Putting Greece back on the cultural and political map of the “Long 1960s,” this book traces the dissent and activism of anti-regime students during the dictatorship of the Colonels (1967-74). It explores the cultural as well as ideological protest of Greek student activists, illustrating how these “children of the dictatorship” managed to re-appropriate indigenous folk tradition for their “progressive” purposes and how their transnational exchange molded a particular local protest culture. It examines how the students’ social and political practices became a major source of pressure on the Colonels’ regime, finding its apogee in the three day Polytechnic uprising of November 1973 which laid the foundations for a total reshaping of Greek political culture in the following decades.
"Some years ago, the author, Jay Nordlinger, was in Albania. He was there to give a talk under State Department auspices. Albania was about ten years beyond the collapse of Communism. For almost 40 years, the country had been ruled by one of the most brutal dictators in history: Enver Hoxha. Nordlinger wondered whether this dictator had had children. He had indeed: three of them. And they were still in Albania, with their 3 million fellow citizens. Nordlinger wondered, "What are the lives of the Hoxha kids like? What must it be like to be the son or daughter of a monstrous dictator? What must it be like to bear a name synonymous with oppression, terror, and evil?" In this book, Nordlinger surveys 20 dictators in all. They are the worst of the worst: Stalin, Mao, Idi Amin, Pol Pot, Saddam Hussein, and so on. The book is not about them, really, though of course they figure in it. It's about their children. Some of them are absolute loyalists. They admire, revere, or worship their father. Some of them actually succeed their father as dictator-as in North Korea, Syria, and Haiti. Some of them have doubts. A couple of them become full-blown dissenters, even defectors. A few of the daughters have the experience of having their husband killed by their father. Most of these children are rocked by exile, prison, and the like. Obviously, the children have some things in common. But they are also individuals, making of life what they can. The main thing they have in common is this: They have been dealt a very, very unusual hand. What would you do, if you were the offspring of an infamous dictator, who lords it over your country? Chances are, you'll never have to find out! But some people have-and this book investigates those lucky, or unlucky, few"--
"What happens to a country when one person makes all the rules? What would it feel like to live in such a place? And why is it important for us to know about? This book, first written in Spain soon after the end of the Franco dictatorship, set out to explain dictatorship to the next generation. The authors believed, as the Spanish publishers of this book put it, that "Children are interested in everything adults are interested in. You must explain things to them, even if it requires effort." Forty years later, reillustrated with stunning images by Mikel Casal (who himself grew up under Franco's regime), its message remains as timely as ever"--Page 4 of cover.
How did political power function in the communist regimes of Central and Eastern Europe after 1945? Making Sense of Dictatorship addresses this question with a particular focus on the acquiescent behavior of the majority of the population until, at the end of the 1980s, their rejection of state socialism and its authoritarian world. The authors refer to the concept of Sinnwelt, the way in which groups and individuals made sense of the world around them. The essays focus on the dynamics of everyday life and the extent to which the relationship between citizens and the state was collaborative or antagonistic. Each chapter addresses a different aspect of life in this period, including modernization, consumption and leisure, and the everyday experiences of “ordinary people,” single mothers, or those adopting alternative lifestyles. Empirically rich and conceptually original, the essays in this volume suggest new ways to understand how people make sense of everyday life under dictatorial regimes.
From New York Times bestseller and Pulitzer Prize winner Junot Díaz comes a debut picture book about the magic of memory and the infinite power of the imagination. A 2019 Pura Belpré Honor Book for Illustration Every kid in Lola's school was from somewhere else. Hers was a school of faraway places. So when Lola's teacher asks the students to draw a picture of where their families immigrated from, all the kids are excited. Except Lola. She can't remember The Island—she left when she was just a baby. But with the help of her family and friends, and their memories—joyous, fantastical, heartbreaking, and frightening—Lola's imagination takes her on an extraordinary journey back to The Island. As she draws closer to the heart of her family's story, Lola comes to understand the truth of her abuela's words: “Just because you don't remember a place doesn't mean it's not in you.” Gloriously illustrated and lyrically written, Islandborn is a celebration of creativity, diversity, and our imagination's boundless ability to connect us—to our families, to our past and to ourselves.
