Rookwood and the American Indian
Rookwood and the American Indian

Author: Anita J. Ellis

Publisher: Ohio University Press

Published: 2007

Total Pages: 313

ISBN-13: 0821417398

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The nation's premier private collection of Rookwood art pottery featuring American Indian portraiture is on display at the Cincinnati Art Museum from October 2007 to January 2008. Rookwood and the American Indian: Masterpieces of American Art Pottery from the James J. Gardner Collection is a remarkable exhibition catalogue that will be of interest well beyond the exhibition because of its unique subject matter. Fifty-two pieces produced by the Rookwood Pottery Company are showcased, many accompanied by black-and-white photographs of the American Indians portrayed by the ceramic artist. In addition, the catalogue includes a brief biography of each artist as well as curators' comments about the Rookwood pottery and the Indian apparel seen in the portraits. The catalogue also presents two essays. The first, "Enduring Encounters: Cincinnatians and American Indians to 1900," by ethnologist and co-curator Susan Labry Meyn, describes American Indian activities in Cincinnati from the time of the first settlers to 1900 and relates these events to national policy, such as the 1830 Indian Removal Act. Rookwood and the American Indian, by art historian Anita J. Ellis, concentrates on Rookwood's fascination with the American Indian and the economic implications of producing that line. Rookwood and the American Indian blends anthropology with art history to reveal the relationships between the white settlers and the Native Americans in general, between Cincinnati and the American Indian in particular, and ultimately between Rookwood artists and their Indian friends.

Killer Colt
Killer Colt

Author: Harold Schechter

Publisher: Open Road Media

Published: 2024-04-02

Total Pages: 420

ISBN-13: 1504094263

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An in-the-room account of John Colt’s scandalous nineteenth-century murder trial from “America’s principal chronicler of its greatest psychopathic killers” (Boston Review). In this masterful account, renowned true-crime historian Harold Schechter takes you into the life and crimes of convicted murderer John Caldwell Colt, drawing parallels between John’s rise to notoriety and his brother Samuel Colt’s rise to fame as the inventor of the legendary revolver. With a killing that made headlines around the nation, John Colt became a cultural touchstone whose shocking villainy inspired and provoked such writers as Edgar Allan Poe, Walt Whitman, and Herman Melville. Unlike his brother, John lived a nomadic existence, bouncing from one job to another. His one distinction, writing a reference accounting book, would play a part in his fall from grace. For in New York City, on September 17, 1841, John murdered printer Samuel Adams with a hatchet during a heated argument over proceeds from book sales. A media circus ensued, galvanizing the penny press, which printed lurid headlines and gruesome woodcut illustrations. The standing-room-only trial created unforgettable moments in legal history, including such dramatic evidence as Samuel Adams’s decomposed head. The verdict and its aftermath would reverberate throughout the country and beyond, giving John Colt lasting infamy. “[Schechter] leads us through Colt’s trial with such precision that you can smell the cigar smoke in the courtroom. . . . Killer Colt succeeds in making us care about this story now by showing why it mattered to so many people then.” —HistoryNet

Relic Hunters
Relic Hunters

Author: James E. Snead

Publisher: Oxford University Press

Published: 2018-08-30

Total Pages: 320

ISBN-13: 0191055891

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Relic Hunters is a study of the complex relationship between the people of 19th century America with the material antiquities of North America's indigenous past. As scholars struggled to explain their existence, farmers in Ohio were plowing up arrowheads, building their houses atop burial mounds, and developing their own ideas about antiquity. They experienced the new country as a "place with history" reflected in material traces that became important touch points for scientific knowledge, but for American cultural identity as well. Relic Hunters traces the encounter with American antiquities from 1812 to 1879. This encompasses the period when archaeology took root in the United States: it also spans the "deep settlement" of the Midwest and sectional strife both before and after the Civil War. At the center of the story is the first iconic find of American archaeology, known as "the Kentucky Mummy." Discovered deep in a cavern, this dessicated burial became the subject of scholarly competition, traveling exhibitions, and even poetry. The book uses the theme of the Kentucky Mummy to structure the broader story of the public and American antiquities, a tour that leads through rural museums, mound excavations, lecture tours, shady deals, and ultimately into the famous attic of the Smithsonian Institution. Ultimately, Relic Hunters is a story of the American landscape, and of the role of archaeology in shaping that place. Derived from letters, memoranda, and reports found in more than a dozen archives, this is a unique account of a critical encounter that shaped local and national identity in ways that are only now being explored.

