Throughout the centuries, as Russia strove to build itself into an imperial power equal to those in the West, China and Japan came to occupy a special place in Russians' view of the orient. Never colonised by Russia or the West, China and Japan were linked not only to the greatest of Russian imperial fantasies, but also, conversely, to a deep sense of insecurity regarding Russia's place in the world, a sense of insecurity which deepened as China and Japan began to modernise in the later nineteenth century. Drawing on a wide range of works by Russian writers and thinkers, Lim sets out how Russian perceptions of China and Japan were formed from Muscovy's first contacts with China in the late seventeenth century, through to the aftermath of Russia's defeat by Japan in the early twentieth century.
Throughout the centuries, as Russia strove to build itself into an imperial power equal to those in the West, China and Japan came to occupy a special place in Russians’ view of the orient. Never colonised by Russia or the West, China and Japan were linked not only to the greatest of Russian imperial fantasies, but also, conversely, to a deep sense of insecurity regarding Russia’s place in the world, a sense of insecurity which deepened as China and Japan began to modernise in the later nineteenth century. Drawing on a wide range of works by Russian writers and thinkers, Lim sets out how Russian perceptions of China and Japan were formed from Muscovy’s first contacts with China in the late seventeenth century, through to the aftermath of Russia’s defeat by Japan in the early twentieth century.
Winner, 2022 AATSEEL Best Book in Literary Studies, American Association of Teachers of Slavic and European Languages Honorable Mention, 2022 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association Following the failure of communist revolutions in Europe, in the 1920s the Soviet Union turned its attention to fostering anticolonial uprisings in Asia. China, divided politically between rival military factions and dominated economically by imperial powers, emerged as the Comintern’s prime target. At the same time, a host of prominent figures in Soviet literature, film, and theater traveled to China, met with Chinese students in Moscow, and placed contemporary China on the new Soviet stage. They sought to reimagine the relationship with China in the terms of socialist internationalism—and, in the process, determine how internationalism was supposed to look and feel in practice. Internationalist Aesthetics offers a groundbreaking account of the crucial role that China played in the early Soviet cultural imagination. Edward Tyerman tracks how China became the key site for Soviet debates over how the political project of socialist internationalism should be mediated, represented, and produced. The central figure in this story, the avant-garde writer Sergei Tret’iakov, journeyed to Beijing in the 1920s and experimented with innovative documentary forms in an attempt to foster a new sense of connection between Chinese and Soviet citizens. Reading across genres and media from reportage and biography to ballet and documentary film, Tyerman shows how Soviet culture sought an aesthetics that could foster a sense of internationalist community. He reveals both the aspirations and the limitations of this project, illuminating a crucial chapter in Sino-Russian relations. Grounded in extensive sources in Russian and Chinese, this cultural history bridges Slavic and East Asian studies and offers new insight into the transnational dynamics that shaped socialist aesthetics and politics in both countries.
China's recent economic reforms have opened its economy to the world. This policy, however, is not new: in the late nineteenth century, the United States put forward the Open Door Policy as a counter to European exclusive 'spheres of influence' in China. This book, based on extensive original archival research, examines and re-evaluates China's Open Door Policy. It considers the policy from its inception in 1899 right through to the post-1978 reforms. It relates these changes to the various shifts in China’s international relations, discusses how decades of foreign invasion, civil war and revolution followed the destruction of the policy in the 1920s, and considers how the policy, when applied in Taiwan after 1949, and by Deng Xiaoping in mainland China after 1978, was instrumental in bringing about, respectively, Taiwan's 'economic miracle' and mainland China’s recent economic boom. The book argues that, although the policy was characterised as United States 'economic imperialism' during the Cold War, in reality it helped China retain its sovereignty and territorial integrity.
Japan’s Household Registration System (koseki seido) is an extremely powerful state instrument, and is socially entrenched with a long history of population governance, social control and the maintenance of social order. It provides identity whilst at the same time imposing identity upon everyone registered, and in turn, the state receives validity and legitimacy from the registration of its inhabitants. The study of the procedures and mechanisms for identifying and documenting people provides an important window into understanding statecraft, and by examining the koseki system, this book provides a keen insight into social and political change in Japan. By looking through the lens of the koseki system, the book takes both an historical as well as a contemporary approach to understanding Japanese society. In doing so, it develops our understanding of contemporary Japan within the historical context of population management and social control; reveals the social effects and influence of the koseki system throughout its history; and presents new insights into citizenship, nationality and identity. Furthermore, this book develops our knowledge of state functions and indeed the nation state itself, through engaging critically with important issues relating to the koseki while at the same time providing a platform for further investigation. The contributors to this volume utilise a variety of disciplinary areas including history, gender studies, sociology, law and anthropology, and each chapter provides insights that bring us closer to a comprehensive grasp of the role, effects and historical background of what is a crucial and influential instrument of the Japanese state. This book will be of great interest to students and scholars of Japanese history, Japanese culture and society, Japanese studies, Asian social policy and demography more generally.
