Chasing the Rising Sun

Chasing the Rising Sun

Author: Ted Anthony

Publisher: Simon and Schuster

Published: 2007-07-13

Total Pages: 323

ISBN-13: 1416539301

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Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song "House of the Rising Sun" as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as "House of the Rising Sun." The rise of the song in this country and the launch of its world travels can be traced to Georgia Turner, a poor, sixteen-year-old daughter of a miner living in Middlesboro, Kentucky, in 1937 when the young folk-music collector Alan Lomax, on a trip collecting field recordings, captured her voice singing "The Rising Sun Blues." Lomax deposited the song in the Library of Congress and included it in the 1941 book Our Singing Country. In short order, Woody Guthrie, Pete Seeger, Lead Belly, and Josh White learned the song and each recorded it. From there it began to move to the planet's farthest corners. Today, hundreds of artists have recorded "House of the Rising Sun," and it can be heard in the most diverse of places -- Chinese karaoke bars, Gatorade ads, and as a ring tone on cell phones. Anthony began his search in New Orleans, where he met Eric Burdon of the Animals. He traveled to the Appalachians -- to eastern Kentucky, eastern Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He found Homer Callahan, who learned it in the mountains during a corn shucking; he discovered connections to Clarence "Tom" Ashley, who traveled as a performer in a 1920s medicine show. He went to Daisy, Kentucky, to visit the family of the late high-lonesome singer Roscoe Holcomb, and finally back to Bourbon Street to see if there really was a House of the Rising Sun. He interviewed scores of singers who performed the song. Through his own journey he discovered how American traditions survived and prospered -- and how a piece of culture moves through the modern world, propelled by technology and globalization and recorded sound.


The Responsive Universe

The Responsive Universe

Author: John C. Bader

Publisher: AuthorHouse

Published: 2012-06

Total Pages: 268

ISBN-13: 1477216324

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The Responsive Universe is a handbook to enlightenment. Within these pages are refreshing and insightful revelations, wisdom, practices designed to help the reader find happiness in a world of indifference. Through instinctual energy and insight, the Responsive Universe offers a succinct vision of your True Nature – your intrinsic, immortal potential for reaching enlightenment that exists within the mind of every sentient being. Much like clouds can obscure blue sky; the Responsive Universe illuminates a less trodden path of mindfulness and clarity with the goal of suffering less and connecting to that inner voice within that speaks wisdom and truth. Within the inviting realm of the Responsive Universe, John C. Bader will discuss living with an open mind, creation, de-construction of organized religion, karma, energy healing, coping with loss, abuse and a complete life changing shift in social mainstream perception. Additionally, a portion of the profits for this book will be donated to help fight and cure cancer. Join John C. Bader on your very own journey to self-actualization and enlightenment. Are you ready to leave the social static of the ego driven world and embrace true illumination, happiness and understanding? Your journey begins now and as you will soon find, positivity and possibility are boundless when you live in a Responsive Universe.


Encyclopedia of Great Popular Song Recordings

Encyclopedia of Great Popular Song Recordings

Author: Steve Sullivan

Publisher: Rowman & Littlefield

Published: 2017-05-17

Total Pages: 830

ISBN-13: 1442254491

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Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording


A Philosophy of Song and Singing

A Philosophy of Song and Singing

Author: Jeanette Bicknell

Publisher: Routledge

Published: 2015-07-03

Total Pages: 139

ISBN-13: 1317653130

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In Philosophy of Song and Singing: An Introduction, Jeanette Bicknell explores key aesthetic, ethical, and other philosophical questions that have not yet been thoroughly researched by philosophers, musicologists, or scientists. Issues addressed include: The relationship between the meaning of a song’s words and its music The performer’s role and the ensuing gender complications, social ontology, and personal identity The performer’s ethical obligations to audiences, composers, lyricists, and those for whom the material holds particular significance The metaphysical status of isolated solo performances compared to the continuous singing of opera or the interrupted singing of stage and screen musicals Each chapter focuses on one major musical example and includes several shorter discussions of other selections. All have been chosen for their illustrative power and their accessibility for any interested reader and are readily available.


Death's Golden Whisper

Death's Golden Whisper

Author: R.J. Harlick

Publisher: Dundurn

Published: 2004-11-01

Total Pages: 345

ISBN-13: 1459712048

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Meg Harris believes are fishermen to the isolated northern lake she lives on. Within hours, she discovers that these men have come to develop a gold mine. She combines forces with Eric Odjik, chief of the neighbouring Migiskan reserve, to fight the mining company.


