Art in Spain and Portugal from the Romans to the Early Middle Ages

Art in Spain and Portugal from the Romans to the Early Middle Ages

Author: Rose Walker

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9789089648600

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In this colorfully illustrated book, Rose Walker surveys Spanish and Portuguese art and architecture from the time of the Roman conquest to the early twelfth century. For generations, scholarly discussions of such art have been complicated by a focus on maps of the pilgrimage roads and images of the Reconquista. Walker contextualizes these aspects by bringing together an exceptionally diverse range of academic studies, including work previously familiar only to Hispanophone audiences. By breaking down chronological, regional, and disciplinary divides that have limited scholarship on the subject for decades, this book enriches the wider English-language literature on early medieval art.


Art of Estrangement

Art of Estrangement

Author: Pamela Anne Patton

Publisher: Penn State Press

Published: 2012

Total Pages: 220

ISBN-13: 0271053836

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"Examines the influential role of visual images in reinforcing the efforts of Spain's Christian-ruled kingdoms to renegotiate the role of their Jewish minority following the territorial expansions of the twelfth and thirteenth centuries"--Provided by publisher.


Al-Andalus

Al-Andalus

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 1992

Total Pages: 464

ISBN-13: 0870996363

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From 711 when they arrived on the Iberian Peninsula until 1492 when scholars contribute a wide-ranging series of essays and catalogue entries which are fully companion to the 373 illustrations (324 in color) of the spectacular art and architecture of the nearly vanished culture. 91/2x121/2 they were expelled by Ferdinand and Isabella, the Muslims were a powerful force in al-Andalus, as they called the Iberian lands they controlled. This awe-inspiring volume, which accompanies a major exhibition presented at the Alhambra in Granada and The Metropolitan Museum of Art in New York, is devoted to the little-known artistic legacy of Islamic Spain, revealing the value of these arts as part of an autonomous culture and also as a presence with deep significance for both Europe and the Islamic world. Twenty-four international Annotation copyrighted by Book News, Inc., Portland, OR


Jewish Book Art Between Islam and Christianity

Jewish Book Art Between Islam and Christianity

Author: Qaṭrîn Qôǧman-Appel

Publisher: BRILL

Published: 2004-01-01

Total Pages: 400

ISBN-13: 9004137890

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This book discusses the decoration types of Sephardic illuminated Bibles in their broader historical, and social context in an era of cultural transition in Iberia and culture struggle within Spanish Jewry.


Uneasy Communion

Uneasy Communion

Author: Thomas F. Glick

Publisher: Giles

Published: 2010

Total Pages: 184

ISBN-13:

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Provides a fascinating study of the iconography of altarpieces and the artistic collaboration between Jews and Christians.


On Christian Iconography

On Christian Iconography

Author: Francisco Pacheco

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9780916101893

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An introduction to Pacheco's writings on the decorum of religious painting -- Of the order, decency and decorum that invention ought to follow -- In which the matter of decorum is continued -- In which the approval of the painting of the Last Judgment and the subject of decorum is concluded -- Important counsels on a number of sacred histories, regarding the truth and correctness with which they should be painted in accordance with the Divine Scriptures and the Holy Doctors -- In which counsels on the painting of sacred histoiries are continued -- In which the counsels on sacred paintings are continued -- On the truthful paintings of some of the best known of the saints -- In favor of painting the four nails with which Christ our Redeemer was crucified -- In which the thought and approval of these two letters is given be learned men that examined and approved them


Mudéjar Art

Mudéjar Art

Author: Gonzalo M. Borrás Gualís

Publisher: Museum Ohne Grenzen (Museum with No Frontiers)

Published: 2019-01-09

Total Pages: 318

ISBN-13: 9783902782144

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MUDÉJAR ART: Islamic Aesthetics in Christian Art reveals the fascinating exuberance of a unique cultural and artistic symbiosis that characterises Christian Spain after the Reconquista. The Mudéjars were Muslims allowed to stay in the reconquered territories. Their artists and artisans strongly influenced the culture and art of the new Christian kingdoms. In Aragon, Castille, Extremadura and Andalucía sumptuously decorated brick churches, monasteries and palaces illustrate perfectly the creative endurance of Islamic forms in Christian art between the 11th and 16th centuries in Spain. Thirteen Itineraries invite to discover 124 museums, monuments and sites in Madrid, Guadalajara, Saragossa, Tordesillas, Toledo, Guadalupe and Seville (among others). 236 colour illustrations - 28 plans of monuments - 318 pages. This title is part of the series "Islamic Art in the Mediterranean". Each title in this series starts with a general introduction to the series, followed by an introduction to the particular title. For the eBook / Kindle version the "Look Inside" link gives access to the table of contents of this title and to a part of its particular introduction. For the paperback version: the "Look Inside" link provides access to the general introduction. Note: the eBook includes an index of locations.


Judaism and Christian Art

Judaism and Christian Art

Author: Herbert L. Kessler

Publisher: University of Pennsylvania Press

Published: 2012-10-08

Total Pages: 456

ISBN-13: 0812208366

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Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world. The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or, worse, a form of idolatry ("Thou shalt make no graven image")? And if art is allowed, upon what styles, motifs, and symbols should it draw? Christian artists, theologians, and philosophers answered these questions and many others by thinking about and representing the relationship of Christianity to Judaism. This volume is the first dedicated to the long history, from the catacombs to colonialism but with special emphasis on the Middle Ages and the Renaissance, of the ways in which Christian art deployed cohorts of "Jews"—more figurative than real—in order to conquer, defend, and explore its own territory.