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Author: John Lust
Publisher: BRILL
Published: 1996
Total Pages: 396
ISBN-13: 9789004104723
DOWNLOAD EBOOKThe book is a first attempt to present the Chinese popular blockprint illustration for display, its culture, history and workshops. It shows how it blossomed out in the urban and rural scenes of recent centuries, finally to succumb to nationalism and revolution.
Author: John Lust
Publisher: BRILL
Published: 2021-12-06
Total Pages: 390
ISBN-13: 9004490906
DOWNLOAD EBOOKChinese Popular Prints ventures into the world of Chinese blockprint illustration that had its assured niche in the rich history of Chinese popular culture from the 17th to the early 20th centuries. These prints were not considered high art in China, but were produced for the urban and rural populations. The book deals with all aspects of the Chinese popular print. In the first two chapters its invention, origins, powerful traditions and its history are described. Classical art and the Ming illustrated book were important impetuses. Three major centres of north and central China emerged. Finally the popular print took on something of the roles of the modern cinema or television. In the following four chapters the main themes are: the printmakers and printshops; society, symbolism and visual pun; categories of popular prints and their display; technical terms. A description of the workshops and their techniques, figure drawing and colouring, gives a good insight in the technical side of the print. A varied popular culture and a certain realism are strands in it, as are spirit protection of the house, recalls of the past, hopes for the future, the hold of the theatre, etc. Two elaborate appendices provide much detailed information about persons, symbols, as well as about some images in the lore of the print. A special section of 28 illustrations (8 full colour) demonstrates the potentialities of the Chinese blockprint illustration.
Author: Maxwell K. Hearn
Publisher: Metropolitan Museum of Art
Published: 2008
Total Pages: 185
ISBN-13: 1588392813
DOWNLOAD EBOOK"Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.
Author:
Publisher: BRILL
Published: 2011-02-17
Total Pages: 446
ISBN-13: 9004193863
DOWNLOAD EBOOKThe essays in this volume seek to flesh out the diversity of Chinese textual production during the period spanning the tenth and fourteenth centuries when printing became a widely used technology. By exploring the social and political relations that shaped the production and reproduction of printed texts, the impact of intellectual and religious formations on book production, the interaction between print and other media, readership, and the growth of collections, the contributors offer the first comprehensive examination of the cultural history of book production in the first 500 years of the history of printing. In an afterword historian of the early modern European book, Ann Blair, reflects on the volume's implications for the comparative study of the impact of printing.
Author: Xiaobing Tang
Publisher:
Published: 2011
Total Pages: 0
ISBN-13: 9781930561144
DOWNLOAD EBOOKCatalogue accompanying exhibition, University of Michigan Museum of Art, July 16-October 23, 2011.
Author: Craig Clunas
Publisher: Princeton University Press
Published: 2017-02-28
Total Pages: 304
ISBN-13: 0691171939
DOWNLOAD EBOOKWhat is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.
Author: Richard M. Barnhart
Publisher: Yale University Press
Published: 1997-01-01
Total Pages: 422
ISBN-13: 0300094477
DOWNLOAD EBOOKWritten by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Author: Christopher A. Reed
Publisher: UBC Press
Published: 2011-11-01
Total Pages: 414
ISBN-13: 0774841214
DOWNLOAD EBOOKRelying on documents previously unavailable to both Western and Chinese researchers, this history demonstrates how Western technology and evolving traditional values resulted in the birth of a unique form of print capitalism that would have a far-reaching and irreversible influence on Chinese culture. In the mid-1910s, what historians call the "Golden Age of Chinese Capitalism" began, accompanied by a technological transformation that included the drastic expansion of China's "Gutenberg revolution." This is a vital reevaluation of Chinese modernity that refutes views that China's technological development was slowed by culture or that Chinese modernity was mere cultural continuity.
Author: Judith T. Zeitlin
Publisher: Smart Museum of Art, the University of C
Published: 2014
Total Pages: 0
ISBN-13: 9780935573558
DOWNLOAD EBOOKWriting in the early nineteenth century, the French traveler and cleric Abbé Huc exclaimed: "There is, perhaps, not a people in the world who carry so far their taste and passion for theatrical entertainments as the Chinese.” This taste and passion for the theater was not restricted to the stage, but permeated the visual and material world of everyday life from the village to the court. The visual spectacle of this theater is well known, displayed primarily through colorful costumes, props, and face painting. What is less known is the extent to which operatic characters and stories were favored as pictorial and decorative motifs across the full spectrum of visual mediums, from courtly scroll paintings, popular New Year prints, illustrated woodblock books and painted fans to carved utensils, ceramics, textiles, and dioramas.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 1987
Total Pages: 97
ISBN-13: 0870994832
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