Hear My Sad Story

Hear My Sad Story

Author: Richard Polenberg

Publisher: Cornell University Press

Published: 2015-12-07

Total Pages: 304

ISBN-13: 1501701487

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In 2015, Bob Dylan said, "I learned lyrics and how to write them from listening to folk songs. And I played them, and I met other people that played them, back when nobody was doing it. Sang nothing but these folk songs, and they gave me the code for everything that's fair game, that everything belongs to everyone." In Hear My Sad Story, Richard Polenberg describes the historical events that led to the writing of many famous American folk songs that served as touchstones for generations of American musicians, lyricists, and folklorists. Those events, which took place from the early nineteenth to the mid-twentieth centuries, often involved tragic occurrences: murders, sometimes resulting from love affairs gone wrong; desperate acts borne out of poverty and unbearable working conditions; and calamities such as railroad crashes, shipwrecks, and natural disasters. All of Polenberg’s account of the songs in the book are grounded in historical fact and illuminate the social history of the times. Reading these tales of sorrow, misfortune, and regret puts us in touch with the dark but terribly familiar side of American history. On Christmas 1895 in St. Louis, an African American man named Lee Shelton, whose nickname was "Stack Lee," shot and killed William Lyons in a dispute over seventy-five cents and a hat. Shelton was sent to prison until 1911, committed another murder upon his release, and died in a prison hospital in 1912. Even during his lifetime, songs were being written about Shelton, and eventually 450 versions of his story would be recorded. As the song—you may know Shelton as Stagolee or Stagger Lee—was shared and adapted, the emotions of the time were preserved, but the fact that the songs described real people, real lives, often fell by the wayside. Polenberg returns us to the men and women who, in song, became legends. The lyrics serve as valuable historical sources, providing important information about what had happened, why, and what it all meant. More important, they reflect the character of American life and the pathos elicited by the musical memory of these common and troubled lives.


The Life, Music and Thought of Woody Guthrie

The Life, Music and Thought of Woody Guthrie

Author: John S. Partington

Publisher: Ashgate Publishing, Ltd.

Published: 2011

Total Pages: 224

ISBN-13: 9780754669555

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Woodrow Wilson Guthrie has had an immense impact on popular culture throughout the world. His folk music brought traditional song from the rural communities of the American southwest to the urban American listener and beyond. But Guthrie's music was only one aspect of his multifaceted life. As well as penning hundreds of songs, Guthrie was also a prolific writer of non-sung prose, an artist and a poet. This collection provides an examination of Guthrie's cultural significance and an evaluation of his impact on American culture and international folk-culture.


