Chekhov for the Stage

Chekhov for the Stage

Author: Anton Chekhov

Publisher: Northwestern University Press

Published: 1992-12-09

Total Pages: 260

ISBN-13: 9780810110489

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While the influence of Chekhov in modern theater worldwide, and especially in America, has been immense, translations into English have tended to be too literary and have not communicated the full emotional power and precise attention to detail of Chekhov's Russian. Milton Ehre began translating Chekhov's plays to provide professional theaters with performance texts that capture the feel and rhythms of spoken, rather than written, language. Chekhov for the Stage is the first publication of his revised versions of The Three Sisters, Uncle Vanya, The Cherry Orchard, and The Sea Gull. Ehre's sensitive renderings of these classics make this volume the translation of choice for performers and directors, teachers, and the general reading public.


The Chekhov Theatre

The Chekhov Theatre

Author: Laurence Senelick

Publisher: Cambridge University Press

Published: 1997

Total Pages: 468

ISBN-13: 9780521783958

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Many now consider Chekhov a playwright equal to Shakespeare. Senelick studies how his reputation evolved, and how the presentation of his plays varied and altered from their initial productions in Russia to recent postmodern deconstructions.


Chekhov's Plays

Chekhov's Plays

Author: Richard Gilman

Publisher: Yale University Press

Published: 1995-01-01

Total Pages: 288

ISBN-13: 9780300072563

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Eminent critic Richard Gilman examines each of Chekhov's full-length plays, showing how they relate to each other, to Chekhov's short stories, and to his life. Gilman places the plays in the context of Russian and European drama and the larger culture of the period, and the reasons behind the enduring power of these classic works.


Anton Chekhov's Plays

Anton Chekhov's Plays

Author: Anton Pavlovich Chekhov

Publisher: New York : Norton

Published: 1977

Total Pages: 412

ISBN-13: 9780393091632

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Critical discussions on Chekhov's dramatic purpose and structure as well as biographical material accompany a new translation of the plays.


Chekhov's First Play

Chekhov's First Play

Author: Dead Centre

Publisher: Bloomsbury Publishing

Published: 2016-04-04

Total Pages: 65

ISBN-13: 1783197587

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‘I’m having absolutely nothing to do with the theatre or the human race. They can all go to hell.’ – Anton Chekhov During the turmoil of the Russian Revolution in 1917, Maria Chekhov, Anton’s sister, placed many of her late brother’s manuscripts and papers in a safety deposit box in Moscow. In 1921 Soviet scholars opened the box, and discovered a play. The title page was missing. The play they found has too many characters, too many themes, too much action. All in all, it’s generally dismissed as unstageable. Like life. A new play by Dead Centre, creators of the OBIE / Fringe First winning LIPPY.


To the Actor

To the Actor

Author: Michael Chekhov

Publisher: Ravenio Books

Published:

Total Pages: 226

ISBN-13:

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In this practical guide, renowned actor and director Michael Chekhov shares his innovative approach to the craft of acting. Drawing on his extensive experience in the theater and his unique understanding of the actor's creative process, Chekhov presents a comprehensive system of techniques designed to help actors develop their physical, mental, and emotional abilities. Through a series of exercises and principles, actors can learn to create compelling, truthful performances that captivate audiences and bring characters to life on stage and screen.


Shakespeare and Chekhov in Production and Reception

Shakespeare and Chekhov in Production and Reception

Author: John Tulloch

Publisher: University of Iowa Press

Published: 2009-05

Total Pages: 329

ISBN-13: 1587296004

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With a focus on the canonical institutions of Shakespeare and Chekhov, John Tulloch brings together for the first time new concepts of “the theatrical event” with live audience analysis. Using mainstream theatre productions from across the globe that were highly successful according to both critics and audiences, this book of case studies—ethnographies of production and reception—offers a combined cultural and media studies approach to analyzing theatre history, production, and audience. Tulloch positions these concepts and methodologies within a broader current theatrical debate between postmodernity and risk modernity. He also describes the continuing history of Shakespeare and Chekhov as a series of stories “currently and locally told” in the context of a blurring of academic genres that frames the two writers. Drawn from research conducted over nearly a decade in Australia, Britain, and the U.S., Shakespeare and Chekhov in Production and Reception will be of interest to students and scholars of theatre studies, media studies, and audience research.


Young Chekhov

Young Chekhov

Author: Anton Chekhov

Publisher: Faber & Faber

Published: 2015-09-29

Total Pages: 326

ISBN-13: 0571313035

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Young Chekhov contains a trilogy of plays by the Russian writer Anton Chekhov, written as he emerged as the greatest playwright of the late nineteenth century. The three works, Platanov, Ivanov and The Seagull, in contemporary adaptations by David Hare, will be staged at the Chichester Festival Theatre in the summer of 2015.


Performing Chekhov

Performing Chekhov

Author: David Allen

Publisher: Routledge

Published: 2002-01-04

Total Pages: 282

ISBN-13: 113465796X

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Performing Chekhov is a unique guide to Chekhov's plays in performance. It will be indispensable to students, teachers and theatre practitioners interested not only in Chekhov but in the history of the modern stage.


Three Sisters

Three Sisters

Author: Anton Chekhov

Publisher: Crossroad Press

Published: 2017-12-11

Total Pages: 112

ISBN-13:

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The play focuses on the lives of three sisters, Olga, Masha, and Irina, young women of the Russian gentry who try to fill their days in order to construct a life that feels meaningful while surrounded by an array of military men, servants, husbands, suitors, and lovers, all of whom constitute a distractions from the passage of time and from the sisters' desire to return to their beloved Moscow.