This book looks at Christian church architecture and related decorative work from the late 19th century to the present, including period revivals, the "Arts and Crafts" interlude, the schools of Scandinavia, Germany, and West Coast America, and the Modern Movement. Extensively illustrated mainly in color.
In the 1880s, socio-economic and technological changes in the United States contributed to the rejection of Christian architectural traditions and the development of the radically new auditorium church. Jeanne Kilde links this shift in evangelical Protestant architecture to changes in worship style and religious mission.
This is a reassessment of the phenomenon of church architecture in the 19th century. It presents a range of interpretations that approach Victorian churches as products of institutional needs, socio-cultural developments, and economic forces.
Science and Sound in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. In the context of rapid urbanization and industrialization, as well as a growing overseas empire, Britain was home to a rich scientific culture in which the ear was as valuable an organ as the eye for examining nature. Experiments on how sound behaved informed new understandings of how a diverse array of natural phenomena operated, notably those of heat, light, and electro-magnetism. In nineteenth-century Britain, sound was not just a phenomenon to be studied, but central to the practice of science itself and broader understandings over nature and the universe. This collection, accompanied by extensive editorial commentary, will be of great interest to students and scholars of the History of Science.