Chilean Cinema in the Twenty-First-Century World

Chilean Cinema in the Twenty-First-Century World

Author: Carl Fischer

Publisher: Wayne State University Press

Published: 2020-10-20

Total Pages: 418

ISBN-13: 0814346839

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Intended for scholars, students, and researchers of film and Latin American studies, Chilean Cinema in the Twenty-First-Century World evaluates an active and emergent film movement that has yet to receive sufficient attention in global cinema studies.


Ecuadorian Cinema for the 21st Century

Ecuadorian Cinema for the 21st Century

Author: María Fernanda Miño Puga

Publisher: Springer Nature

Published: 2023-10-13

Total Pages: 229

ISBN-13: 3031409892

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Ecuadorian cinema has been largely overlooked in film scholarship, usually being limited to brief descriptions in Latin American compendiums. Ecuadorian cinema for the 21st century would be the first major publication in English to fill this gap. It provides a thorough account of film activities during the new millennium, while also referring to the country’s previous film history. Specifically, this book discusses the so-called ‘mini-boom” in Ecuadorian cinema, and its relation to industry structures, film policy, and the context of Socialism for the 21st century, hence the chosen terminology of “Ecuadorian cinema for the 21st century”. What makes this project distinctive, aside from the originality of its content, is its transdisciplinary methodology. As a means to frame the textual analysis of selected films, this book discusses theories on national cinemas, memory, political ideology, and production practices, in an interdisciplinary approach that can be emulated in later projects. For this purpose, the book is divided into five chapters, in addition to a brief introduction and conclusion. Each chapter relies on specific case studies to discuss local narratives and documentaries, whether state sponsored or privately funded, centring primarily on films that premiered in commercial theatres between 2006 and 2016.


Expanding Cinemas

Expanding Cinemas

Author: Eduardo Ledesma

Publisher: State University of New York Press

Published: 2024-12-01

Total Pages: 623

ISBN-13:

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This is the first book on experimental cinemas of Latin American and Spain to offer a comprehensive look at old and new technologies, including Super 8, VHS, cell phones, virtual reality, artificial intelligence, and more. From the militant films of the 1960s to today's expanded reality experiences, filmmakers in Argentina, Spain, Cuba, Colombia, Brazil, and Mexico have continually used alternative formats both to dialogue with international movements and to counter commercial cinematic trends. To make this argument and cover this vast geographic and historical terrain, Eduardo Ledesma adopts a transnational and intermedial approach, examining exchanges and associations between cineastes to better understand how their films were created and circulated. Ledesma works to untangle both the relations between media and the associations of experimental cinema to cultural phenomena such as diaspora, exile, displacement, and immigration. Throughout the book, connections are further made to other global avant-garde and alternative cinemas and formats, including in the United States.


Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin

Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin

Author: Juli A. Kroll

Publisher: Springer Nature

Published: 2022-08-01

Total Pages: 254

ISBN-13: 3030845583

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Insurgent Skin: Body, Gender, and Sexuality in Latin American Cinema argues that twenty-first century Latin American cinema about lesbian, feminist, intersex, and transgender themes is revolutionary because it disrupts heteronormative and binary representation and explores new, queer signifying modes. Grounded in feminist and queer theory, Insurgent Skin conjugates film phenomenology and theories of affect and embodiment to analyze a spectrum of Latin American films. The first chapters explore queer signifying in Argentinean director Lucrecia Martel’s Salta trilogy and the lesbian utopia of Albertina Carri’s Las hijas del fuego (2018). Next, the book discusses the female body as uncanny absence in Tatiana Huezo’s documentary Tempestad (2016), a film about gendered violence in Mexico. Chapter Five focuses on intersex films and the establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018).


Ibero-American Ecocriticism

Ibero-American Ecocriticism

Author: J. Manuel Gómez

Publisher: Lexington Books

Published: 2024-02-19

Total Pages: 229

ISBN-13: 1666939366

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This book disrupts the quintessential assumptions of ecology, the politics of identity, and environmental destruction, while proposing new readings, interpretations, and solutions in the face of urgent environmental issues.


