Chaucer and Italian Culture

Chaucer and Italian Culture

Author: Helen Fulton

Publisher: University of Wales Press

Published: 2021-01-15

Total Pages: 290

ISBN-13: 1786836793

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Chaucerian scholarship has long been intrigued by the nature and consequences of Chaucer’s exposure to Italian culture during his professional visits to Italy in the 1370s. In this volume, leading scholars take a new and more holistic view of Chaucer’s engagement with Italian cultural practice, moving beyond the traditional ‘sources and analogues’ approach to reveal the varied strands of Italian literature, art, politics and intellectual life that permeate Chaucer’s work. Each chapter examines from different angles links between Chaucerian texts and Italian intellectual models, including poetics, chorography, visual art, classicism, diplomacy and prophecy. Echoes of Petrarch, Dante and Boccaccio reverberate throughout the book, across a rich and diverse landscape of Italian cultural legacies. Together, the chapters cover a wide range of theory and reference, while sharing a united understanding of the rich impact of Italian culture on Chaucer’s narrative art.


Chaucer's Italy

Chaucer's Italy

Author: Richard Owen

Publisher: Haus Publishing

Published: 2022-09-20

Total Pages: 169

ISBN-13: 1909961841

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An exploration of the influence of Italy and Italians on Chaucer’s life and writing. Geoffrey Chaucer might be considered the quintessential English writer, but he drew much of his inspiration and material from Italy. In fact, without the tremendous influence of Francesco Petrarch and Giovanni Boccaccio (among others), the author of The Canterbury Tales might never have assumed his place as the “father” of English literature. Nevertheless, Richard Owen’s Chaucer’s Italy begins in London, where the poet dealt with Italian merchants in his roles as court diplomat and customs official. Next Owen takes us, via Chaucer’s capture at the siege of Rheims, to his involvement in arranging the marriage of King Edward III’s son Lionel in Milan and his missions to Genoa and Florence. By scrutinizing his encounters with Petrarch, Boccaccio, and the mercenary knight John Hawkwood—and with vividly evocative descriptions of the Arezzo, Padua, Florence, Certaldo, and Milan that Chaucer would have encountered—Owen reveals the deep influence of Italy’s people and towns on Chaucer’s poems and stories. Much writing on Chaucer depicts a misleadingly parochial figure, but as Owen’s enlightening short study of Chaucer’s Italian years makes clear, the poet’s life was internationally eventful. The consequences have made the English canon what it is today.


Chaucer's Italian Tradition

Chaucer's Italian Tradition

Author: Warren Ginsberg

Publisher: University of Michigan Press

Published: 2002

Total Pages: 320

ISBN-13: 9780472112340

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Explores provocative questions about the dynamics of cross-cultural translation and the formation of tradition


Chaucer and the Italian Trecento

Chaucer and the Italian Trecento

Author: Piero Boitani

Publisher: CUP Archive

Published: 1983

Total Pages: 332

ISBN-13: 9780521313506

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A collection of essays debating what fourteenth-century Italy and its literature meant to Chaucer.


Geoffrey Chaucer in Context

Geoffrey Chaucer in Context

Author: Ian Johnson

Publisher: Cambridge University Press

Published: 2019-07-11

Total Pages: 499

ISBN-13: 1107035643

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Provides a rich and varied reference resource, illuminating the different contexts for Chaucer and his work.


Chaucer and Petrarch

Chaucer and Petrarch

Author: William T. Rossiter

Publisher: Boydell & Brewer Ltd

Published: 2010

Total Pages: 252

ISBN-13: 1843842157

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First full study of Chaucer's readings and translations of Petrarch suggests a far greater influence than has hitherto been accepted.


Chaucer’s Polyphony

Chaucer’s Polyphony

Author: Jonathan Fruoco

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-10-12

Total Pages: 241

ISBN-13: 1501514369

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Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also to ignore the specificities of Chaucer’s style. Indeed, Chaucer’s decision to write in Middle English, in a time when the hegemony of Latin and Old French was undisputed (especially at the court of Edward III and Richard II), was consistent with an intellectual movement that was trying to give back to European vernaculars the prestige necessary to a genuine cultural production, which eventually led to the emergence of romance and of the modern novel. As a result, if Chaucer cannot be thought of as the father of English poetry, he is, however, the father of English prose and one of the main artisans of what Mikhail Bakhtin called the polyphonic novel.


Chaucer's Queer Poetics

Chaucer's Queer Poetics

Author: Susan Schibanoff

Publisher: University of Toronto Press

Published: 2006-01-01

Total Pages: 376

ISBN-13: 0802090354

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Geoffrey Chaucer was arguably fourteenth-century England's greatest poet. In the nineteenth century, readers of Chaucer's early dream poems - the Book of the Duchess, House of Fame, and Parliament of Fowles - began to detect a tripartite model of his artistic development from a French to an Italian, and finally to an English phase. They fleshed out this model with the liberation narrative, the inspiring story of how Chaucer escaped the emasculating French house of bondage to become the generative father of English poetry. Although this division has now largely been dismissed, both the tripartite model and the accompanying liberation narrative persist in Chaucer criticism. In Chaucer's Queer Poetics, Susan Schibanoff interrogates why the tripartite model remains so tenacious even when literary history does not support it. Revealing deeply rooted Francophobic, homophobic, and nationalistic biases, Schibanoff examines the development paradigm and demonstrates that 'liberated Chaucer' depends on antiquated readings of key source texts for the dream trilogy. This study challenges the long held view the Chaucer fled the prison of effete French court verse to become the 'natural' English father poet and charts a new model of Chaucerian poetic development that discovers the emergence of a queer aesthetic in his work.