American Antiquities
American Antiquities

Author: Terry A. Barnhart

Publisher: U of Nebraska Press

Published: 2015-11-01

Total Pages: 594

ISBN-13: 0803268424

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Writing the history of American archaeology, especially concerning eighteenth- and nineteenth-century arguments, is not always as straightforward as it might seem. Archaeology’s trajectory from an avocation to a semi-profession to a specialized profession, rather than being a linear progression, was an untidy organic process that emerged from the intellectual tradition of antiquarianism. It then closely allied itself with the natural sciences throughout the nineteenth century, especially with geology and the debate about the origins and identity of the indigenous mound-building cultures of the eastern United States. In his reexamination of the eclectic interests and equally varied settings of nascent American archaeology, Terry A. Barnhart exposes several fundamental, deeply embedded historiographical problems within the secondary literature relating to the nineteenth-century debate about “Mound Builders” and “American Indians.” Some issues are perceptual, others contextual, and still others are basic errors of fact. Adding to the problem are semantic and contextual considerations arising from the problematic use of the term “race” as a synonym for tribe, nation, and race proper—a concept and construct that does not in all instances translate into current understanding and usage. American Antiquities uses this early discourse on the mounds to reframe perennial anthropological problems relating to human origins and antiquity in North America.

Edison and the Electric Chair
Edison and the Electric Chair

Author: Mark Essig

Publisher: Bloomsbury Publishing USA

Published: 2009-05-26

Total Pages: 370

ISBN-13: 0802719287

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Thomas Edison stunned America in 1879 by unveiling a world-changing invention--the light bulb--and then launching the electrification of America's cities. A decade later, despite having been an avowed opponent of the death penalty, Edison threw his laboratory resources and reputation behind the creation of a very different sort of device--the electric chair. Deftly exploring this startling chapter in American history, Edison & the Electric Chair delivers both a vivid portrait of a nation on the cusp of modernity and a provocative new examination of Edison himself. Edison championed the electric chair for reasons that remain controversial to this day. Was Edison genuinely concerned about the suffering of the condemned? Was he waging a campaign to smear his rival George Westinghouse's alternating current and boost his own system? Or was he warning the public of real dangers posed by the high-voltage alternating wires that looped above hundreds of America's streets? Plumbing the fascinating history of electricity, Mark Essig explores America's love of technology and its fascination with violent death, capturing an era when the public was mesmerized and terrified by an invisible force that produced blazing light, powered streetcars, carried telephone conversations--and killed.

Wax Museum Movies
Wax Museum Movies

Author: George Higham

Publisher: McFarland

Published: 2020-10-02

Total Pages: 297

ISBN-13: 1476662193

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Spanning over a century of cinema and comprised of 127 films, this book analyzes the cinematic incarnations of the "uncanniest place on earth"--wax museums. Nothing is as it seems at a wax museum. It is a place of wonder, horror and mystery. Will the figures come to life at night, or are they very much dead with corpses hidden beneath their waxen shells? Is the genius hand that molded them secretly scarred by a terrible tragedy, longing for revenge? Or is it a sinner's sanctum, harboring criminals with countless places to hide in plain sight? This chronological analysis includes essential behind the scenes information in addition to authoritative research comparing the creation of "real" wax figures to the "reel" ones seen onscreen. Publicly accessible or hidden away in a maniac's lair, wax museums have provided the perfect settings for films of all genres to thrillingly play out on the big screen since the dawn of cinema.

Billboard
Billboard

Author:

Publisher:

Published: 1944-03-25

Total Pages: 108

ISBN-13:

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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.