"Chambers offers a vivid and sympathetic portrait of a couple whose lives are in many ways not their own. From the day she was born Charlotte won the hearts of her subjects. Yet, behind the scenes, she was used, abused and victimised by rivalries - between her parents; between her father (the Prince Regent, later George IV) and (Mad King) George III; between her tutors, governesses and other members of her discordant household; and ultimately between the Whig opposition and the Tory government." "Set in one of the most glamorous eras of British history, against the background of a famously dysfunctional royal family, Charlotte & Leopold: A Regency Romance is a moving, sometimes funny and always entertaining royal biography with an alluring contemporary resonance."--BOOK JACKET.
As the only child of the Prince Regent and Caroline of Brunswick, Princess Charlotte of Wales (1796-1817) was the heiress presumptive to the throne. Her parents’ marriage had already broken up by the time she was born. She had a difficult childhood and a turbulent adolescence, but she was popular with the public, who looked to her to restore the good name of the monarchy. When she broke off her engagement to a Dutch prince, her father put her under virtual imprisonment and she endured a period of profound unhappiness. But she held out for the freedom to choose her husband, and when she married Prince Leopold of Saxe-Coburg she finally achieved contentment. Her happiness was cruelly cut short when she died in childbirth at the age of twenty-one only eighteen months later. A shocked nation went into mourning for its ‘people’s princess’, the queen who never was.
Our perception of Victoria the Queen is coloured by portraits of her older, widowed self - her dour expression embodying the repressive morality propagated in her time. But Becoming Queen reveals an energetic and vibrant woman, determined to battle for power. It also documents the Byzantine machinations behind Victoria's quest to occupy the throne, and shows how her struggles did not end when finally the crown was placed on her head. Laying bare the passions that swirled around the throne in the eighteenth century, Becoming Queen is an absorbingly dramatic tale of secrets, sexual repression and endless conflict. After her lauded biography of Emma Hamilton, England's Mistress, Kate Williams has produced a most original and intimate portrait of Great Britain's longest reigning monarch.
This book examines the life of Prince Leopold, Duke of Albany, including his life at Oxford and the varied and interesting friendships he developed there (with, among others, Charles Dodgson - "Lewis Carroll" - John Ruskin and Oscar Wilde).
Prince Leopold, Duke of Albany (1853-84), is acknowledged to have been the most intelligent and probably the most interesting of Queen Victoria's four sons. He was the youngest and a strong-willed attractive character, with an immense thirst for life. He was also, however, the first haemophilia sufferer in the royal family and endured continual ill health; as if haemophilia was not enough, he was also epileptic. In this biography, Charlotte Zeepvat has drawn on sources to reveal a compelling human story which also touches on the wider worlds of late 19th-century Oxford and of literature, art and politics in the Victorian period. In particular, it examines the question of haemophilia and the royal family. There are many questions to answer, such as when did the Queen and Prince Albert realize their youngest son was ill and how much did they understand of his illness? Some of Leopold's early attacks were described as "rheumatism" - was this an attempt to keep the truth concealed or a genuine misunderstanding? The book also presents a full and balanced picture of Leopold's relationship with his mother. Letters already published provide snapshots of individual quarrels between mother and son but no one has yet considered the relationship as a whole. Finally it eamines Leopold's life at Oxford, the varied and interesting friendships he developed there (with, among others, Charles Dodgson - "Lewis Carroll" - John Ruskin and Oscar Wilde), his political views and the importance of his work as unofficial secretary to the Queen.
Traces the arranged marriage of Charlotte and Lionel Rothschild, their love for each other, Charlotte's success as a great chatelaine of the Victorian era, and Lionel's rise as England's leading financier.
NEW YORK TIMES BESTSELLER "[A] delectable double bio . . . Talk about Victoria’s secret. . . . A fascinating portrait of a genuine love match, but one in which the partners dealt with surprisingly modern issues.” —USA Today It was the most influential marriage of the nineteenth century—and one of history’ s most enduring love stories. Traditional biographies tell us that Queen Victoria inherited the throne as a naïve teenager, when the British Empire was at the height of its power, and seemed doomed to find failure as a monarch and misery as a woman until she married her German cousin Albert and accepted him as her lord and master. Now renowned chronicler Gillian Gill turns this familiar story on its head, revealing a strong, feisty queen and a brilliant, fragile prince working together to build a family based on support, trust, and fidelity, qualities neither had seen much of as children. The love affair that emerges is far more captivating, complex, and relevant than that depicted in any previous account. The epic relationship began poorly. The cousins first met as teenagers for a few brief, awkward, chaperoned weeks in 1836. At seventeen, charming rather than beautiful, Victoria already “showed signs of wanting her own way.” Albert, the boy who had been groomed for her since birth, was chubby, self-absorbed, and showed no interest in girls, let alone this princess. So when they met again in 1839 as queen and presumed prince-consort-to-be, neither had particularly high hopes. But the queen was delighted to discover a grown man, refined, accomplished, and whiskered. “Albert is beautiful!” Victoria wrote, and she proposed just three days later. As Gill reveals, Victoria and Albert entered their marriage longing for intimate companionship, yet each was determined to be the ruler. This dynamic would continue through the years—each spouse, headstrong and impassioned, eager to lead the marriage on his or her own terms. For two decades, Victoria and Albert engaged in a very public contest for dominance. Against all odds, the marriage succeeded, but it was always a work in progress. And in the end, it was Albert’s early death that set the Queen free to create the myth of her marriage as a peaceful idyll and her husband as Galahad, pure and perfect. As Gill shows, the marriage of Victoria and Albert was great not because it was perfect but because it was passionate and complicated. Wonderfully nuanced, surprising, often acerbic—and informed by revealing excerpts from the pair’s journals and letters—We Two is a revolutionary portrait of a queen and her prince, a fascinating modern perspective on a couple who have become a legend. BONUS: This edition contains a reader's guide.
