Eight-year-old Ying Ying, a Chinese girl who had been adopted by U.S. parents, describes her visit to the orphanage in Changsha, Hunan province where she came from.
As China began to embrace the modern world in the 1980s, one man found the courage to claim his future. China Sings to Me: A Journey into the Middle Kingdom and Myself is a coming-of-age memoir about the power of finding your true self in a foreign land.
It's All Chinese to Me is a fun and authentic introduction to Chinese culture that allows readers, tourists, and business travelers to experience what ultimately makes China so unique--its people. Learn about Chinese customs, proper etiquette for all types of situations, and how to interact effectively while traveling China. Firsthand tips and illustrations offer an authentic view of China and the many cultural differences that foreigners encounter there. This new edition of It's All Chinese to Me is revised and expanded with 25 percent new content, offering international visitors a set of essential insights to help demystify this highly complex and compelling culture. Readers will learn about: Major influences and historical events that guide behavior in modern China Fundamental concepts crucial to interacting with Chinese people Social idiosyncrasies that may surprise most Westerners Dealing with culture shock in China Peculiarities of Chinese business culture
"Take Me to China" is the eighth book in the World Adventures Series which strives to introduce cultural ideas to young children. Each book is beautifully illustrated to show unique features of each particular country including customs, native plants and animals, clothing, exports, traditions and other cultural differences. The series was created by poet, Katie Kahn, and her daughter who loves animals and adventure. Kahn helped her daughter incorporate her research into a poem . That poem sparked an entire series based on places 11 year-old Autumn wants to go when she grows up.
“If the story of the Soong family were told as fiction, people would say it was fascinating but too improbable. . . . A dramatic human chronicle . . . engrossing.” —The New York Times Book Review In the early twentieth century, few women in China were to prove so important to the rise of Chinese nationalism and liberation from tradition as the three extraordinary Soong sisters—Eling, Chingling and Mayling—who would each marry historic figures. Told with wit and verve by New Yorker correspondent Emily Hahn, a remarkable woman in her own right, the biography of the Soong sisters reveals the story of China through both World Wars. It also chronicles the changes to Shanghai as they relate to a very eccentric family that had the courage to speak out against the ruling regime. Greatly influencing the history of modern China, they interacted with their government and military to protect the lives of those who could not be heard, and appealed to the West to support China during the Japanese invasion. “[A] first-rate reportorial job on three distinguished women.” —Kirkus Reviews “A spirited, well-informed book . . . a fascinating saga . . . Hahn skillfully interweaves the personal material which she has collected in abundance with some indispensable background knowledge of Chinese history.” —The Atlantic
Contains two stories that depict a day in an American and in a Chinese kindergarten classroom to determine the similarities and differences between how classes are run in the two countries.
The friendships of writers of the mid-Tang era (780s–820s)—between literary giants like Bai Juyi and Yuan Zhen, Han Yu and Meng Jiao, Liu Zongyuan and Liu Yuxi—became famous through the many texts they wrote to and about one another. What inspired mid-Tang literati to write about their friendships with such zeal? And how did these writings influence Tang literary culture more broadly? In One Who Knows Me, the first book to delve into friendship in medieval China, Anna M. Shields explores the literature of the mid-Tang to reveal the complex value its writers discovered in friendship—as a rewarding social practice, a rich literary topic, a way to negotiate literati identity, and a path toward self-understanding. Shields traces the evolution of the performance of friendship through a wide range of genres, including letters, prefaces, exchange poetry, and funerary texts, and interweaves elegant translations with close readings of these texts. For mid-Tang literati, writing about friendship became a powerful way to write about oneself and to reflect upon a shared culture. Their texts reveal the ways that friendship intersected the public and private realms of experience and, in the process, reshaped both.
*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.
From one of China’s most acclaimed writers: a unique, intimate look at the Chinese experience over the last several decades. Framed by ten phrases common in the Chinese vernacular, China in Ten Words uses personal stories and astute analysis to reveal as never before the world’s most populous yet oft-misunderstood nation. In "Disparity," for example, Yu Hua illustrates the expanding gaps that separate citizens of the country. In "Copycat," he depicts the escalating trend of piracy and imitation as a creative new form of revolutionary action. And in "Bamboozle," he describes the increasingly brazen practices of trickery, fraud, and chicanery that are, he suggests, becoming a way of life at every level of society. Witty, insightful, and courageous, this is a refreshingly candid vision of the "Chinese miracle" and all of its consequences.