Chronology of the Birth of Cinema, 1833–1896

Chronology of the Birth of Cinema, 1833–1896

Author: Deac Rossell

Publisher: Indiana University Press

Published: 2022-10-18

Total Pages: 548

ISBN-13: 0861969642

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Written from an international perspective, this account of the origins of the cinema begins in 1833 with the introduction of optical toys for reproducing movement and ends with a thorough examination of the first full year of projected moving pictures in 1896. Comprehensive and verifiable, with citations that support each individual entry, the book examines the events that culminated in the establishment of the moving picture world that was the dominant visual medium of the last century. Drawing on a range of international sources, this chronology is a readable, vivid account that corrects many longstanding errors in the story of moving pictures while at the same time recording the astounding diversity of ideas, apparatus, personalities, and exhibitions that turned a passing novelty into a major industry. Populated by dreamers, inventors, scientists, and entrepreneurs with widely different skills, interests, and backgrounds, the many origins of the cinema are all recorded here in a rich tapestry that has been woven with attention to the detailed shape and placement of each individual thread. The result is a fully- indexed reference that reflects the state of modern scholarship and should be useful over the long term as both a reference to the period of early cinema and as a starting point for further research.


Classical Antiquity and the Cinematic Imagination

Classical Antiquity and the Cinematic Imagination

Author: Martin M. Winkler

Publisher:

Published: 2024-02-14

Total Pages: 554

ISBN-13: 1009396730

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This book aims to enhance our appreciation of the modernity of the classical cultures and, conversely, of cinema's debt to ancient Greece and Rome. It explores filmic perspectives on the ancient verbal and visual arts and applies what is often referred to as pre-cinema and what Sergei Eisenstein called cinematism: that paintings, statues, and literature anticipate modern visual technologies. The motion of bodies depicted in static arts and the vividness of epic ecphrases point to modern features of storytelling, while Plato's Cave Allegory and Zeno's Arrow Paradox have been related to film exhibition and projection since the early days of cinema. The book additionally demonstrates the extensive influence of antiquity on an age dominated by moving-image media, as with stagings of Odysseus' arrow shot through twelve axes or depictions of the Golden Fleece. Chapters interpret numerous European and American silent and sound films and some television productions and digital videos.


How the Movies Got a Past

How the Movies Got a Past

Author: Dimitrios Latsis

Publisher: Oxford University Press

Published: 2023

Total Pages: 409

ISBN-13: 0197689272

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How the Movies Got a Past presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions, lectures, and films about the cinema as a technology, artform, and source of entertainment, from its inception up to 1930. With a wealth of case studies and illustrations, this book will appeal to media historians, silent movie buffs, film archivists, and students alike.


New Perspectives on Early Cinema History

New Perspectives on Early Cinema History

Author: Mario Slugan

Publisher: Bloomsbury Publishing

Published: 2022-06-02

Total Pages: 304

ISBN-13: 1350181986

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In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods. The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de têtes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper's Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany.


A History of Pre-cinema

A History of Pre-cinema

Author: Stephen Herbert

Publisher: Taylor & Francis

Published: 2000

Total Pages: 556

ISBN-13: 9780415211499

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This set reprints together for the first time rare and essential material on the history of pre-cinema.Volume 1: Olive Cook, Movement in Two Dimensions [1963]. Volume 2 features the first facsimile reprinting of the often-overlooked "British Journal of" "Photography," Volume 3 is comprised of a selection of articles originally published between 1827-1861.


Comparative Media History

Comparative Media History

Author: Jane Chapman

Publisher: Polity

Published: 2005-07-11

Total Pages: 315

ISBN-13: 0745632432

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Comparative Media History is a unique thematic textbook which introduces students to the key ideas underpinning media development. It is an essential first step to a better understanding of both the media industry today and the way in which it evolved over time. The textbook compares developments and influences from a broad perspective, highlighting and contrasting different countries, industries and periods of history in order to encourage an understanding of cause and effect. In a style which is clear, accessible and provocative, Jane Chapman argues that most of the roots of today's media - even the globalizing impulse - lie in the late 18th and 19th centuries. The book emphasises continuity and certain decisive factors such as the social use of technology, the character of the institutions in which it is applied and the political approach of the specific countries involved. The comparative element to this book, both across countries and industries, will enable students to reflect on key issues in media studies, including those of diversity, form, method and choice, both past and present. It will become an essential text for any student of the media and its history. For more information about the book and the author, please see www.janechapman.co.uk


"They Thought it was a Marvel"

Author: Tjitte de Vries

Publisher: Amsterdam University Press

Published: 2009

Total Pages: 577

ISBN-13: 9085550165

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Was 1906 the year of birth of animation pictures? Or 1908? Was France the place of birth, or was it the United States? --


History of Scottish Architecture

History of Scottish Architecture

Author: Glendinning Miles Glendinning

Publisher: Edinburgh University Press

Published: 2019-07-30

Total Pages: 626

ISBN-13: 1474468500

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At last - here is a single volume authoritative history of Scottish architecture. This compact yet comprehensive account combines factual description of the vast and fertile range of visual forms and key architects in each period with a wide-ranging analysis of their social, ideological and historical context. As Scotland has often been closely involved with new trends in western architecture, this book highlights the interaction of Scottish developments with broader European and international movements. From the beginnings of the Renaissance in the 15th century right up to the 1990s ,this much-needed survey covers the entire post-medieval story in one volume.


The Cinema of Attractions Reloaded

The Cinema of Attractions Reloaded

Author: Wanda Strauven

Publisher: Amsterdam University Press

Published: 2006

Total Pages: 464

ISBN-13: 9053569456

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Twenty years ago, noted film scholars Tom Gunning and André Gaudreault introduced the phrase “cinema of attractions” to describe the essential qualities of films made in the medium’s earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies. The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair’s debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games. With essays by an impressive collection of international film scholars—and featuring contributions by Gunning and Gaudreault as well—The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence.