This book offers a challenge to conventional histories of secularisation by focusing upon the importance of central religious narratives. These narratives are changed significantly over time, but also to have been invested with importance and meaning by religious individuals and organisations as well as by secular ones.
The Death of Christian Britain uses the latest techniques to offer new formulations of religion and secularisation and explores what it has meant to be 'religious' and 'irreligious' during the last 200 years. By listening to people's voices rather than purely counting heads, it offers a fresh history of de-christianisation, and predicts that the British experience since the 1960s is emblematic of the destiny of the whole of western Christianity. Challenging the generally held view that secularization has been a long and gradual process beginning with the industrial revolution, it proposes that it has been a catastrophic short term phenomenon starting with the 1960's. Is Christianity in Britain nearing extinction? Is the decline in Britain emblematic of the fate of western Christianity? Topical and controversial, The Death of Christian Britain is a bold and original work that will bring some uncomfortable truths to light.
This book sheds new light on early twentieth-century secularism by examining campaigns to challenge dominant Christian approaches to the teaching of morality and citizenship in English schools, and to offer superior alternatives. It brings together, for the first time, the activities of different educators and pressure groups, operating locally, nationally and internationally, over a period of 47 years. Who were these activists? What ideological and organisational resources did they draw on? What proposals did they make? And how did others respond to their views? Secularist activists represented a minority, but offered a recurrent challenge to majority views and shaped ongoing educational debates. They achieved some, albeit limited, influence on policy and practice. They were divided among themselves and by 1944 had failed to supplant majority views. But, with the place of religious and secular ideals in schools remaining a subject of debate, this analysis has resonance today.
The story of a significant British church leader who fought for justice and freedom during World War II It was to George Bell, an English bishop, that Dietrich Bonhoeffer sent his last words before he was executed at the Flossenb rg concentration camp in April 1945. Why he did so becomes clear from Andrew Chandler's new biography of George Kennedy Allen Bell (1883-1958). As he traces the arc of Bell's life, Chandler reshapes our perspective on Bonhoeffer's life and times. In addition to serving as bishop of Chichester, Bell was an internationalist and ecumenical leader, one of the great Christian humanists of the twentieth century, a tenacious critic of the obliteration bombing of enemy cities during World War II, and a key ally of those who struggled for years to resist Hitler in Germany itself. This inspiring biography raises important questions that still haunt the moral imagination today: When should the word of protest be spoken? When should nations go to war, and how should they fight? What are our obligations to the victims of dictators and international conflict?
‘Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955–1975’ challenges stereotypes concerning a post-war ‘generation gap’, exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores ‘encounters’ between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.
Did religion disappear with modernization and the secularization reforms that changed the relation between religion and state throughout the European empires and nation states from late nineteenth century onwards? Or was religion rather transformed becoming a part of the new social and national imaginaries on the road from European empires to African, Middle Eastern, European Union- and Post-Soviet nation states? What are the historical roots behind the divisions of state, church and education that characterized the late nineteenth and during the twentieth century? What has been the role of education in this context, both with regard to political reforms targeting the education systems and with regard to broader public enlightenment efforts and modernization of the state? Connecting scholars across the fields of history and historical sociology of education, church history and historical religion research and political history, and covering the time span from the early modern period and up until the present, this volume explores how education reform has functioned as an arena for the political project of secularization and in which way this contributed to transforming and revitalizing religion.
