Routledge Revivals: Chinese Art (1935)
Routledge Revivals: Chinese Art (1935)

Author: Leigh Ashton

Publisher: Routledge

Published: 2016-09-19

Total Pages: 164

ISBN-13: 1315295598

DOWNLOAD EBOOK

First published in 1935, this book was intended to provide westerners with a more definite and comprehensive understanding of Chinese Art and its achievements. Newly available opportunities to study authentic examples, such as the Royal Academy exhibition that provided the impetus for this volume, allowed for greater opportunities to conduct in-depth examination than had previously been possible. Following an introduction giving an overview of Chinese art and its history in the west, six chapters cover painting and calligraphy, sculpture and lacquer, ‘the potter’s art’, bronzes and cloisonné enamel, jades, and textiles — supplemented by a chronology of Chinese epochs, a selected bibliography and 25 images.

Chinese Art Objects, Collecting, and Interior Design in Twentieth-Century Britain
Chinese Art Objects, Collecting, and Interior Design in Twentieth-Century Britain

Author: Helen Glaister

Publisher: Taylor & Francis

Published: 2022-08-26

Total Pages: 188

ISBN-13: 1000644278

DOWNLOAD EBOOK

This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study – defined by its design hybridity – offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.

The Bold Brush of Au Ho-nien
The Bold Brush of Au Ho-nien

Author: Li He

Publisher: Tuttle Publishing

Published: 2019

Total Pages: 0

ISBN-13: 9780939117864

DOWNLOAD EBOOK

"Exhibition catalogue of ink paintings by Au Ho-nien, a contemporary painter who works in the style of the Lingnan school of southern China"--

Chinese Art
Chinese Art

Author: Maxwell K. Hearn

Publisher: Metropolitan Museum of Art

Published: 2001

Total Pages: 313

ISBN-13: 0870999834

DOWNLOAD EBOOK

China's entry into the modern era was shaped by unprecedented internal turmoil and external pressures, which brought a forceful end to two millennia of imperial rule and cultural insularity. The essays in this volume offer a variety of perspectives on the impact of the West on indigenous literature, architecture, painting, and calligraphy during this period (ca. 1860-1980). This book is published in conjunction with the exhibition "Nineteenth- and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art", held at the museum from 30th January-19th August 2001.

The Modernist Response to Chinese Art
The Modernist Response to Chinese Art

Author: Zhaoming Qian

Publisher: University of Virginia Press

Published: 2003

Total Pages: 300

ISBN-13: 9780813921761

DOWNLOAD EBOOK

The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.

The Reception of Chinese Art Across Cultures
The Reception of Chinese Art Across Cultures

Author: Michelle Ying Ling Huang

Publisher: Cambridge Scholars Publishing

Published: 2014-10-02

Total Pages: 355

ISBN-13: 1443868558

DOWNLOAD EBOOK

The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.

Museum Representations of Maoist China
Museum Representations of Maoist China

Author: Amy Jane Barnes

Publisher: Routledge

Published: 2016-04-15

Total Pages: 319

ISBN-13: 1317093003

DOWNLOAD EBOOK

The collection, interpretation and display of art from the People’s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of ’Chineseness’ and their style, content and the means of their production question accepted notions of how we perceive art. This book links art history, museology and visual culture studies to examine how museums have attempted to reveal, discuss and resolve some of these issues. Amy Jane Barnes addresses a series of related issues associated with collection and display: how museums deal with difficult and controversial subjects; the role they play in mediating between the object and the audience; the role of the Other in the creation of Self and national identities; the nature, role and function of art in society; the museum as image-maker; the impact of communism (and Maoism) on the cultural history of the twentieth-century; and the appropriation of communist visual iconography. This book will be of interest to researchers and students of museology, visual and cultural studies as well as scholars of Chinese and revolutionary art.

Shanghai 1935
Shanghai 1935

Author: Ruth Day

Publisher: Earnshaw Books Limited

Published: 2022-02-08

Total Pages: 0

ISBN-13: 9789888552610

DOWNLOAD EBOOK

American socialite Ruth Day visited Shanghai for several weeks in 1935 and left one of the most sparkling descriptions of the city in this book, published in a limited edition the following year and only brought to the wider world in this new edition published more than 80 years later. Ruth was the step-daughter of a prominent American financial expert who held a senior post in the Chinese government, and during her whirlwind trip, she met with absolutely everyone who was anyone, and went everywhere the high-society crowd frequented - dancehalls and night-clubs, parties and the best private homes. She describes it all with a rare flair, leaving us with a valuable and unique record of Shanghai high society and the panorama of human experience in the city during its decadent heyday. This is truly a lost classic brought back to life.

The Modernization of Chinese Art
The Modernization of Chinese Art

Author: Jane Zheng

Publisher: Leuven University Press

Published: 2016-03-29

Total Pages: 417

ISBN-13: 9462700567

DOWNLOAD EBOOK

Fist academic study on modernity at the Shanghai Art College The Shanghai Art College was one of the most important art schools in Republican China. This is the first academic study written on the early history of the College. It makes a major contribution to the history of art education in China, Shanghai in particular. The book presents a new approach to how people understand the modernization of Chinese art, and the significance and consequences of modernity in the Shanghai art world of the period 1913-1937. The author proposes new theoretical models to explain the interactions between multiple levels of social structures and artists, with a special emphasis on the role of art education institutions in transforming artists, artworks and the development of artistic fields. Presenting unique historical images hereto hidden in the archives of the College, the book brings forward the distinctive modern characteristics of the early 20th-century Shanghai Art College.