films go back as far as the era of the Silents. This Midnight Marquee Press volume presents respected film writers' personal analyses of their favorite ghost films. Not necessarily the best of the genre, but always films of merit. The Mt. Everest of ghost films--the acclaimed classics--The Uninvited, The Innocents, The Haunting--are of course included. But also many neglected cinema specters are covered: Carnival of Souls, Lady in White, Portrait of Jennie, High Plains Drifter, etc. Most of these films are known by the average film buff, but several titles included may not be recognized (but are equally of merit and should be sought out). Often Ghost films have been overlooked by film historians and critics alike. This revised collection of Cinematic Hauntings hopes to remedy the situation.


Experimental Film

Experimental Film

Author: Gemma Files

Publisher: Open Road Media

Published: 2020-10-13

Total Pages: 378

ISBN-13: 1504063635

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The award-winning author of the Hexslinger Series “explores the world of film and horror in a way that will leave you reeling” (Jeff VanderMeer, author of the Southern Reach Trilogy). Former film teacher Lois Cairns is struggling to raise her autistic son while freelancing as a critic when, at a screening, she happens upon a sampled piece of silver nitrate silent footage. She is able to connect it to the early work of Mrs. Iris Dunlopp Whitcomb, the spiritualist and collector of fairy tales who mysteriously disappeared from a train compartment in 1918. Hoping to make her own mark on the film world, Lois embarks on a project to prove that Whitcomb was Canada’s first female filmmaker. But her research takes her down a path not of darkness but of light—the blinding and searing light of a fairy tale made flesh, a noontime demon who demands that duty must be paid. As Lois discovers terrifying parallels between her own life and that of Mrs. Whitcomb, she begins to fear not just for herself, but for those closest to her heart. Winner of the Shirley Jackson Award for Best Novel “One of the standout horror novels of 2015 . . . From an author who has already established herself as one of the genre’s most original and innovative voices, Experimental Film is a remarkable achievement.” —Los Angeles Review of Books “Experimental Film represents the next, significant contribution to what is emerging as one of the most interesting and exciting bodies of work currently being produced in the horror field. Every film, Lois Cairns writes, is an experiment. The same might be said of every novel. This one succeeds, wildly.” —Locus “Experimental Film is sensational. When we speak of the best in contemporary horror and weird fiction, we must speak of Gemma Files.” —Laird Barron “[Experimental Film is] truly unnerving. This is a too-often overlooked postmodern gem.” —Esquire, “The 50 Best Horror Books of All Time”


The Haunted Screen

The Haunted Screen

Author: Lee Kovacs

Publisher: McFarland

Published: 2005-11-07

Total Pages: 193

ISBN-13: 0786426055

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While ghosts often inhabit films and literature devoted to the horror genre, a group of literature-based films from the 1930s and 1940s presents more human and romantic apparitions. These films provide the underpinnings for many of the gentle supernatural films of the 1990s. Tracing the links between specters as diverse as Rex Harrison's Captain Gregg and Patrick Swazye's Sam Wheat, the text presents the evolution of the cinematic-literary ghost from classic Gothic to the psychological, sociological, and political ideologies of today. Included are analyses of the literary and film versions of classic ghost stories--Wuthering Heights, The Ghost and Mrs. Muir, Portrait of Jennie, Letter from an Unknown Woman, The Uninvited, Liliom, and Our Town--as well as interpretations of modern films not based on literary works that show the influence of these predecessors--Ghost and Truly, Madly, Deeply. The text includes stills, a bibliography, and an index.


Blue Light of the Screen

Blue Light of the Screen

Author: Claire Cronin

Publisher: Watkins Media Limited

Published: 2020-10-13

Total Pages: 205

ISBN-13: 1913462064

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Blue Light of the Screen is a memoir about the author's obsession with horror and the supernatural. Blue Light of the Screen is about what it means to be afraid -- about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts. As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose sense of reality unravels through her study of arcane texts and cursed archives. In this way, Blue Light of the Screen tells the story of the author's conversion from skepticism to faith in the supernatural. Part memoir, part ghost story, and part critical theory, Blue Light of the Screen is not just a book about horror, but a work of horror itself.


Giving Up the Ghost

Giving Up the Ghost

Author: Katherine A. Fowkes

Publisher: Wayne State University Press

Published: 1998

Total Pages: 214

ISBN-13: 9780814327210

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Arguing that our enjoyment of ghost films is linked to masochistic pleasure, Giving up the Ghost provides us with a new way of thinking about the relation between film viewing and gender. A deft but readable application of psychoanalytic theories, especially masochism (by way of Deleuze and Studlar), extends the utility of psychoanalysis to the understanding of film genre and film audiences. It is indispensable reading for scholars and students of film theory.


Ghosts

Ghosts

Author: Dolly Alderton

Publisher: Vintage

Published: 2021-08-03

Total Pages: 336

ISBN-13: 0593319869

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INTERNATIONAL BESTSELLER • From the author of Everything I Know About Love comes a smart, sexy, laugh-out-loud romantic comedy about ex-boyfriends, imperfect parents, friends with kids, and a man who disappears the moment he says "I love you." “An absolute knock-out. Wickedly funny and, at turns, both cynical and sincere… feels like your very favorite friend.” —Taylor Jenkins Reid, author of Malibu Rising ONE OF THE BEST BOOKS OF THE YEAR: NPR, VOGUE, PEOPLE Nina Dean is not especially bothered that she's single. She owns her own apartment, she's about to publish her second book, she has a great relationship with her ex-boyfriend, and enough friends to keep her social calendar full and her hangovers plentiful. And when she downloads a dating app, she does the seemingly impossible: She meets a great guy on her first date. Max is handsome and built like a lumberjack; he has floppy blond hair and a stable job. But more surprising than anything else, Nina and Max have chemistry. Their conversations are witty and ironic, they both hate sports, they dance together like fools, they happily dig deep into the nuances of crappy music, and they create an entire universe of private jokes and chemical bliss. But when Max ghosts her, Nina is forced to deal with everything she's been trying so hard to ignore: her father's dementia is getting worse, and so is her mother's denial of it; her editor hates her new book idea; and her best friend from childhood is icing her out. Funny, tender, and eminently, movingly relatable, Ghosts is a whip-smart tale of relationships and modern life.