Chinese Narratology II
Chinese Narratology II

Author: Yang Yi

Publisher: Taylor & Francis

Published: 2023-11-30

Total Pages: 211

ISBN-13: 1000965139

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As the second volume of a two-volume set on Chinese narratology, this title investigates the quintessential characteristics of the Chinese narrative style, with a focus on image and perspective. The first chapter introduces two opposing concepts of perspective: “focalization” and “blind spot,” to connect “perspective” with traditional aesthetics, highlighting the mutual relation of the nonexistent and the existent. The author believes that both the narrator and perspective are central to the narrative forms and strategies adopted by Chinese writers and that study of the narrator and perspective is integral to understanding the cultural, aesthetic, and philosophical connotations of the narrative text and the spiritual world of the author. Drawing on perceptual phenomenology, the chapter on image broadens the extant knowledge of “image” and points out that image narration is unique to Chinese narratology and central to Chinese aesthetics. The final chapter illustrating the achievements of influential critics of classical Chinese novels, proving that these critics have contributed to the canonization of the genuine masterpieces of Chinese narrative literature. The book is a must-read for scholars and students interested in narrative theory, Chinese culture and literature, and dialogue between Chinese and Western narratological studies.

Chinese Narrative
Chinese Narrative

Author: Andrew H. Plaks

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 379

ISBN-13: 1400856469

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Although Chinese narrative, and especially the genres of colloquial fiction, have been subjected to intensive scholarly scrutiny, no comprehensive volume has provided a framework that would permit an overall view of the tradition. The distinguished contributors to this volume have taken an important first step in making possible the consideration of Chinese narrative at the level of comparative and general literary scholarship. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Mirror of Morality
Mirror of Morality

Author: Julia K. Murray

Publisher: University of Hawaii Press

Published: 2007-01-31

Total Pages: 184

ISBN-13: 0824830016

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“Fascinate is a riveting journey through the forces of fascination—how it irresistibly shapes our ideas, opinions, and relationships—and how to wield it to your advantage.” — Alan Webber, author of Rules of Thumb In Fascinate, advertising and media personality Sally Hogshead explores what triggers fascination—one of the most powerful ways to attract attention and influence behavior—and explains how companies can use these concepts to make their products and ideas irresistible to consumers. Marketing professionals of every ilk will find much of use in the pages of Fascinate; in the words of business guru Tom Peters, “fascination is arguably the most powerful of product attachments,” and Fascinate a “pioneering book [that] helps us approach the word and the concept in a thoughtful and also practical manner.”

Chinese Theories of Fiction
Chinese Theories of Fiction

Author: Ming Dong Gu

Publisher: SUNY Press

Published: 2007-06-01

Total Pages: 304

ISBN-13: 0791481484

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In this innovative work, Ming Dong Gu examines Chinese literature and traditional Chinese criticism to construct a distinctly Chinese theory of fiction and places it within the context of international fiction theory. He argues that because Chinese fiction, or xiaoshuo, was produced in a tradition very different from that of the West, it has formed a system of fiction theory that cannot be adequately accounted for by Western fiction theory grounded in mimesis and realism. Through an inquiry into the macrocosm of Chinese fiction, the art of formative works, and theoretical data in fiction commentaries and intellectual thought, Gu explores the conceptual and historical conditions of Chinese fiction in relation to European and world fiction. In the process, Gu critiques and challenges some accepted views of Chinese fiction and provides a theoretical basis for fresh approaches to fiction study in general and Chinese fiction in particular. Such masterpieces as the Jin Ping Mei (The Plum in the Golden Vase) and the Hongloumeng (The Story of the Stone) are discussed at length to advance his notion of fiction and fiction theory.

Chinese Narrative Poetry
Chinese Narrative Poetry

Author: Dore Jesse Levy

Publisher: Durham [N.C.] : Duke University Press

Published: 1988

Total Pages: 248

ISBN-13:

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Chinese Narrative Poetry brings a new perspective to some of China's best-loved and most influential poems, including Ts'ai Yen's "Poem of Affliction," Po Chu-yi's "Song of Everlasting Sorrow," and Wei Chuang's recently discovered "Song of the Lady of Ch'in." Composed in the shih form during the Late Han, Six Dynasties, and T'ang periods, these poems stand out as masterworks of narrative art. Yet paradoxically, their narrative qualities have been little recognized or explored in either traditional Chinese or modern Western scholarship. The reason for this neglect is that Western literary traditions acknowledge their origins in epic poetry and thus take narrative for granted, but the Chinese tradition is fundametally based on lyric and does not admit of a separate category for narrative poetry. Drawing on both classical Chinese critical works and the most recent Western contributions to the theory of narrative, Levy shows how narrative elements developed out of the lyrical conventions of shih. In doing so, she accomplishes a double purpose, guiding the modern reader to an understanding of the nature of narrative in Chinese poetry and shedding light on the ways in which Chinese poets adapted the devises of lyric to the needs of a completely different expressive mode. Students of Chinese literature will welcome this pathbreaking study, but Chinese Narrative Poetry will interest other scholars as well because it addresses questions of crucial importance for literary theory and comparative literature, particularly the central issue of the applicability of Western critical concepts to non-Western literature and culture.

