This fascinating volume relates the story of Dicken's social encounters, violent breaches, and uneasy alliances with his publishers and illustrates how the conditions of publishing had much to do with the shape and success of Dicken's career.
"In considering the whole range of Dickens's relations with his English and foreign publishers, Professor Patten relates the story of the novelist's social encounters, violent breaches, and uneasy alliances with John Macrone, Richard Bentley, Edward and Frederic Chapman, William Hall, Bernhard Tauchnitz, William Bradbury, F M Evans, and his American publishers in a compelling record of personal and professional associations. Private drama is subordinated to a narrative of 'a very special ckind of venture', serial publication. Drawing extensively on the hitherto unpublished accounts rendered to Dickens by Bradbury and Evans, and Chapman and Hall every six months from 1846, Robert Patten traces the fluctuating fortunes of each of the books, from Sketches by Boz to Edwin Drood. He shows how Dickens took advantage of developments in the law, popular literacy, and the new techniques of publishing through the periodical issue of his writings, and through four widely-circulated reprint series that vastly extended the market for his work. He identifies the sources and size of Dickens's income, comparing it to that of his contemporaries; and the costs and sales, the printing history, and the profits and losses on all books where Dickens shared copyright are set out in detail in four appendices. The study skillfully establishes that the conditions of publishing had much to do with the shape and success of Dickens's career"--Dust jacket.
Heaven knows, we need never be ashamed of our wolfish cravings. . . . Bristly, sensitive, and meat-hungry Pip is a robust young whelp, an orphan born under a full moon. Between hunting escaped convicts alongside zombified soldiers, trying not to become one of the hunted himself, and hiding his hairy hands from the supernaturally beautiful and haughty Estella, whose devilish moods keep him chomping at the bit, Pip is sure he will die penniless or a convict like the rest of his commonly uncommon kind. But then a mysterious benefactor sends him to London for the finest werewolf education money can buy. In the company of other furry young gentlemen, Pip tempers his violent transformations and devours the secrets of his dark world. When he discovers that his beloved Estella is a slayer of supernatural creatures, trained by the corpse-like vampire Miss Havisham, Pip’s desire for her grows stronger than his midnight hunger for rare fresh beef. But can he risk his hide for a truth that will make Estella his forever—or will she drive one last silver stake through his heart?
“A charming, comic, and ultimately poignant story about the creation of the most famous Christmas tale ever written. It’s as foggy and haunted and redemptive as the original; it’s all heart, and I read it in a couple of ebullient, Christmassy gulps.” —Anthony Doerr, #1 New York Times bestselling author of All The Light We Cannot See Laced with humor, rich historical detail from Charles Dickens’ life, and clever winks to his work, Samantha Silva's Mr. Dickens and His Carol is an irresistible new take on a cherished classic. Charles Dickens is not feeling the Christmas spirit. His newest book is an utter flop, the critics have turned against him, relatives near and far hound him for money. While his wife plans a lavish holiday party for their ever-expanding family and circle of friends, Dickens has visions of the poor house. But when his publishers try to blackmail him into writing a Christmas book to save them all from financial ruin, he refuses. And a serious bout of writer’s block sets in. Frazzled and filled with self-doubt, Dickens seeks solace in his great palace of thinking, the city of London itself. On one of his long night walks, in a once-beloved square, he meets the mysterious Eleanor Lovejoy, who might be just the muse he needs. As Dickens’ deadlines close in, Eleanor propels him on a Scrooge-like journey that tests everything he believes about generosity, friendship, ambition, and love. The story he writes will change Christmas forever.
Charles Dickens's other Christmas classic, with a new introduction by Dickens's great-great-grandson, Gerald Charles Dickens. Charles Dickens wrote The Life of Our Lord during the years 1846-1849, just about the time he was completing David Copperfield. In this charming, simple retelling of the life of Jesus Christ, adapted from the Gospel of St. Luke, Dickens hoped to teach his young children about religion and faith. Since he wrote it exclusively for his children, Dickens refused to allow publication. For eighty-five years the manuscript was guarded as a precious family secret, and it was handed down from one relative to the next. When Dickens died in 1870, it was left to his sister-in-law, Georgina Hogarth. From there it fell to Dickens's son, Sir Henry Fielding Dickens, with the admonition that it should not be published while any child of Dickens lived. Just before the 1933 holidays, Sir Henry, then the only living child of Dickens, died, leaving his father's manuscript to his wife and children. He also bequeathed to them the right to make the decision to publish The Life of Our Lord. By majority vote, Sir Henry's widow and children decided to publish the book in London. In 1934, Simon & Schuster published the first American edition, which became one of the year's biggest bestsellers.
The Chimes A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In, a short novel by Charles Dickens, was written and published in 1844, one year after A Christmas Carol. It is the second in his series of Christmas books five short books with strong social and moral messages that he published during the 1840's.
The publisher Edward Lloyd (1815-1890) helped shape Victorian popular culture in ways that have left a legacy that lasts right up to today. He was a major pioneer of both popular fiction and journalism but has never received extended scholarly investigation until now. Lloyd shaped the modern popular press: Lloyd's Weekly Newspaper became the first paper to sell over a million copies. Along with publishing songs and broadsides, Lloyd dominated the fiction market in the early Victorian period issuing Gothic stories such as Varney the Vampire (1845-7) and other 'penny dreadfuls', which became bestsellers. Lloyd's publications introduced the enduring figure of Sweeney Todd whilst his authors penned plagiarisms of Dickens's novels, such as Oliver Twiss (1838-9). Many readers in the early Victorian period may have been as likely to have encountered the author of Pickwick in a Lloyd-published plagiarism as in the pages of the original author. This book makes us rethink the early reception of Dickens. In this interdisciplinary collection, leading scholars explore the world of Edward Lloyd and his stable of writers, such as Thomas Peckett Prest and James Malcolm Rymer. The Lloyd brand shaped popular taste in the age of Dickens and the Chartists. Edward Lloyd and his World fills a major gap in the histories of popular fiction and journalism, whilst developing links with Victorian politics, theatre and music.
No library's complete without the classics! This new edition collects the greatest works of Charles Dickens, one of the most popular novelists of all time. Oliver Twist. Pip. The ghosts of Christmas past, present, and future. The characters of Charles Dickens live on in our imaginations long after we've read his renowned works of social commentary and vivid storytelling. And though these novels were written more than one hundred years ago, no home library today would be complete without them. This Canterbury Classics edition of Charles Dickens collects some of his most famous and beloved works--The Adventures of Oliver Twist, A Christmas Carol, A Tale of Two Cities, and Great Expectations--into a single volume. For those who've never read Dickens, it's the perfect opportunity to experience his unique and compelling writing. And for those who are already Dickens devotees, an introduction by a renowned scholar will provide additional context and food for thought.