DigiCat Publishing presents to you this special edition of "Whiteoak Heritage" (Whiteoaks of Jalna) by Mazo de la Roche. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
First published in 1936, Whiteoak Harvest chronicles the 1930s saga of Renny Whiteoak and his wife, Alayne. Finch Whiteoak and wife, Sarah, return from their honeymoon to upset the Jalna household with Eden Whiteoak's love child. Meanwhile Wakefield Whiteoak is engaged to Pauline Lebraux but is tormented by religious doubts. This is book 11 of 16 in The Whiteoak Chronicles. It is followed by Wakefield's Course.
First published in 1953, in The Whiteoak Brothers, the Jalna household is electric with secrecy and excited expectation. It is now 1923, and while young love blossoms between Pheasant and Piers, Aunt Augusta's friend, Dilly Warkworth, arrives at Jalna and tries to snare the heart of Renny. Eden, meets a persuasive mining broker whose new venture promises miracles. One by one, Eden persuades the other Whiteoaks to part with their savings - even old Adeline. This is book 6 of 16 in The Whiteoak Chronicles. It is followed by Jalna.
Baseball. religion. work. death. and the company store-these figured eminently in the lives of Southern cotton mill workers and their families during the early decades of the twentieth century. In this firsthand account of his native Bladenboro, North Carolina, George G. Suggs, Jr., captures in rich detail the world of a thriving cotton mill town where the company was dominant but workers had forged a strong community. Here the focus is on the workers-their interests, personalities, and values-in their best and in their darker moments. Ultimately we see the many dimensions of working-class culture and taste a way of life that has vanished. Drawing upon childhood memories and his father's recollections, Suggs covers events in Bladenboro during the 1930s and 40s. He describes the nature of cottonmill work, the stresses and strains produced by undesirable working conditions, and the various ways in which workers and their families learned to cope. Many characters emerge from this story-from the kind woman who dispensed the company fiat money to the desperate men who would gamble it away. The book explores key topics such as social rankings, medical care, the company store, and workers' responses to death. Above all, we see how faith found expression on the job and in the surrounding evangelical churches. The workers of Bladenboro are gone, and little remains of the mills, but this work pays tribute to lives well lived under the most challenging circumstances.
After giving birth to a son with dominant African traits, a white Southern enslaver must decide if she'll hold onto her bigotry at the cost of her heart.When Caroline Gibson marries the Reverend John Mattocks, she leaves behind her privileged life, which she finds easier than leaving behind her prejudices. While she's content being served, John lives to serve others. Scorning his family's wealth and long-held practice of owning slaves, he chooses to follow his conscience, becoming an abolitionist preacher. But after Caroline gives birth to a son of African heritage, they both must face their vastly different beliefs. Their marriage mirrors the Civil War's failure to create a changed society, the turmoil not only leaving the nation in despair but their relationship as well. Can their love find deeper roots in forgiveness and acceptance? This dramatic story of love, faith, family bonds, and discrimination is based on true events of the author's great-great-great-grandparents in coastal North Carolina.