During the 1970s, left-wing youth militancy in Greece intensified, especially after the collapse of the military dictatorship in 1974. This is the first study of the impact of that political activism on the leisure pursuits and sexual behavior of Greek youth, analyzing the cultural politics of left-wing organizations alongside the actual practices of their members. Through an examination of Maoists, Socialists, Euro-Communists, and pro-Soviet groups, it demonstrates that left-wing youth in Greece collaborated closely with comrades from both Western and Eastern European countries in developing their political stances. Moreover, young left-wingers in Greece appropriated American cultural products while simultaneously modeling some of their leisure and sexual practices on Soviet society. Still, despite being heavily influenced by cultures outside Greece, left-wing youth played a major role in the reinvention of a Greek “popular tradition.” This book critically interrogates the notion of “sexual revolution” by shedding light on the contradictory sexual transformations in Greece to which young left-wingers contributed.
What this means for our society and what we can do about it is brilliantly and lucidly presented in a book that will stand as an important contribution to the great debate of the nineties - and beyond.
A vivid, brilliant, darkly humorous and horrifying history of some of the strangest dictators that Europe has ever seen. 'A witty and page-turning narrative full of grotesque characters' Misha Glenny 'Will leave you astonished, exhausted and curious... An unapologetic page turner' Spectator 'Essential reading for anyone interested in Romania past and present' John Simpson 'An engaging introduction to the rich history [of Romania]' New Statesman Balanced precariously on the shifting fault line between East and West, Romania's past is one of the great untold stories of modern Europe. The country that gave us Vlad Dracula, and whose citizens consider themselves descendants of ancient Rome, has traditionally preferred the status of enigmatic outsider. But it has experienced some of the most disastrous leaderships of the last century. After a relatively benign period led by a dutiful King and his vivacious British-born Queen, the country oscillated wildly. Its interwar rulers form a gallery of bizarre characters: the corrupt and mentally unbalanced King Carol; the fascist death cult led by Corneliu Codreanu; the vain General Ion Antonescu. After 1945 power was handed to Romania's tiny communist party, under which it experienced severe repression, purges and collectivisation. Then in 1965, Nicolae Ceau?escu came to power. And thus began the strangest dictatorship of all.
In this riveting anatomy of authoritarianism, acclaimed journalist William Dobson takes us inside the battle between dictators and those who would challenge their rule. Recent history has seen an incredible moment in the war between dictators and democracy—with waves of protests sweeping Syria and Yemen, and despots falling in Egypt, Tunisia, and Libya. But the Arab Spring is only the latest front in a global battle between freedom and repression, a battle that, until recently, dictators have been winning hands-down. The problem is that today’s authoritarians are not like the frozen-in-time, ready-to-crack regimes of Burma and North Korea. They are ever-morphing, technologically savvy, and internationally connected, and have replaced more brutal forms of intimidation with subtle coercion. The Dictator’s Learning Curve explains this historic moment and provides crucial insight into the fight for democracy.
“By turns surprising, poetic, and stark, The Story That Cannot Be Told is one that should most certainly be read.” —Alan Gratz, New York Times bestselling author of Refugee “A mesmerizing debut.” —Publishers Weekly (starred review) A powerful middle grade debut with three starred reviews that weaves together folklore and history to tell the story of a girl finding her voice and the strength to use it during the final months of the Communist regime in Romania in 1989. Ileana has always collected stories. Some are about the past, before the leader of her country tore down her home to make room for his golden palace; back when families had enough food, and the hot water worked on more than just Saturday nights. Others are folktales like the one she was named for, which her father used to tell her at bedtime. But some stories can get you in trouble, like the dangerous one criticizing Romania’s Communist government that Uncle Andrei published—right before he went missing. Fearing for her safety, Ileana’s parents send her to live with the grandparents she’s never met, far from the prying eyes and ears of the secret police and their spies, who could be any of the neighbors. But danger is never far away. Now, to save her family and the village she’s come to love, Ileana will have to tell the most important story of her life.
