Broadway Musicals, 1943-2004
Broadway Musicals, 1943-2004

Author: John Stewart

Publisher: McFarland

Published: 2012-11-22

Total Pages: 6404

ISBN-13: 1476603294

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On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.

Deep Are the Roots
Deep Are the Roots

Author: Stephen Bourne

Publisher: The History Press

Published: 2021-10-07

Total Pages: 196

ISBN-13: 0750999101

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Deep Are the Roots celebrates the pioneers of Black British theatre, beginning in 1825, when Ira Aldridge made history as the first Black actor to play Shakespeare's Othello in the United Kingdom, and ending in 1975 with the success of Britain's first Black-led theatre company. In addition to providing a long-overdue critique of Laurence Olivier's Othello, Bourne has unearthed the forgotten story of Paul Molyneaux, a Shakespearean actor of the Victorian era. The twentieth-century trailblazers include Paul Robeson, Florence Mills, Elisabeth Welch, Edric Connor and Pearl Connor-Mogotsi. There are chapters about the groundbreaking work of playwrights at the Royal Court, the first Black drama school students, pioneering theatre companies and three influential dramatists of the 1970s: Mustapha Matura, Michael Abbensetts and Alfred Fagon. Drawing on interviews with leading lights, here is everything you need to know about the trailblazers of Black theatre in Britain and their profound influence on the culture of today.

Cindy Ella
Cindy Ella

Author: Robin Palmer

Publisher: Penguin

Published: 2008-02-07

Total Pages: 338

ISBN-13: 1101098910

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The ideal L.A. fairy tale for fans of Once Upon a Time and L.A. Candy, from the author of Geek Charming. Prom fever has infected LA—especially Cindy’s two annoying stepsisters, and her overly Botoxed stepmother. Cindy seems to be the only one immune to it all. But her anti-prom letter in the school newspaper does more to turn Cindy into Queen of the Freaks than close the gap between the popular kids and the rest of the students. Everyone thinks she’s committed social suicide, except for her two best friends, the yoga goddess India and John Hughes–worshipping Malcolm, and shockingly, the most popular senior at Castle Heights High and Cindy’s crush, Adam Silver. Suddenly Cindy starts to think that maybe her social life could have a happily ever after. But there’s still the rest of the school to deal with. With a little bit of help from an unexpected source and a fabulous pair of heels, Cindy realizes that she still has a chance at a happily ever after.

Black and Asian Theatre In Britain
Black and Asian Theatre In Britain

Author: Colin Chambers

Publisher: Routledge

Published: 2020-12-17

Total Pages: 292

ISBN-13: 1134216904

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Black and Asian Theatre in Britain is an unprecedented study tracing the history of ‘the Other’ through the ages in British theatre. The diverse and often contradictory aspects of this history are expertly drawn together to provide a detailed background to the work of African, Asian, and Caribbean diasporic companies and practitioners. Colin Chambers examines early forms of blackface and other representations in the sixteenth century, through to the emergence of black and Asian actors, companies, and theatre groups in their own right. Thorough analysis uncovers how they led to a flourishing of black and Asian voices in theatre at the turn of the twenty-first century. Figures and companies studied include: Ira Aldridge Henry Francis Downing Paul Robeson Errol John Mustapha Matura Dark and Light Theatre The Keskidee Centre Indian Art and Dramatic Society Temba Edric and Pearl Connor Tara Arts Yvonne Brewster Tamasha Talawa. Black and Asian Theatre in Britain is an enlightening and immensely readable resource and represents a major new study of theatre history and British history as a whole.