CINÉMA&CIE. VOL. XIX, No. 31, FALL 2018

CINÉMA&CIE. VOL. XIX, No. 31, FALL 2018

Author: Alessandro Bratus

Publisher: Mimesis International

Published: 2019

Total Pages: 162

ISBN-13: 9788869772320

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Pop music meets the media... This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.


Love Relations

Love Relations

Author: Otto F. Kernberg

Publisher: Yale University Press

Published: 1998-01-01

Total Pages: 224

ISBN-13: 9780300074352

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Internationally renowned psychoanalytic theorist and clinician Dr. Otto Kernberg here examines the success and failure of sexual love in couples, from adolescence to old age. Dr. Kernberg considers both "normal" and pathological relationships, including the role of narcissism, masochism, and aggression in each. The result expands the boundaries of our current understanding of love relations.


Experimental Women

Experimental Women

Author: Giulia Simi

Publisher: Cinema & Cie

Published: 2021

Total Pages: 194

ISBN-13: 9788869773129

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A special issue of Cinéma&Cie which aims at tracing experiences of women's practices at the intersection of cinema and the arts by intertwining a theoretical and historical approach, analyzing cases studies from the mid-twentieth century up to our present moment.


Neurofilmology of the Moving Image

Neurofilmology of the Moving Image

Author: DR. ENG Adriano D'Aloia

Publisher:

Published: 2021-10-04

Total Pages: 254

ISBN-13: 9789463725255

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A walk suspended in mid-air, a fall at breakneck speed towards a fatal impact with the ground, an upside-down flip into space, the drift of an astronaut in the void... Analysing a wide range of films, this book brings to light a series of recurrent aesthetic motifs through which contemporary cinema destabilizes and then restores the spectator's sense of equilibrium. The 'tensive motifs' of acrobatics, fall, impact, overturning, and drift reflect our fears and dreams, and offer imaginary forms of transcendence of the limits of our human condition, along with an awareness of their insurmountable nature. Adopting the approach of 'Neurofilmology'--an interdisciplinary method that puts filmology, perceptual psychology, philosophy of mind, and cognitive neuroscience into dialogue--, this book implements the paradigm of embodied cognition in a new ecological epistemology of the moving-image experience.


Asian Philosophical Texts

Asian Philosophical Texts

Author: Takeshi Morisato

Publisher:

Published: 2019-11

Total Pages:

ISBN-13: 9788869772245

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The present volume compiles translations of hitherto neglected texts in Asian philosophical traditions, along with several critical essays dealing with the philosophical issues of translating them into western languages. As the inaugural volume to a proposed series dedicated to making hidden primary sources of Asian philosophies available to the wider audience in western academia and beyond, this book treats diverse primary sources written by a broad range of thinkers from various historical periods and intellectual traditions, including the Indian, Chinese, Korean, and Japanese, among others. The translations, accompanied by critical essays, will shed light on major philosophical movements as Confucianism, Hinduism, Buddhism and others, thereby demonstrating multilayered development of intellectual traditions in Asia.


Reinventing Mao

Reinventing Mao

Author: Marco Dalla Gassa

Publisher: CINEMA&CIE

Published: 2019-01-31

Total Pages: 0

ISBN-13: 9788869771705

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The charismatic and controversial figure of Mao Zedong has left a deep mark on the history of twentieth-century. His ghostly presence still looms large over China's new capitalist developments, and his legacy has also remarkably spread beyond national borders and into completely different political and social contexts.


