ʼTis the season to indulge in hot chocolate and irresistible holiday treats—until too much of a good thing turns downright deadly . . . When local businessman Jed Greenberg is found dead with a Chocolate lab whimpering over his body, the police start sniffing around Robbie Jordan’s country restaurant for answers. Was it something in Robbie’s hot cocoa that killed Jed, or was it Cocoa, the dog . . . ? As the suspects pile as high as her holiday tree, Robbie attempts to get to the bottom of the sickly-sweet murder . . . Previously published in Christmas Cocoa Murder
It may be Christmas in Tupelo, but Callie Valentine Jones' not-quite-ex Jack is trussed up like a holiday turkey recovering from a shattered leg, cousin Lovie's looking for love in all the wrong stockings, and Elvis the basset hound is out for revenge on a sneaky Lhasa Apso. Everyone finally gets into the spirit when Uncle Charlie is pressed into service as Santa at a weekend charity event in the mall. But Yuletide cheer turns to Yuletide fear after a killer tries to zap Charlie back to the North Pole marked "Return to Sender." Determined to find out who's decking the mall with Christmas corpses, Elvis and the Valentines fill up their sleigh with suspects as they attempt to unmask a devil in disguise in time to turn their "Blue Christmas" all Christmas-y and white. "Settle in for a ridiculously funny holiday mystery." --Library Journal "Ditzy. . .Elvis fans in need of a deep-fried farce may find this finger-lickin' good." --Publishers Weekly "Callie Valentine-Jones is the spunkiest dog-loving hairdresser to sleuth in a long time." --RT Book Reviews
Snowy mountains, a picture-perfect Christmas village and- Wait! Who's that dead among the pine trees? Izzy Palmer must deal with a pack of snowbound suspects in this hilarious new standalone Christmas mystery.
Christmas has come early to the beautiful Poconos resort that’s the setting for the American Baking Battle’s holiday special, where chef Courtney Archer is on hand to sample festive fare—and lift the lid off a killer . . . Six ambitious bakers are competing for glory and a grand prize, showcasing their most delicious candies, cookies, and desserts. Courtney detects some on-set grinchiness from her coworkers, especially judge Shannon Collins, but she’s hoping the sweet treats will restore everyone’s festive spirits. That Christmas wish swiftly fizzles when assistant director Kinzy Hummel is found strangled—with an apron from Shannon’s new product line . . . Shannon insists she’s innocent. Meanwhile, Kinzy had been under pressure from a disgruntled attorney to settle her late grandfather’s estate. But could that be a motive for murder? The show must go on even as Courtney sifts through competitors and crew for likely suspects. But unless she can quickly get to the truth, there’ll be another helping of homicide amid the pinwheel cookies and fruitcakes . . .
DigiCat presents to you a collection of the greatest mystery cases and puzzles for you to solve and relax with during Christmas and winter holidays: Agatha Christie: The Mysterious Affair at Styles The Murder on the Links The Kidnapped Prime Minister The Million Dollar Bond Robbery The Secret Adversary R. Austin Freeman: Dr. Thorndyke's Cases The Adventures of Dr. Thorndyke Dr. Thorndyke's Casebook Arthur Conan Doyle: The Adventures of Sherlock Holmes The Memoirs of Sherlock Holmes A Study in Scarlet The Sign of Four The Hound of the Baskervilles The Valley of Fear A. E. W. Mason: At the Villa Rose The Affair at the Semiramis Hotel Mary Roberts Rinehart: The Circular Staircase The Amazing Adventures of Letitia Carberry Tish – The Chronicle of Her Escapades and Excursions More Tish Edgar Allan Poe: The Murders in the Rue Morgue The Mystery of Marie Rogêt The Purloined Letter Charles Dickens: Hunted Down Wilkie Collins: The Moonstone The Woman in White The Haunted Hotel Robert Barr: The Triumph of Eugéne Valmont Jennie Baxter, Journalist The Adventures of Sherlaw Kombs The Adventure of the Second Swag E. W. Hornung: The Amateur Cracksman The Black Mask; or, Raffles: Further Adventures A Thief in the Night Mr. Justice Raffles John Kendrick Bangs: Mrs. Raffles R. Holmes & Co Melville Davisson Post: The Sleuth of St. James's Square Edgar Wallace: The Four Just Men The Clue of the Twisted Candle Victor L. Whitechurch: The Canon in Residence Anna Katharine Green: The Leavenworth Case A Strange Disappearance The Mystery of the Hasty Arrow That Affair Next Door Lost Man's Lane The Circular Study G. K. Chesterton: The Innocence of Father Brown The Wisdom of Father Brown The Donnington Affair Ellis Parker Butler: Philo Gubb Correspondence-School Detective Maurice Leblanc: Arsene Lupin The Extraordinary Adventures of Arsene Lupin Mabel & Paul Thorne: The Sheridan Road Mystery Marion Harvey: The Mystery of the Hidden Room Grace Livingston Hill: The Mystery of Mary