The World of Horrotica

The World of Horrotica

Author: David Edward Collier

Publisher: Xlibris Corporation

Published: 2013-09-05

Total Pages: 670

ISBN-13: 1483690814

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THE APOCALYPSE CODEX PROPHESIZES THE COMING OF THE APOCALYPSE, UNLESS, OF COURSE, THE UNDERGROUND APOCALYPSE RESISTANCE CAN PREVENT THE APOCALYPSE FROM HAPPENING. HOWEVER, IN THE TRICKY PROCESS OF TRYING TO PREVENT THE APOCALYPSE, THE APOCALYPSE RESISTANCE INSTEAD CAUSES THE APOCALYPSE TO BEGIN. IS THE ZOMBIE DOOMSDAY UPON US: IN SHADOW OF TOMORROW, HELLREBEL AND HELLDEVIL ARE ORPHANED TWINS RAISED AS DAY-WALKING VAMPIRE HUNTERS BY THE BROTHERHOOD OF BLOOD, OTHERWISE KNOWN DOWN THE ROAD AS THE UNDERGROUND APOCALYPSE RESISTANCE. WALKING DEAD MEN WANTED AS VIGILANTE OUTLAWS HUNTED DOWN BY THE LAW, HELLREBEL AND HELLDEVIL MUST HUNT DOWN THE DEVIL INCARNATE BEFORE THE DEVIL INCARNATE HUNTS DOWN SIN INCARNATE. OTHERWISE, SIN INCARNATE WILL GIVE BIRTH TO DEATH INCARNATE ~~~~~~~~~~~~~ DID YOU KNOW ROBERT LOUIS STEVENSON PENNED DR. JECKYLL AND MR. HYDE ON A SIX-DAY COCAINE BINGE? LIKE DR. JECKYLL AND MR. HYDE, EACH ONE OF US HAS A SPLIT PERSONALITY. THE GOOD SIDE THAT WE SHOW OFF DURING THE DAY, AND THEN THAT DARK SIDE THAT WE TRY TO KEEP HIDDEN IN THE DARKEST CORNER OF OUR CLOSET. I HIDE THESE EPISODES INSIDE THE CLOSET. WE ALL HAVE SKELETONS BURIED IN OUR CLOSET. BUT ME, I HAVE A CEMETERY BURIED IN MINE. HOWEVER, I FEAR SOMEONE WILL UNLOCK MY CLOSET. I SEE IT EVERY NIGHT IN MY NIGHTMARES, NIGHTMARES THAT WAKE ME EVERY NIGHT. LIKE FRANKENSTEIN, I SEE MYSELF FLEEING IN FEAR, RUNNING FASTER AND FASTER, RUSHING DOWN A DARK ROAD DISAPPEARING THROUGH THE SNOW-SWEPT WOODS GROWING DARKER AMIDST A BITTER WINTER, RUNNING FARTHER AND FURTHER AWAY, RUSHING THROUGH THE WIND-SWEPT WILD. IT WANDERS WAYWARD ACROSS UNFOLDING VIRGIN VISTAS AS IT WONDERS TO GOD IN HEAVEN, WHY THE HELL IN THE WORLD ARE THE RABID DOGS IN SUCH RUTHLESS, PITILESS, RELENTLESS PURSUIT? THERE ARE SOME DOGS THAT BARK. HOWEVER, THERE ARE OTHER DOGS THAT BITE. SAVE ME FROM MY SINS BEFORE THEY CATCH UP TO ME. MAN MAKES HIS HELL AND MY MIND IS MINE. SAVE ME FROM THE DEVIL AND FREE MY SOUL FROM THIS LIVING HELL. AS A WALKING DEAD MAN HUNTED DOWN IN THE DEAD MANS LAND, YUPPIE CITY WAS HOOKED ON MALE FUEL. MALE FUEL TURNED YOU INTO A MAN. MALE FUEL TURNED YOU INTO A MACHINE. MALE FUEL TURNED YOU INTO A MONSTER. HOWEVER, WHEN BIO/CIDE WENT UNDER, BIO/CIDE CITY NO LONGER MASS-PRODUCED MALE FUEL. THE ALICE-IN-WONDERLAND WITHDRAWAL SYMPTOM OF MALE FUEL WAS THAT YOU DEVELOPED VIOLENT ZOMBIE-LIKE BEHAVIOR THAT TURNED YOU INTO A HUMAN BEAST THAT BEHAVED LIKE A ZOMBIE. WHAT WAS STILL LEFT AT THE BIO/CIDE CITY WAS HORDED BY HUMANS THAT TOOK REFUGE UNDERGROUND. HOWEVER, FOR THOSE THAT WERE STILL ALIVE, THE UNDERWORLD WAS NOT ANY BETTER THAN THE WORLD THEY LEFT BEHIND. FOLLOWING THE GRAVEYARD WARS, THE WORLD OF HORROTICA WAS RECLAIMED BY THE OUTCASTS AND THE OUTLAWS WHO WEATHERED THE STORM WHILE LIVING UNDERGROUND WHERE THE REMAINING REMNANTS OF THE HUMAN CIVILIZATION RETURNED TO THE MORTAL WORLD WHERE THE OUTCASTS AND THE OUTLAWS TOOK CONTROL OF THE HUMAN WORLD, WHICH BECAME KNOWN AS THE LAWLESS LAND.


One-Hit Wonders

One-Hit Wonders

Author: Sarah Hill

Publisher: Bloomsbury Publishing USA

Published: 2022-02-24

Total Pages: 297

ISBN-13: 1501368427

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The one-hit wonder has a long and storied history in popular music, exhorting listeners to dance, to teach the world to sing in perfect harmony, to ponder mortality, to get a job, to bask in the sunshine, or just to get up and dance again. Catchy, memorable, irritating, or simply ubiquitous, one-hit wonders capture something of the mood of a time. This collection provides a series of short, sharp chapters focusing on one-hit wonders from the 1950s to the present day, with a view toward understanding both the mechanics of success and the socio-musical contexts within which such songs became hits. Some artists included here might have aspired to success but only managed one hit, while others enjoyed lengthy, if unremarkable, careers after their initial chart success. Put together, these chapters provide not only a capsule history of popular music tastes, but also ruminations on the changing nature of the music industry and the mechanics of fame.