Mobility, Agency, Kinship

Mobility, Agency, Kinship

Author: Lea Espinoza Garrido

Publisher: Springer Nature

Published: 2024

Total Pages: 277

ISBN-13: 3031607546

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This volume offers new perspectives on the ways in which migrants use storytelling practices and kinship formations in order to navigate and modify spaces of sovereignty, and thus to re-write narratives portraying them as helpless and passive victims. It provides one of the first investigations that assembles multidisciplinary contributions to look beyond individual acts of migrant agency and toward the entanglements of individual and collective agency, formations of kinship structures, and feelings, expressions, and representations of community and (multiple) belonging(s). The contributions explore the interplay between agency, kinship, and migration from various fields, including sociology, psychology, philosophy, border studies, gender and queer studies, postcolonial studies, ecocriticism, film and media studies, and literary and cultural studies--with a special focus on interdisciplinary narrative theory. They address real and imagined assertions of migrant agency and kinship formations; draw on empirical research, interviews, and accounts of lived experiences; and analyze the role of narrative, media, and technologies in artistic, literary, and cinematic representations of migrant agency and kinship. Lea Espinoza Garrido is a researcher and lecturer in the field of American Studies at the University of Wuppertal, Germany, where she is also co-chair of the Narrative Research Group of the Center for Narrative Research. Carolin Gebauer is a postdoctoral researcher and lecturer in British Literature and Culture at the University of Wuppertal, Germany, and a board member of Wuppertal's Center for Narrative Research. Julia Wewior is a researcher and lecturer in the field of American Studies at the University of Wuppertal, Germany, where she is a board member of the Center for Narrative Research.


Twenty-First-Century Hollywood

Twenty-First-Century Hollywood

Author: Neil Archer

Publisher: Columbia University Press

Published: 2019-03-19

Total Pages: 0

ISBN-13: 0231549458

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Twenty-First-Century Hollywood looks into the contexts of studio film production in the new century in order to understand what shapes the style and content of present-day cinema. In an era dominated in box-office terms by the franchise and the family film, this book combines close textual readings and industrial analysis, illustrating why these kinds of movies are favored in the contemporary climate by producers and audiences alike. Neil Archer critically explores the narrative and aesthetic strategies at work in Hollywood’s most high-profile films, from Harry Potter, to Marvel’s Cinematic Universe, to The Lego Movie. Along the way, the book answers some often unexpected questions: Why is Hollywood nervous about flying saucers? Why might the cinematic auteur be Hollywood’s savior? And why are the most grown-up movies those made for children? As this study shows, like the films themselves, the answers to these questions are often complex and surprising.


Diamela Eltit

Diamela Eltit

Author: Michael J. Lazzara

Publisher: Latin America Research Commons

Published: 2023-12-14

Total Pages: 305

ISBN-13: 1951634349

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Diamela Eltit’s literary work emerged on the Chilean cultural scene in the 1980s when the Pinochet regime (1973-1990) had consolidated its project of extermination, censorship, and neoliberal shock therapy. Forced to write in a suffocating atmosphere of restriction and violence, Eltit boldly cultivated a radical, insurrectional poetics aimed at questioning the very underpinnings of authoritarian power and discourse. While Eltit’s novels, published between 1983 and the present, provide a remarkable vision of Chile that has evolved over the past decades, she offers a different vantage point through her prolific and rigorous cultivation of literary essays. Translated for the first time into English, this collection of Eltit’s essays allows readers to delve into her key concerns as a writer and intellectual: the neoliberal marketplace; the marginalization of bodies in society; questions of gender and power; struggles for memory, truth, and justice after dictatorship; and the ever-complex relationships among politics, ethics, and aesthetics.


Dismantling the Nation

Dismantling the Nation

Author: Florencia San Martín

Publisher: Amherst College Press

Published: 2024-01-31

Total Pages: 332

ISBN-13: 1943208573

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The first academic volume to theorize and historicize contemporary artistic practices and culture from Chile in the English language, Dismantling the Nation takes as its point of departure a radical criticism against the nation-state of Chile and its colonial, capitalist, heteronormative, and extractivist rule, proposing otherwise forms of inhabiting, creating, and relating in a more fluid, contingent, ecocritical, feminist, and caring worlds. From the case of Chile, the book expands the scholarly discussion around decolonial methodologies, attending to artistic practices and discourses from distinct and distant locations-from Arica and the Atacama Desert to Wallmapu and Tierra del Fuego, and from the Central Valley, the Pacific coast, and the Andes to territories beyond the nation's modern geographical borders. Analyzing how these practices refer to issues such as the environmental and cultural impact of extractivism, as well as memory, trauma, collectivity, and resistance towards neoliberal totality, the volume contributes to the fields of art history and visual culture, memory, ethnic, gender, and Indigenous studies, filmmaking, critical geography, and literature in Chile, Latin America, and other regions of the world, envisioning art history and visual culture from a transnational and transdisciplinary perspective.