"Throughout history, the religious imagination has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed-or, more commonly, how they must be hidden. Religious belief and mandate affect how our bodies are used in ritual practice, as well as how we use them to identify and marginalize threatening religious Others. This book examines how horror culture treats religious bodies that have stepped (or been pushed) out of their 'proper' place. Unlike most books on religion and horror, This book explores the dark spaces where sex, sexual representation, and the sexual body come together with religious belief and scary stories. Because these intersections of sex, horror, and the religious imagination force us to question the nature of consensus reality, supernatural horror, especially as it concerns the body, often shows us the religious imagination at work in real time. It is important to note that the discussion in this book is not limited either to horror cinema or to popular fiction, but considers a wide range of material, including literary horror, weird fiction, graphic storytelling, visual arts, participative culture, and aspects of real-world religious fear. It is less concerned with horror as a genre (which is mainly a function of marketing) and more with the horror mode, a way of storytelling that finds expression across a number of genres, a variety of media, and even blurs the boundary between fiction and non-fiction. This expanded focus not only deepens the pool of potential examples, but invites a much broader readership in for a swim"--
Set in a 19th century European village, this stop-motion, animated feature follows the story of Victor (Johnny Depp), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride (Helena Bonham-Carter), while his real bride, Victoria (Emily Watson), waits bereft in the land of the living
The Abject of Desire approaches the aestheticization of the unaesthetic via a range of different topics and genres in twentieth-century Anglophone literature and culture. The "experience of disgust", which Winfried Menninghaus describes as "an acute crisis of self-preservation", is correlated with conceptualizations of gender in theories of the abject/abjection. In view of this general crisis of identity in the experience of disgust, the contributions to this volume discuss examples of the aestheticization of the unaesthetic in cultural representations and locate conceptual (re)codings of the body, gender, and identity with regard to the abject as an immediate and uncompromising experience on the one hand, and a social and political phenomenon on the other. Considering a variety of cultural narratives by writers as diverse as Samuel Delany, Sarah Schulman, Joyce Carol Oates, Leslie Marmon Silko, Paul Magrs, J. G. Ballard, Stevie Smith, T. C. Boyle, Joseph Conrad, Poppy Z. Brite, and Will Self, by film directors John Waters and Peter Greenaway, playwrights Girish Karnad and Mahesh Dattani, and "body artist" Gunter von Hagens, the contributors to this volume scrutinize different implications of the ambivalent concept of the abject/abjection.
The New Cambridge Companion to William Faulkner offers contemporary readers a sample of innovative approaches to interpreting and appreciating William Faulkner, who continues to inspire passionate readership worldwide. The essays here address a variety of topics in Faulkner's fiction, such as its reflection of the concurrent emergence of cinema, social inequality and rights movements, modern ways of imagining sexual identity and behavior, the South's history as a plantation economy and society, and the persistent effects of traumatic cultural and personal experience. This new Companion provides an introduction to the fresh ways Faulkner is being read in the twenty-first century, and bears witness to his continued importance as an American and world writer.