Cinema&Cie

Cinema&Cie

Author: Adriano D'Aloia

Publisher:

Published: 2015-07-31

Total Pages: 214

ISBN-13: 9788869770227

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Neurofilmology. audiovisual Studies and the challenge of Neuroscience Adriano d'Aloia and ruggero Eugeni, Neurofilmology: An Introduction Temenuga Trifonova, Neuroaesthetics and Neurocinematics: Reading the Brain/Film through the Film/Brain Maria Poulaki, Neurocinematics and the Discourse of Control: Towards a Critical Neurofilmology Patricia Pisters, Dexter's Plastic Brain: Mentalizing and Mirroring in Cinematic Empathy Enrico Carocci, First-Person Emotions: Affective Neuroscience and the Spectator's Self Maarten Coegnarts and Peter kravanja, The Sensory-Motor Grounding of Abstract Concepts in Two Films by Stanley Kubrick Pia Tikka and Mauri kaipainen, Phenomenological Considerations on Time Consciousness under Neurocinematic Search Light vittorio Gallese and Michele Guerra, The Feeling of Motion: Ca-mera Movements and Motor Cognition New Studies olivier Asselin, Cinema d'exposition 2.0: Mixed-Reality Games in and around the Museum livia Giunti, L'analyse du film a l'ere numerique. Annotation, geste analytique et lecture active Christian Gosvig olesen, Panoramic Visions of the Archive in EYE's Panorama: A Case Study in Digital Film Historiography francesco Pitassio, Distant Voices, Still Cinema? Around the Movies projects & abstracts reviews / comptes-rendus


Arnheim, Gestalt and Media

Arnheim, Gestalt and Media

Author: Ian Verstegen

Publisher: Springer

Published: 2019-01-18

Total Pages: 136

ISBN-13: 9783030029692

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This monograph presents a synthesis and reconstruction of Rudolf Arnheim’s theory of media. Combining both Arnheim’s well-known writings on film and radio with his later work on the psychology of art, the author presents a coherent approach to the problem of the nature of a medium, space and time, and the differentia between different media. The latent ontological commitments of Arnheim’s theories is drawn out by affirming Arnheim’s membership in the Brentano school of Austrian philosophy, which allows his theories to be clarified and strengthened, particularly with the metaphysical writings of Roman Ingarden. The resulting theory is relational, portraying essential medial differences with neutral criteria and allowing for a rigorous definition of a medium. The way in which a medium is based on the inherent dispositions of medial materials creates a highly appealing theory that is determinate without being deterministic. The theory is thus highly timely as people in media studies seek to address the determinate nature of media after the post-medium condition. The book will appeal to researchers and graduate students in cultural and media studies as well as architecture and design.


The Extended Theory of Cognitive Creativity

The Extended Theory of Cognitive Creativity

Author: Antonino Pennisi

Publisher: Springer Nature

Published: 2019-09-25

Total Pages: 346

ISBN-13: 3030220907

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This edited volume focuses on the hypothesis that performativity is not a property confined to certain specific human skills, or to certain specific acts of language, nor an accidental enrichment due to creative intelligence. Instead, the executive and motor component of cognitive behavior should be considered an intrinsic part of the physiological functioning of the mind, and as endowed with self-generative power. Performativity, in this theoretical context, can be defined as a constituent component of cognitive processes. The material action allowing us to interact with reality is both the means by which the subject knows the surrounding world and one through which he experiments with the possibilities of his body. This proposal is rooted in models now widely accepted in the philosophy of mind and language; in fact, it focuses on a space of awareness that is not in the individual, or outside it, but is determined by the species-specific ways in which the body acts on the world. This theoretical hypothesis will be pursued through the latest interdisciplinary methodology typical of cognitive science, that coincide with the five sections in which the book is organized: Embodied, enactivist, philosophical approaches; Aesthetics approaches; Naturalistic and evolutionary approaches; Neuroscientific approaches; Linguistics approaches. This book is intended for: linguists, philosophers, psychologists, cognitive scientists, scholars of art and aesthetics, performing artists, researchers in embodied cognition, especially enactivists and students of the extended mind.


Post-Cinema

Post-Cinema

Author: Dominique Chateau

Publisher: Key Debates - Mutations and Appropriations in European Film Studies

Published: 2020-09-24

Total Pages: 376

ISBN-13: 9789463727235

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Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition.