Chinese Printmaking Today
Author: Anne Farrer
Publisher:
Published: 2003
Total Pages: 240
ISBN-13:
DOWNLOAD EBOOKAn exhibition at the British Library, 7 November 2003-7 March 2004 in association with the Muban Foundation.
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Author: Anne Farrer
Publisher:
Published: 2003
Total Pages: 240
ISBN-13:
DOWNLOAD EBOOKAn exhibition at the British Library, 7 November 2003-7 March 2004 in association with the Muban Foundation.
Author: David Barker
Publisher:
Published: 2005-04-30
Total Pages: 130
ISBN-13:
DOWNLOAD EBOOKChina was one of the first civilizations to engage in printmaking. Ink, paper, printing from cut wooden blocks and moveable type were all invented in China. This unique book provides both a helpful introduction to the history and traditions of printmaking in China and a comprehensive guide to traditional and contemporary printmaking techniques, including detailed and illustrated sections on different techniques (single color, watercolor, poster color, stencil, and dabbed printing).
Author: Ellen Johnston Laing
Publisher: U of M Center for Chinese Studies
Published: 2002
Total Pages: 224
ISBN-13:
DOWNLOAD EBOOKTraditional woodblock prints preserve a Chinese folk art that has now nearly vanished. This book explores and explains the artistic and aesthetic bases of popular prints revealed in eighty-four late nineteenth- and early twentieth-century prints belonging to the London-based Muban Foundation. Woodblock printing was the principal method of producing inexpensive and colorful single-sheet images for mass consumption in late nineteenth- and early twentieth-century China. Prints of this type are known today as "New Year pictures" because the demand for them peaked at New Year's time. However, the term "popular print" more accurately describes these works, whose subjects include deities and tutelary spirits, illustrations to stories and operas, and even contemporary political or revolutionary messages. The emphasis on the artistic aspects of these prints makes this publication uniquely appealing to Chinese art historians but also to those interested in Chinese anthropology, popular religion, Chinese and other folk art, and traditional crafts. Ellen J. Laing received a Ph.D. from the University of Michigan. She was Maude I. Kerns Distinguished Professor of Oriental Art, University of Oregon and is currently Research Associate at the Center for Chinese Studies, University of Michigan. She has published numerous scholarly articles, books, and reference works on Chinese art.
Author: Ruth Pelzer-Montada
Publisher: Manchester University Press
Published: 2018-07-23
Total Pages: 379
ISBN-13: 1526125765
DOWNLOAD EBOOKThis anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.
Author: Rebecca Salter
Publisher: University of Hawaii Press
Published: 2002-02-28
Total Pages: 132
ISBN-13: 9780824825539
DOWNLOAD EBOOKOf all the sophisticated traditional arts and crafts of Japan, woodblock prints are probably the most widely known in the West. The bold yet refined compositions are as fresh to the Western eye today as they were when they first came to the attention of the Impressionists in the nineteenth century. With their fluid lines, intricate carving and delicate colors, Japanese prints are still as fascinating as ever. In this book, Rebecca Salter takes us through the history of the Japanese woodblock, discusses the materials, tools, and papers available (and their Western equivalents) and shows how to get the most out of them through interesting step-by-step projects. The work of an international group of artists shows the varied and exciting prints being produced today.
Author: Merlyn Chesterman
Publisher: Crowood
Published: 2015-02-23
Total Pages: 224
ISBN-13: 1847979041
DOWNLOAD EBOOKWoodblock printing is an ancient art form, which produces beautiful, subtle and lively pieces with just a few simple materials. This book introduces the art, and shares technical information and ideas for those with more experience. A wide range of exciting examples of printed woodcuts are shown along with advice on materials and tools, and a step-by-step guide to sharpening. Techniques to achieve quality prints and perfect registration are covered too. Drawing on the vibrant living traditions from China and Japan, it is both a technical guide and an inspiration. Beautifully illustrated with 160 colour photographs.
Author: Xiaobing Tang
Publisher: Univ of California Press
Published: 2008
Total Pages: 300
ISBN-13: 9780520249097
DOWNLOAD EBOOKXiaobing Tang's "Origins of the Chinese Avant-Garde "is much more than its title implies, for it is both a vivid account of the conflict between Chinese artistic conservatism, freedom of expression, and political commitment in the 1920s and 1930s and a deeply researched study of the origins and development of the woodcut movement. The author ranges widely over the controversial writings of this hectic period, showing how intimately art, literature, criticism, and politics were intertwined, but gives due prominence to such key figures as Cai Yuanpei and Lu Xun. This book will attract many readers for the vigor and lucidity of Tang's style and will become an essential source for anyone concerned with the cultural history of this turbulent era.--Michael Sullivan, author of "Modern Chinese Artists: A Biographical Dictionary" "Origins of the Chinese Avant-Garde" is a genuine masterpiece of scholarship, an impressively documented cultural history of the Republican period. In five substantial chapters written in highly lucid and eloquent prose, Xiaobing Tang reconstructs, in detail, the art world of the Republican era, with all its different styles, organisations, institutions, and individuals, and provides cross-references to contemporaneous events in other fields, especially literature. Presenting the emergence of the woodblock printing movement in the context of other art movements, traditionalist and modernist, this book offers an art history of the period more comprehensive than any other, in Chinese or in English.--Michel Hockx, Professor of Chinese, School of Oriental and African Studies, University of London "This is one of the first books in English to connect the literature and the fine arts of the early twentieth century. The author follows Lu Xun, one of the leading proponents of the revival of woodblock printmaking in early republican China, as the central thread in a narrative examining the intersections of art education, visual art, literature, and the cinema. Drawing on a wide variety of published materials, Tang successfully puts avant-garde work of the 1930s into a much broader cultural perspective."--Kuiyi Shen, author of "A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China"
Author: Jason C. Kuo
Publisher: University of Washington Press
Published: 1992
Total Pages: 114
ISBN-13:
DOWNLOAD EBOOKA catalogue and accompaniment to an exhibition at the China House Gallery, New York City, October to December 1992, which focused on Chinese seal as works of art related to calligraphy, rather than to their role in authenticating paintings. The pieces range from the 3rd (at least) century B.C. to the 1950s. Annotation copyright Book News, Inc. Port
Author: Helen Merritt
Publisher: University of Hawaii Press
Published: 1995-01-01
Total Pages: 380
ISBN-13: 9780824817329
DOWNLOAD EBOOK"[An] impressive volume, with a valuable amount of information not otherwise available in one source." --Choice Companion volume to Merritt's Modern Japanese Woodblock Prints. This volume is a reference work that is both comprehensive and rigorously chronological.