Theda Perdue examines the roles and responsibilities of Cherokee women during the eighteenth and nineteenth centuries, a time of intense cultural change. While building on the research of earlier historians, she develops a uniquely complex view of the effects of contact on Native gender relations, arguing that Cherokee conceptions of gender persisted long after contact. Maintaining traditional gender roles actually allowed Cherokee women and men to adapt to new circumstances and adopt new industries and practices.
For the first time, the voices of Eastern Band Cherokee women receive their proper due. A watershed event, this book unearths three centuries of previously unknown and largely ignored speeches, letters, and other writings from Eastern Band Cherokee women. Like other Native American tribes, the Cherokees endured numerous hardships at the hands of the United States government. As their heritage came under assault, so did their desire to keep their traditions. The Eastern Band Cherokees were no exception, and at the forefront of their struggle were their women. Eastern Band Cherokee Women analyzes how the women of the Eastern Band served as honored members of the tribe, occupying both positions of leadership and respect. Carney shows how in the early 1800s women leaders, such as Beloved Nancy Ward, battled to retain her people’s heritage and sovereignty. Other women, such as Catharine Brown, a mission school student, discovered the power of the written word and thereby made themselves heard just as eloquently. Carney traces the voices of these women through the twentieth century, describing how Cherokees such as Marie Junaluska and Joyce Dugan have preserved a culture threatened by an increasingly homogenous society. This book is a fitting testament to their contributions. Eastern Band Cherokee Women stands out by demonstrating the overwhelming importance of women to the preservation of the Eastern Band. From passionate speeches to articulately drafted personal letters, Carney helps readers explore the many nuances of these timeless voices.
"American Indian women have traditionally played vital roles in social hierarchies, including at the family, clan, and tribal levels. In the Cherokee Nation, specifically, women and men are considered equal contributors to the culture. With this study we learn that three key historical events in the 19th and early 20th centuries-removal, the Civil War, and allotment of their lands-forced a radical renegotiation of gender roles and relations in Cherokee society."--Back cover.
Cherokee women wielded significant power, and history demonstrates that in what is now America, indigenous women often bore the greater workload, both inside and outside the home. During the French and Indian War, Cherokee women resisted a chief's authority, owned family households, were skilled artisans, produced plentiful crops, mastered trade negotiations, and prepared chiefs' feasts. Cherokee culture was lost when the Cherokee Nation began imitating the American form of governance to gain political favor, and white colonists reduced indigenous women's power. This book recounts long-standing Cherokee traditions and their rich histories. It demonstrates Cherokee and indigenous women as independent and strong individuals through feminist and historical perspectives. Readers will find that these women were far ahead of their time and held their own in many remarkable ways.
In this innovative study, Sarah Hill illuminates the history of Southeastern Cherokee women by examining changes in their basketry. She explores how the incorporation of each new material used in their craft occurred in the context of lived experience, ecological processes, social conditions, economic circumstances, and historical eras. 110 illustrations. 6 maps.
“A masterful debut” that follows four generations of Cherokee women across four decades—from the Plimpton Prize–winning author (Sarah Jessica Parker). It’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women, presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church—a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter, until an act of violence sends her on a different path forever. Crooked Hallelujah tells the stories of Justine—a mixed-blood Cherokee woman—and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn’t easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their struggle to survive in a world—of unreliable men and near-Biblical natural forces, like wildfires and tornados—intent on stripping away their connections to one another and their very ideas of home. In lush and empathic prose, Kelli Jo Ford depicts what this family of proud, stubborn, Cherokee women sacrifices for those they love, amid larger forces of history, religion, class, and culture. This is a big-hearted and ambitious novel of the powerful bonds between mothers and daughters by an exquisite and rare new talent. “A compelling journey through the evolving terrain of multiple generations of women.” —The Washington Post
Established by the Cherokee Nation in 1851 in present-day eastern Oklahoma, the nondenominational Cherokee Female Seminary was one of the most important schools in the history of American Indian education. Devon Mihesuah explores its curriculum, faculty, administration, and educational philosophy. Recipient of a 1995 Critics' Choice Award of the American Educational Studies Association. 24 photos.
From the author of the Pulitzer Prize finalist Maud's Line, an epic novel that follows a web of complex family alliances and culture clashes in the Cherokee Nation during the aftermath of the Civil War, and the unforgettable woman at its center.
Growing up in the Cherokee village of Chota, Nanye-hi became a gifted and honored woman. It was her duty to protect the Cherokee from harm and to guide them along the road of peace.
Three women uncover the secrets of a Georgia plantation that embodies the intertwined histories of Indigenous and enslaved Black communities—the fascinating debut novel, inspired by a true story, of the National Book Award-winning and New York Times bestselling author of All That She Carried, now featuring a new introduction and discussion guide. “The Cherokee Rose is a mic drop—an instant classic. An invitation to listen to the urgent, sweet choruses of past and present.”—Honorée Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois LAMBDA LITERARY AWARD FINALIST Conducting research for her weekly history column, Jinx, a free-spirited Muscogee (Creek) historian, travels to Hold House, a Georgia plantation originally owned by Cherokee chief James Hold, to uncover the mystery of what happened to a tribal member who stayed behind after Indian removal, when Native Americans were forcibly displaced from their ancestral homelands in the nineteenth century. At Hold House, she meets Ruth, a magazine writer visiting on assignment, and Cheyenne, a Southern Black debutante seeking to purchase the estate. Hovering above them all is the spirit of Mary Ann Battis, the young Indigenous woman who remained in Georgia more than a century earlier. When they discover a diary left on the property that reveals even more about the house’s dark history, the three women’s connections to the place grow deeper. Over a long holiday weekend, Cheyenne is forced to reconsider the property’s rightful ownership, Jinx reexamines assumptions about her tribe’s racial history, and Ruth confronts her own family’s past traumas before surprising herself by falling into a new romance. Imbued with a nuanced understanding of history, The Cherokee Rose brings the past to life as Jinx, Ruth, and Cheyenne unravel mysteries with powerful consequences for them all.