This book presents a thoroughly researched and meticulously documented study of the emergence, development, and demise of music, theatre, recitation, and dance witnessed by the populace on thoroughfares, plazas, and makeshift outdoor performance spaces in Edo/Tokyo. For some three hundred years this city was the centre of such arts, both sacred and secular. This study outlines the nature of the performances, explores the social relations which lay behind them, and reveals vast complexity: an obligation of gift-giving on the part of observers; performers who were often economic migrants fallen on hard times; relations of performance to social class; a class system much more finely gradated than the official four caste system; and institutions of professional organization and registration, enforced by government, with penalties for unregistered performers. The book discusses how performing, witnessing, and rewarding performance were closely bound up with economy, society and government, how the interaction between various groups related to socio-economic advancement, how the system of street performance reinforced social control, and how the balance between different groups shifted over time.
The China we know today emerged at the end of a long period of internal rebellions, civil wars, foreign invasions, and revolutionary insurrections that stretched across the nineteenth century to the mid-point of the twentieth. This book explores one important consequence of this situation—the increased role of military force in the determination of elite social, political, and economic power, and presents fascinating case studies of the warlords, militia leaders, and military officers who benefited from this. Examining the intersection of military force and elite power in the formative years of modern Chinese history, this book highlights just how important military force was to elite power in nineteenth- and early twentieth-century China in a context of frequent warfare and political turmoil. It shows that the way in which military empowerment unfolded and who exactly was empowered, depended heavily on shifting military and political conditions, and each case confirms the extent to which military force emerged as a consistently significant determinant of elite power across this period. Indeed, the transformative effect of military force on social and political structures of power revealed by these studies sheds distinctive light on the prevalence, and wide-ranging impact, of military conflicts in this period. In turn, these studies also provide a particular perspective on the fluid boundaries of, as well as the constraints on, elite power in Chinese society in a time of intense social and political change. This book makes an important contribution to our understanding of the rise of modern China, and provides a keen insight into impact of war on the country, as such, it will be welcomed by students and scholars interested in Chinese history, Asian history, and military history more broadly.
Xinjiang, China's far northwestern province where the majority of the population are Muslim Uyghurs, was for most of its history contested territory. On the Silk Road, a region of overlapping cultures, the province was virtually independent until the late nineteenth century, nominally part of the Qing Empire, with considerable interest taken in it by the British and the Russians as part of their Great Game rivalry in Asia. Ruled by warlords in the early twentieth century, it was occupied in 1949-50 by the People's Liberation Army, since when attempts have been made to integrate the province more fully into China. This book outlines the history of Xinjiang. It focuses on the key city of Kashgar, the symbolic heart of Uighur society, drawing on a large body of records in which ordinary people provided information on the period around the communist takeover. These records provide an exceptionally rich source, showing how ordinary Uyghurs lived their everyday lives before 1949 and how those lives were affected by the arrival of the Chinese Communist Party and its army. Subjects covered by the book include Eastern Turkestan independence, regional politics, local government, the military, taxation, education and the press.
This book charts the development of the First Vietnam War – the war between the Vietnamese Communists (the Viet Minh) and the French colonial power – considering especially how relations between the Viet Minh and the Chinese Communists had a profound impact on the course of the war. It shows how the Chinese provided finance, training and weapons to the Viet Minh, but how differences about strategy emerged, particularly when China became involved in the Korean War and the subsequent peace negotiations, when the need to placate the United States and to prevent US military involvement in Southeast Asia became a key concern for the Chinese. The book shows how the Viet Minh strategy of all-out war in the north and limited guerrilla warfare in the south developed from this situation, and how the war then unfolded.
From the earliest museums established by Western missionaries in order to implement religious and political power, to the role they have played in the formation of the modern Chinese state, the origin and development of museums in mainland China differ significantly from those in the West. The occurrence of museums in mainland China in the late nineteenth century was primarily a result of internal and external conflicts, Westernization and colonialism, and as such they were never established solely for enjoyment and leisure. Using a historical and anthropological framework, this book provides a holistic and critical review on the establishment and development of museums in mainland China from 1840 to the present day, and shows how museums in China have been used by a wide range of social, political, and state actors for a number of economic, religious, political and ideological purposes. Indeed, Tracey L-D Lu examines the key role played by museums in reinforcing social segmentation, influencing the economy, protecting cultural heritage and the construction and enhancement of ethnic identities and nationalism, and how they have throughout their history helped the powerful to govern the less powerful or the powerless. More broadly, this book provides important comparative insights on museology and heritage management, and questions who the key stakeholders are, how museums reflect broader social and cultural changes, and the relationship between museum and heritage management. Drawing on extensive archival research and anthropological fieldwork, as well as the author’s experience working as a museum curator in mainland China in the late 1980s, Museums in China such will be of great interest to students and scholars working across museology, heritage studies, tourism studies Chinese culture and Chinese history.
