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Author: Jeffrey Skopak
Publisher:
Published: 2021
Total Pages: 0
ISBN-13: 9780758669414
DOWNLOAD EBOOK"Explores how Christians can connect with culture using movies and biblical accounts, helping Christians learn to apply their faith to the world around them"--
Author: Erik Barnouw
Publisher: Oxford University Press, USA
Published: 1993
Total Pages: 414
ISBN-13: 9780195078985
DOWNLOAD EBOOKPresents a history of the documentary film
Author: Frank Manchel
Publisher: Fairleigh Dickinson Univ Press
Published: 1990
Total Pages: 988
ISBN-13: 9780838631867
DOWNLOAD EBOOKThe four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
Author: Robert E. Babe
Publisher: University of Toronto Press
Published: 2000-01-01
Total Pages: 468
ISBN-13: 9780802079497
DOWNLOAD EBOOKBabe examines the writings of ten major thinkers in the context of their physical and cultural environments and finds that there is indeed a mode of theorizing that is quintessentially Canadian.
Author: William D. Romanowski
Publisher: Oxford University Press
Published: 2012-06-14
Total Pages: 329
ISBN-13: 0199942587
DOWNLOAD EBOOKReligious Communication Association's Book of the Year Hollywood and Christianity often seem to be at war. Indeed, there is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious "damn," to The Life of Brian and The Last Temptation of Christ. But the reality, writes William Romanowski, has been far more complicated--and remarkable. In Reforming Hollywood, Romanowski, a leading historian of popular culture, explores the long and varied efforts of Protestants to influence the film industry. He shows how a broad spectrum of religious forces have played a role in Hollywood, from Presbyterians and Episcopalians to fundamentalists and evangelicals. Drawing on personal interviews and previously untouched sources, he describes how mainline church leaders lobbied filmmakers to promote the nation's moral health and, perhaps surprisingly, how they have by and large opposed government censorship, preferring instead self-regulation by both the industry and individual conscience. "It is this human choice," noted one Protestant leader, "that is the basis of our religion." Tensions with Catholics, too, have loomed large--many Protestant clergy feared the influence of the Legion of Decency more than Hollywood's corrupting power. Romanowski shows that the rise of the evangelical movement in the 1970s radically altered the picture, in contradictory ways. Even as born-again clergy denounced "Hollywood elites," major studios noted the emergence of a lucrative evangelical market. 20th Century-Fox formed FoxFaith to go after the "Passion dollar," and Disney took on evangelical Philip Anschutz as a partner to bring The Chronicles of Narnia to the big screen. William Romanowski is an award-winning commentator on the intersection of religion and popular culture. Reforming Hollywood is his most revealing, provocative, and groundbreaking work on this vital area of American society.
Author: Richard Barsam
Publisher: Indiana University Press
Published: 1992-11-22
Total Pages: 508
ISBN-13: 9780253207067
DOWNLOAD EBOOK"Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television
Author: Toya D. Booth
Publisher: Wipf and Stock Publishers
Published: 2024-08-12
Total Pages: 151
ISBN-13:
DOWNLOAD EBOOKEmbark on a transformative journey through the genres of visual arts and spirituality with Discerning Beyond the Screen. Toya Booth skillfully navigates the intersection of Christian-based films and spiritual disciplines, offering practical insights and strategies to deepen one’s relationship with Jesus Christ. From academia to ministries and personal endeavors, this groundbreaking book serves as a versatile resource for individuals and institutions alike seeking innovative approaches to spiritual formation. As Booth delves into the essence of spiritual disciplines through storytelling media, readers are invited to explore theological considerations where creativity meets spirituality. Through engaging analysis and real-world examples, Discerning Beyond the Screen unveils how these approaches can nurture discipleship and propel the church beyond its traditional confines. Whether you are a scholar seeking academic insights, a pastoral leader looking for fresh discipleship strategies, or an individual yearning for personal growth, this book offers transformative perspectives to revolutionize your spiritual journey. Discover the unique perspective and actionable guidance that Discerning Beyond the Screen offers, and embark on a journey of spiritual growth unlike any other.
Author: J. Ryan Parker
Publisher: McFarland
Published: 2014-01-10
Total Pages: 220
ISBN-13: 0786491019
DOWNLOAD EBOOKSherwood Pictures is the filmmaking ministry of Sherwood Baptist Church in Albany, Georgia, and the leading producer of church-based, independent Christian films. This book situates their work in the history of religion and film in America and shows how they bring to fruition early 20th century Protestant expectations for the use of film in the life of the church and their hopes for a vibrant Christian film industry. Also covered are the handful of churches, inspired by Sherwood, that have taken up their own cameras to create a growing church film movement. This book offers another examination of the relationship between conservative evangelical Protestant Christianity and the wider popular culture.
Author: Jeff Johnson
Publisher: McFarland
Published: 2015-09-16
Total Pages: 193
ISBN-13: 0786480971
DOWNLOAD EBOOKFilmmaker David Lynch's work is viewed here as patriotic and Puritanical. This Lynch is an idealistic conservative on a reformer's mission. Lynch promotes a return to the values inherent in a mythological America, but he indulges in a voyeuristic pleasure which he simultaneously condemns. Like Jeffrey peeking through the slats of Dorothy's closet in Blue Velvet, the viewer of Lynch's work is a rationalist plagued by his dreams; intrigued and repulsed, fascinated and judgmental, he both craves and resists cultural assimilation. Works presented include all features from Eraserhead to Mulholland Drive, shorts such as The Amputee and The Grandmother, and contributions to television such as Hotel Room and, of course, Twin Peaks. This study develops an idea of Lynch's politics, analyzes his work, and explores Lynch's paradox of condemning an immoral world through disturbing images and concepts, and touches on such points as the identifiable figure of evil in his works as well as the archetypes of the nymphet, well-meaning traditionalist, and struggling ethicist. Also included are a history of moralistic criticism in American literature and a review of existing Lynch criticism within this context.
Author: Moya Luckett
Publisher: Wayne State University Press
Published: 2013-07-12
Total Pages: 436
ISBN-13: 0814337260
DOWNLOAD EBOOKInvestigates how progressivism structured many aspects of understudied era of cinema. Caught between the older model of short film and the emerging classic era, the transitional period of American cinema (1907-1917) has typically posed a problem for studies of early American film. Yet in Cinema and Community: Progressivism, Exhibition, and Film Culture in Chicago, 1907-1917, author Moya Luckett uses the era's dominant political ideology as a lens to better understand its cinematic practice. Luckett argues that movies were a typically Progressive institution, reflecting the period's investment in leisure, its more public lifestyle, and its fascination with celebrity. She uses Chicago, often considered the nation's most Progressive city and home to the nation's largest film audience by 1907, to explore how Progressivism shaped and influenced the address, reception, exhibition, representational strategies, regulation, and cultural status of early cinema. After a survey of Progressivism's general influences on popular culture and the film industry in particular, she examines the era's spectatorship theories in chapter 1 and then the formal characteristics of the early feature film-including the use of prologues, multiple diegesis, and oversight-in chapter 2. In chapter 3, Luckett explores the period's cinema in the light of its celebrity culture, while she examines exhibition in chapter 4. She also looks at the formation of Chicago's censorship board in November 1907 in the context of efforts by city government, social reformers, and the local press to establish community standards for cinema in chapter 5. She completes the volume by exploring race and cinema in chapter 6 and national identity and community, this time in relation to World War I, in chapter 7. As well as offering a history of an underexplored area of film history, Luckett provides a conceptual framework to help navigate some of the period's key issues. Film scholars interested in the early years of American cinema will appreciate this insightful study.
