Collected Poems

Collected Poems

Author: Chinua Achebe

Publisher: Penguin Group

Published: 2009-01-16

Total Pages: 97

ISBN-13: 0307517918

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A collection of poetry spanning the full range of the African-born author's acclaimed career has been updated to include seven never-before-published works, as well as much of his early poetry that explores such themes as the African consciousness, the tragedy of Biafra, and the mysteries of human relationships.


Christmas Poems

Christmas Poems

Author: John Hollander

Publisher: Everyman's Library

Published: 1999-10-26

Total Pages: 258

ISBN-13: 0375407898

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Christmas is both a holiday and a holy day, and from the start it has been associated with poetry, from the song of the seraphim above the manger to the cherished carols around the punch bowl. This garland of Christmas poems contains not only the ones you would insist on finding here ("A Visit from St. Nicholas," "Lo, How a Rose E'er Blooming," and "The Twelve Days of Christmas" among them) but such equally enchanting though lesser-known Yuletide treasures as Emily Dickinson's "The Savior must have been a docile Gentleman," Anthony Hecht's "Christmas Is Coming," Rudyard Kipling's "Christmas in India," Langston Hughes's "Shepherd's Song at Christmas," Robert Graves's "The Christmas Robin," and happy surprises like Phyllis McGinley's "Office Party," Dorothy Parker's "The Maid-Servant at the Inn," and Philip Larkin's "New Year Poem."


Christmas Please!

Christmas Please!

Author: Douglas Brooks-Davies

Publisher: Orion

Published: 2003

Total Pages: 224

ISBN-13: 9780753817186

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A must-have collection of seasonal poems, accompanied by stunning watercolour illustrations. Baby Jesus and the three kings, holly and mistletoe, angels and carols, mince pies and gifts - this is a wonderful selection of poems on every aspect of Christmas, guaranteed to please every mood and taste. The poems have been taken from the whole range of verse in English, from the Middle Ages to the present day.


Notes on Grief

Notes on Grief

Author: Chimamanda Ngozi Adichie

Publisher: Knopf

Published: 2021-05-11

Total Pages: 44

ISBN-13: 0593320816

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From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father: “With raw eloquence, Notes on Grief … captures the bewildering messiness of loss in a society that requires serenity, when you’d rather just scream. Grief is impolite ... Adichie’s words put welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided” (The Washington Post). Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie's canon.


Gabriel Okara

Gabriel Okara

Author: Gabriel Okara

Publisher: U of Nebraska Press

Published: 2016-04

Total Pages: 197

ISBN-13: 0803288662

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Gabriel Okara, a prize-winning author whose literary career spans six decades, is rightly hailed as the elder statesman of Nigerian literature. The first Modernist poet of anglophone Africa, he is best known for The Fisherman's Invocation (1978), The Dreamer, His Vision (2005), and for his early experimental novel, The Voice (1964). Arranged in six sections, Gabriel Okara: Collected Poems includes the poet's earliest lyric verse along with poems written in response to Nigeria's war years; literary tributes and elegies to fellow poets, activists, and loved ones long dead; and recent dramatic and narrative poems. The introduction by Brenda Marie Osbey contextualizes Okara's work in the history of Nigerian, African, and English language literatures. Gabriel Okara: Collected Poems is at once a treasure for those long in search of a single authoritative edition and a revelation and timely introduction for readers new to the work of one of Africa's most revered poets.


Collected Poems

Collected Poems

Author: Chinua Achebe

Publisher: Carcanet Press

Published: 2005

Total Pages: 0

ISBN-13: 9781857548433

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Chinua Achebe's poetic output is gathered together in this volume by arguably the most influential African writer of the 20th century.


Beginning at the End

Beginning at the End

Author: Robert Stilling

Publisher: Harvard University Press

Published: 2018-06-11

Total Pages: 215

ISBN-13: 0674919696

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During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were “beginning at the end,” skipping the inventive phase of youth for a decadence thought more typical of Europe’s declining empires. Robert Stilling takes up Fanon’s assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art. In Stilling’s account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art’s sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siècle figures such as Wilde questioned the imperial ideologies of their own era. Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups—European decadents and postcolonial artists—maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions.


Homeland and Other Poems

Homeland and Other Poems

Author: Ogaga Ifowodo

Publisher: Africa Research and Publications

Published: 2008

Total Pages: 86

ISBN-13:

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Homeland and Other Poems, Ogaga Ifowodo's first collection of poems, employs the idiom of stubborn hope and healing laughter to explore childhood lore, the pains and pleasure of existence, political heroism, villainy, love and tenderness. It is distinguished by a refreshing use of metaphor and an assuredness of expression.