Don Proch

Don Proch

Author: Patricia Bovey

Publisher: Univ. of Manitoba Press

Published: 2019-03-01

Total Pages: 154

ISBN-13: 0887555675

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Since 1970, Manitoba artist Don Proch has built an astonishing body of work evoking a semi-mythical Prairie past and an unsettled and unresolved modernity. In his complex sculptures and life-size masks, Proch combines intricate draftsmanship with natural and found materials in surprising and transformative ways. Proch grew up in the farmland of north-central Manitoba. Using the rolling hills and unique parkland vistas of the Asessippi valley he creates a complex personal iconography based on prairie life, landscape, geology and history. The result is what art critic Robert Enright called “inexplicable as a miracle.” Proch first came to the Canadian art world’s attention as part of a group of radical young artists in the 1970s, intent on shaking up the art establishment. His complex installations, masks, and silkscreen prints quickly established his reputation as an innovator with a unique vision. Today he is recognized as one of the most influential visual artists to come out of western Canada, and his work can be found in major public and corporate collections including Canada’s major art galleries. Richly illustrated with more than 80 plates, the book includes rare excerpts from Proch’s notebooks that reveal his intricate working process. Surveying the course of Proch’s career, curator and art historian Patricia Bovey discusses the themes and influences behind his work and their context within the history of Canadian art.


The Philosophy of Andy Warhol

The Philosophy of Andy Warhol

Author: Andy Warhol

Publisher: Houghton Mifflin Harcourt

Published: 1977

Total Pages: 270

ISBN-13: 9780156717205

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Warhol offers his observations of love, beauty, fame, work, and art and discusses the continuous play and display of his many fetishes.


Allan Kaprow

Allan Kaprow

Author: Allan Kaprow

Publisher: Getty Publications

Published: 2008

Total Pages: 380

ISBN-13: 9780892368907

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Documents artist Allan Keprow's life and work through an extensive chronology that visually portrays his evolution from painter to environmental artist to inventor of the Happening and the Activity.


Artbibliographies Modern

Artbibliographies Modern

Author:

Publisher:

Published: 1995

Total Pages: 832

ISBN-13:

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Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.


Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture

Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture

Author: LaurenS. Weingarden

Publisher: Routledge

Published: 2017-07-05

Total Pages: 457

ISBN-13: 1351559729

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For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.


Midcentury Modern Art in Texas

Midcentury Modern Art in Texas

Author: Katie Robinson Edwards

Publisher: University of Texas Press

Published: 2014-07-01

Total Pages: 393

ISBN-13: 0292756593

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Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.