Moving beyond the (now somewhat tired) debates about secularization as paradigm, theory, or master narrative, Periodizing Secularization focuses upon the empirical evidence for secularization, viewed in its descriptive sense as the waning social influence of religion, in Britain. Particular emphasis is attached to the two key performance indicators of religious allegiance and churchgoing, each subsuming several sub-indicators, between 1880 and 1945, including the first substantive account of secularization during the fin de siècle. A wide range of primary sources is deployed, many of them relatively or entirely unknown, and with due regard to their methodological and interpretative challenges. On the back of them, a cross-cutting statistical measure of 'active church adherence' is devised, which clearly shows how secularization has been a reality and a gradual, not revolutionary, process. The most likely causes of secularization were an incremental demise of a Sabbatarian culture (coupled with the associated emergence of new leisure opportunities and transport links) and of religious socialization (in the church, at home, and in the school). The analysis is also extended backwards, to include a summary of developments during the eighteenth and early nineteenth centuries; and laterally, to incorporate a preliminary evaluation of a six-dimensional model of 'diffusive religion', demonstrating that these alternative performance indicators have hitherto failed to prove that secularization has not occurred. The book is designed as a prequel to the author's previous volumes on the chronology of British secularization - Britain's Last Religious Revival? (2015) and Secularization in the Long 1960s (2017). Together, they offer a holistic picture of religious transformation in Britain during the key secularizing century of 1880-1980.
In the 1930s and 1940s – amid the crises of totalitarianism, war and a perceived cultural collapse in the democratic West – a high-profile group of mostly Christian intellectuals met to map out ‘middle ways’ through the ‘age of extremes’. Led by the missionary and ecumenist Joseph H. Oldham, the group included prominent writers, thinkers and activists such as T. S. Eliot, John Middleton Murry, Karl Mannheim, John Baillie, Alec Vidler, H. A. Hodges, Christopher Dawson, Kathleen Bliss and Michael Polanyi. The ‘Oldham group’ saw faith as a uniquely powerful resource for social and cultural renewal, and it represents a fascinating case study of efforts to renew freedom in a dramatic confrontation with totalitarianism. The group’s story will appeal to those interested in the cultural history of the Second World War and the issue of applying faith to the ‘modern’ social order.
Exploring the response of evangelicals to the collapse of ‘Greater Christian Britain’ in Australia in the long 1960s, this book provides a new religious perspective to the end of empire and a fresh national perspective to the end of Christendom. In the turbulent 1960s, two foundations of the Western world rapidly and unexpectedly collapsed. ‘Christendom’, marked by the dominance of discursive Christianity in public culture, and ‘Greater Britain’, the powerful sentimental and strategic union of Britain and its settler societies, disappeared from the collective mental map with startling speed. To illuminate these contemporaneous global shifts, this book takes as a case study the response of Australian evangelical Christian leaders to the cultural and religious crises encountered between 1959 and 1979. Far from being a narrow national study, this book places its case studies in the context of the latest North American and European scholarship on secularisation, imperialism and evangelicalism. Drawing on a wide range of archival sources, it examines critical figures such as Billy Graham, Fred Nile and Hans Mol, as well as issues of empire, counter-cultural movements and racial and national identity. This study will be of particular interest to any scholar of Evangelicalism in the twentieth century. It will also be a useful resource for academics looking into the wider impacts of the decline of Christianity and the British Empire in Western civilisation.
Choice Outstanding Academic Title 2023 The Myth of Harm engages and analyses controversies generated by horror that examines some of the most high-profile media debates around the issue of whether or not horror texts corrupt children. The horror genre has endured a long and controversial success within popular culture. Fraught with accusations pertaining to its alleged ability to harm and corrupt young people and indeed society as a whole, the genre is constantly under pressure to suppress that which has made it so popular to begin with - its ability to frighten and generate discussion about society's darker side. Recognising the circularity of patterns in each generational manifestation of horror censorship, The Myth of Harm draws upon cases such as the Slenderman stabbing and the James Bulger murder amongst many others in order to explore the manner in which horror has been repeatedly cast as a harmful influence upon children at the expense of scrutinising other more complex social issues. Focusing on five major controversies beginning in the 1930's Golden Age of Horror Cinema and ending on a more contemporary note with Cyber-Gothic horror – this book identifies and considers the various myths and false hoods surrounding the genre of horror and question the very motivation behind the proliferation and dissemination of these myths as scapegoats for political and social issues, platforms for “moral entrepreneurs” and tools of hyperbolae for the news industry.