In this first-hand account of an early returnee's life in communist China, Frances Wong relates her personal experiences in China from 1949 to the present, detailing numerous political movements, including the devastating experiences of the Anti-Rightist Movement and the Cultural Revolution. After her husband was labelled a "Rightist," they were banished to the countryside for eight long years, while their four children were sent to different parts of the country to do manual labor.
The crippling custom of footbinding is the thematic touchstone for this engrossing study of Chinese women in San Francisco. Judy Yung, a second-generation Chinese American born and raised in San Francisco, shows the stages of "unbinding" that occurred in the decades between the turn of the century and the end of the World War II, revealing that these women - rather than being passive victims of oppression - were active agents in the making of their own history.
"As only one of a handful of internationally recognized female artists in China, Lin Tianmiao is known for her use of thread and embroidery as both mediums and subject matter in her sculptures, photographs, videos, and installations--an unconventional approach unique to this artist in the Chinese art world. Bound Unbound: Lin Tianmiao surveys for the first time the past twenty years of the artist's work and includes an interview with the artist as well as essays by leading scholars on Chinese contemporary art."--Publisher's website.
"A landmark contribution. . . . These rich materials—including proverbs, immigration interrogations, poems, articles, photographs, social workers' reports, recipes, and oral histories—add a new dimension to Asian American studies, U.S. women's history, Chinese American history, and immigration studies."—Valerie Matsumoto, University of California, Los Angeles
Third Sister in the Tao family, Ailin has watched her two older sisters go through the painful process of having their feet bound. In China in 1911, all the women of good families follow this ancient tradition. But Ailin loves to run away from her governess and play games with her male cousins. Knowing she will never run again once her feet are bound, Ailin rebels and refuses to follow this torturous tradition. As a result, however, the family of her intended husband breaks their marriage agreement. And as she enters adolescence, Ailin finds that her family is no longer willing to support her. Chinese society leaves few options for a single woman of good family, but with a bold conviction and an indomitable spirit, Ailin is determined to forge her own destiny. Her story is a tribute to all those women whose courage created new options for the generations who came after them.
YOUNG XING XING IS BOUND. Bound to her father's second wife and daughter after Xing Xing's father has passed away. Bound to a life of servitude as a young girl in ancient China, where the life of a woman is valued less than that of livestock. Bound to be alone and unmarried, with no parents to arrange for a suitable husband. Dubbed "Lazy One" by her stepmother, Xing Xing spends her days taking care of her half sister, Wei Ping, who cannot walk because of her foot bindings, the painful but compulsory tradition for girls who are fit to be married. Even so, Xing Xing is content, for now, to practice her gift for poetry and calligraphy, to tend to the mysterious but beautiful carp in her garden, and to dream of a life unbound by the laws of family and society. But all of this is about to change as the time for the village's annual festival draws near, and Stepmother, who has spent nearly all of the family's money, grows desperate to find a husband for Wei Ping. Xing Xing soon realizes that this greed and desperation may threaten not only her memories of the past, but also her dreams for the future. In this searing story, Donna Jo Napoli, acclaimed author of Beast and Breath,delves into the roots of the Cinderella myth and unearths a tale as powerful as it is familiar.
A harrowing dual memoir that braids the story of a Chinese-American woman’s search for identity with the dramatic tale of her great-aunt, who was born at the turn of the century in tradition-bound China and went on to become Vice President of China’s first women’s bank. "In China, a woman is nothing." Thus begins the saga of a woman born at the turn of the century to a well-to-do, highly respected Chinese family, a woman who continually defied the expectations of her family and the traditions of her culture. Growing up in the perilous years between the fall of the last emperor and the Communist Revolution, Chang Yu-i's life is marked by a series of rebellions: her refusal as a child to let her mother bind her feet, her scandalous divorce, and her rise to Vice President of China's first women's bank in her later years. In the alternating voices of two generations, this literary debut brings together a deeply textured portrait of a woman's life in China with the very American story of Yu-i's brilliant and assimilated grandniece, struggling with her own search for identity and belonging. Written in pitch-perfect prose and alive with detail, Bound Feet and Western Dress is the story of independent women struggling to emerge from centuries of customs and duty.
In less than three decades, China has grown from playing a negligible role in international trade to being one of the world's largest exporters, a substantial importer of raw materials, intermediate outputs, and other goods, and both a recipient and source of foreign investment. Not surprisingly, China's economic dynamism has generated considerable attention and concern in the United States and beyond. While some analysts have warned of the potential pitfalls of China's rise—the loss of jobs, for example—others have highlighted the benefits of new market and investment opportunities for US firms. Bringing together an expert group of contributors, China's Growing Role in World Trade undertakes an empirical investigation of the effects of China's new status. The essays collected here provide detailed analyses of the microstructure of trade, the macroeconomic implications, sector-level issues, and foreign direct investment. This volume's careful examination of micro data in light of established economic theories clarifies a number of misconceptions, disproves some conventional wisdom, and documents data patterns that enhance our understanding of China's trade and what it may mean to the rest of the world.
2021 Next Generation Indie Book Award Finalist The sweeping, multigenerational story of two iron-willed women, a grandmother and granddaughter, Unbound is also a richly textured, turbulent portrait of the city of Shanghai in the twentieth century—a place where everyone must fight to carve out a place for themselves amid political upheaval and the turmoil of war. Mini Pao lives with her sister and parents in a pre-war Shanghai divided among foreign occupiers and Chinese citizens, a city known as the “Paris of the East” with its contrast of vibrant night life and repressive social mores. Already considered an old maid at twenty-three, Mini boldly rejects the path set out for her as she struggles to provide for her family and reckons with her desire for romance and autonomy. Mini’s story of love, betrayal, and determination unfolds in the Western-style cafes, open-air markets, and jazz-soaked nightclubs of Shanghai—the same city where, decades later, her granddaughter Ting embarks on her own journey toward independence. Ting Lee has grown up behind an iron curtain in a time of scarcity, humility, and forced-sameness in accordance with the strictures of Chairman Mao’s cultural revolution. As a result, Ting’s imagination burns with curiosity about fashion, America, and most of all, her long-lost grandmother Mini’s glamorous past and mysterious present. As her thirst for knowledge about the world beyond 1970s Shanghai grows, Ting is driven to uncover her family’s tragic past and face the difficult truth of what the future holds for her if she remains in China.
