These forty seven discourses on the Jewish Festivals give an overview of the primary concepts of Chabad Chasidus and address the dynamics of a Jews relationship with G-d, community, and himself. A satisfying compendium of profound subjects carefully and clearly elucidated by a master writer and teacher.
The story of two fathers and two sons and the pressures on all of them to pursue the religion they share in the way that is best suited to each. And as the boys grow into young men, they discover in the other a lost spiritual brother, and a link to an unexplored world that neither had ever considered before. In effect, they exchange places, and find the peace that neither will ever retreat from again.
Inside the closed community of Borough Park, where most Chassidim live, the rules of life are very clear, determined by an ancient script written thousands of years before down to the last detail-and abuse has never been a part of it. But when thirteen-year-old Gittel learns of the abuse her best friend has suffered at the hands of her own family member, the adults in her community try to persuade Gittel, and themselves, that nothing happened. Forced to remain silent, Gittel begins to question everything she was raised to believe. A richly detailed and nuanced book, one of both humor and depth, understanding and horror, this story explains a complex world that remains an echo of its past, and illuminates the conflict between yesterday's traditions and today's reality.
the Handbooks of the Bible and Its Reception (HBR) provide comprehensive introductions to individual topics in biblical reception history. They address a wide range of academic fields and interdisciplinary matters, including reception of the Bible in various contexts and historical periods; in diverse geographic areas; in particular cultural, social, and political contexts; and in relation to important biblical themes, topics, and figures.
Examines responses to the Holocaust of hasidic leaders and their followers during the war years in Europe. Discovers a correlation between these responses and fundamental hasidic tenets dealing with God's relationship to man and to the Jewish people, redemption and the messianic era, Kiddush Hashem and Kiddush ha-Hayyim, the hasidic fraternal bond, and the relationship between the hasid and the zadik or rebbe. Hasidism offered a system of concepts that could be used to interpret the Holocaust, and provided a social framework and leadership to articulate these concepts. These may have served as shock absorbers for the hasidim facing the trauma of Holocaust events.
Offers a history of the interpretation of Chronicles in theology, worship, music, literature and art from the ancient period to the present day, demonstrating its foundational importance within the Old Testament Explores important differences between the same topics and stories that occur in Chronicles and other biblical books such as Genesis and Kings, including the pious depiction of David, the clear correlation between moral behavior and divine reward, and the elevation of music in worship Examines the reception of Chronicles among its interpreters, including rabbis of the Talmud, Jerome, Martin Luther, Johann Sebastian Bach, Cotton Mather, and others, Features broad yet comprehensive coverage that considers Jewish and Christian, ancient and modern, and secular and pop cultural interpretations Organizes discussions by verse to illuminate each one’s changing meaning across the ages
When talking about his film Salò, Pasolini claimed that nothing is more anarchic than power, because power does whatever it wants, and what power wants is totally arbitrary. And yet, upon examining the murderous capital of modern sovereignty, the fragility emerges of a power whose existence depends on its victims’ recognition. Like a prayer from God, the command implores to be loved, also by those whom it puts to death. Benefitting from this "political theurgy" as the book calls it (the idea that a power, like God, claiming to be full of glory, constantly needs to be glorified) is Barnardine, the Bohemian murderer in Shakespeare’s Measure for Measure, as he, called upon by power to the gallows, answers with a curse: ‘a pox o’ your throats’. He does not want to die, nor, indeed, will he. And so, he becomes sovereign. On a level with and against the State.