Heroines of Jiangyong
Heroines of Jiangyong

Author:

Publisher: University of Washington Press

Published: 2012-03-15

Total Pages: 190

ISBN-13: 0295800119

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Heroines of Jiangyong is the first English translation of a set of verse narratives recorded in the unique women's script (nushu) of rural Jiangyong County, Hunan, in southern China. This selection of Chinese folk literature provides a rare window into the everyday life of rural daughters, wives, and mothers, as they transmit valuable lessons about surviving in a patriarchal society that is often harsh and unforgiving. Featuring strong female protagonists, the ballads deal with moral issues, dangers women face outside the family home, and the difficulties of childbirth. The women's script, which represents units of sound in the local Chinese dialect, was discovered by scholars in the late twentieth century, creating a stir in China and abroad. This volume offers a full translation of all the longer ballads in women's script, providing an exceptional opportunity to observe which specific narratives appealed to rural women in traditional China. The translations are preceded by a brief introduction to women's script and its scholarship, and a discussion of each of the twelve selections.

Alien Kind
Alien Kind

Author: Rania Huntington

Publisher: BRILL

Published: 2020-03-23

Total Pages: 393

ISBN-13: 1684173825

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To discuss the supernatural in China is “to talk of foxes and speak of ghosts.” Ming and Qing China were well populated with foxes, shape-changing creatures who transgressed the boundaries of species, gender, and the metaphysical realm. In human form, foxes were both immoral succubi and good wives/good mothers, both tricksters and Confucian paragons. They were the most alien yet the most common of the strange creatures a human might encounter. Rania Huntington investigates a conception of one kind of alien and attempts to establish the boundaries of the human. As the most ambiguous alien in the late imperial Chinese imagination, the fox reveals which boundaries around the human and the ordinary were most frequently violated and, therefore, most jealously guarded. Each section of this book traces a particular boundary violated by the fox and examines how maneuvers across that boundary change over time: the narrative boundaries of genre and texts; domesticity and the outside world; chaos and order; the human and the non-human; class; gender; sexual relations; and the progression from animal to monster to transcendent. As “middle creatures,” foxes were morally ambivalent, endowed with superhuman but not quite divine powers; like humans, they occupied a middle space between the infernal and the celestial.

The Narrative Arts of Tianjin: Between Music and Language
The Narrative Arts of Tianjin: Between Music and Language

Author: Francesca R. Sborgi Lawson

Publisher: Routledge

Published: 2016-12-05

Total Pages: 156

ISBN-13: 1351885316

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In studying one of the world's oldest and most enduring musical cultures, academics have consistently missed one of the richest forms of Chinese cultural expression: performed narratives. Francesca R. Sborgi Lawson explores the relationships between language and music in the performance of four narrative genres in the city of Tianjin, China, based upon original field research conducted in the People's Republic of China in the mid 1980s and in 1991. The author emphasizes the unique nature of oral performances in China: these genres are both musical and literary and yet are considered to be neither music nor literature. Lawson employs extensive examples of the complex interaction of music and language in each genre, all the while relating those analyses to broader cultural issues and to patterns of social relationships. The narrative arts known as shuochang (speaking-singing) are depicted as genres that constitute a unique communicative discourse”the communication of stories in song. The genres subsumed under the native conception of shuochang include Tianjin Popular Tunes, Beijing Drumsong, Clappertales and Comic Routines. The maximum utilization of shuo (speaking) and chang (singing) in all their varying manifestations constitutes the vitality of the traditional narrative arts in the city of Tianjin”the center for these arts in North China. The variety of narrative forms provides entertainment for audiences representing all social strata of Chinese society. The author argues that Chinese narrative traditions represent a foundation from which certain Chinese literary and operatic traditions have borrowed, such as how the novels from the Ming-Qing period draw on the performed narrative arts both in style and in content. Hence, an understanding of performed narratives is not only useful to scholars in Chinese literature and music, but also to scholars interested in broadening their understanding of China generally.

Grounding in Chinese Written Narrative Discourse
Grounding in Chinese Written Narrative Discourse

Author: Wendan Li

Publisher: BRILL

Published: 2018-02-19

Total Pages: 293

ISBN-13: 9004360883

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In Grounding in Chinese Written Narrative Discourse Wendan Li offers a comprehensive and innovative account of how Mandarin Chinese, as a language without extensive morphological marking, highlights (or foregrounds) major events of a narrative and demotes (or backgrounds) other supporting descriptions. Qualitative and quantitative methods in the analysis and examinations of authentic written text provide extensive evidence to demonstrate that various types of morpho-syntactic devices are used in a wide range of structural units in Chinese to mark the distinction between foregrounding and backgrounding. The analysis paves the way for future studies to systematically approach grounding-related issues. The typological viewpoint adopted in the chapters serves well readers from both the Chinese tradition and other languages in discourse analysis.

Current Trends in Narratology
Current Trends in Narratology

Author: Greta Olson

Publisher: Walter de Gruyter

Published: 2011-03-29

Total Pages: 377

ISBN-13: 3110255006

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Current Trends in Narratology offers an overview of cutting-edge approaches to theories of storytelling. The introduction details how new emphases on cognitive processing, non-prose and multimedia narratives, and interdisciplinary approaches to narratology have altered how narration, narrative, and narrativity are understood. The volume also introduces a third post-classical direction of research ‐ comparative narratology ‐ and describes how developments in Germany, Israel, and France may be compared with Anglophone research. Leading international scholars including Monika Fludernik, Richard Gerrig, Ansgar Nünning, John Pier, Brian Richardson, Alan Palmer, and Werner Wolf describe not only their newest research but also how this work dovetails with larger narratological developments.