John Olsen

John Olsen

Author: John Olsen

Publisher: Macmillan Education AU

Published: 2007

Total Pages: 326

ISBN-13: 9781921394058

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This volume, companion to John Olsen: Teeming With Life (2005) which contained this artist's complete printmaking oeuvre of more than 900 editions, presents a selection of several hundred paintings and drawings created over more than four decades. Perhaps more than any other post-war artists, John Olsen and Fred Williams have helped Australians see their unique landscape and its features with fresh vision. The several hundred glorious reproductions, accompanied by an historical overview and comments drawn from the artist's diaries, is certain to provide the viewer with an unique vision of Australia and particularly the spectacular 'outback' - as well as honour the artist in his eightieth year.


The Seventies

The Seventies

Author: National Commercial Banking Corporation of Australia

Publisher: National Australia Bank

Published: 1982

Total Pages: 134

ISBN-13:

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A Companion to Australian Art

A Companion to Australian Art

Author: Christopher Allen

Publisher: John Wiley & Sons

Published: 2021-07-06

Total Pages: 560

ISBN-13: 1118767950

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A Companion to Australian Art A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.


The Boyds

The Boyds

Author: Brenda Niall

Publisher: Melbourne Univ. Publishing

Published: 2007

Total Pages: 526

ISBN-13: 9780522853841

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The Boyd family is Australia's most remarkable artistic dynasty. This work traces the emergence of an extraordinary artistic tradition. It places the Boyds in their historical and personal contexts, tells the interwoven stories of their brilliant careers, and analyses the shaping influences on their lives.


Son of the Brush

Son of the Brush

Author: Tim Olsen

Publisher: Allen & Unwin

Published: 2020-11-03

Total Pages: 587

ISBN-13: 176106066X

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Tim Olsen is the son of arguably Australia's greatest living artist, Dr John Olsen. Son of the Brush is his fascinating, candid memoir of what it was like to grow up in the shadow of artistic genius, with all its wonder, excitement and bitter disappointments. Tim's childhood was dominated by his father's work, which took the family to Europe and to communities around Australia as John sought inspiration and artistic fellowship. Wine, food, conversation and the emerging sexual freedom of the 1960s wove a pattern of life for the family. It was both the best and worst of childhoods, filled with vibrancy and stimulation, yet fraught with anxiety and eventual sadness as John separated from Tim's mother Valerie and moved away from the family. The course of Tim's life has been set by the experiences of his childhood, and by the passion for art he inherited from both his parents (his mother was an acclaimed painter in her own right). His life has always been about art, although he has followed a different path from his parents. Having overcome and recovered from addiction, Tim is today one of Australia's most respected gallery owners, with a knowledge of art and artists forged from what is literally a lifetime immersed in the art world. Son of the Brush is a memoir about a son and his father, and what it takes to forge your own identity and chart your own course in life, but it is also about the wider world of art, artists and the joy, inspiration and sacrifices of the creative life.


The Solitary Watcher

The Solitary Watcher

Author: Gary Catalano

Publisher: Melbourne University

Published: 2001

Total Pages: 250

ISBN-13:

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In this text, a full-length work on Rick Amor, the author writes of the lanscapes of Amor's childhood that haunt his later paintings; of Amor's close friendship with Joan and Daryl Lindsay; his long relationship with the labour movement; and his professional attachment to older artists.


When Modern Became Contemporary Art

When Modern Became Contemporary Art

Author: Charles Green

Publisher: Taylor & Francis

Published: 2024-09-19

Total Pages: 345

ISBN-13: 1040144969

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This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art from 1962, the date of publication of a foundational book, Australian Painting 1788–1960, up to 1988, the year of the Australian Bicentennial. Across nine chapters about art, exhibitions, curators and critics, this book describes the shift from modern art to contemporary art through the successive attempts to define a place in the world for Australian art. But by 1988, Australian art looked less and less like a viable tradition inside which to interpret ‘our’ art. Instead, vast gaps appeared, since mostly male and often older White writers had limited their horizons to White Australia alone. National stories by White men, like borders, had less and less explanatory value. Underneath this, a perplexing subject remained: the absence of Aboriginal art in understanding what Australian art was during the period that established the idea of a distinctive Australian modern and then contemporary art. This book reflects on why the embrace of Aboriginal art was so late in art museums and histories of Australian art, arguing that this was because it was not part of a national story dominated by colonial, then neo-colonial dependency. It is important reading for all scholars of both global and Australian art, and for curators and artists.


The Oxford History of Western Art

The Oxford History of Western Art

Author: Martin Kemp

Publisher:

Published: 2000

Total Pages: 578

ISBN-13: 0198600127

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The Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different media relate to each other across time. Here--uniquely--is not the simple, linear "story" of art, but a rich series of stories, told from varying viewpoints. Carefully selected groupings of pictures give readers a sense of the visual "texture" of the various periods and episodes covered. The 167 illustration groups, supported by explanatory text and picture captions, create a sequence of "visual tours"--not merely a procession of individually "great" works viewed in isolation, but juxtapositions of significant images that powerfully convey a sense of the visual environments in which works of art need to be viewed in order to be understood and appreciated. The aim throughout is to make the shape and nature of these visual presentations a stimulating and rewarding experience, allowing readers to become active participants in the process of interpretation and synthesis. Another key feature of the narrative is the re-definition of traditional period boundaries. Rather than relying on conventional labels such as Medieval, Renaissance, and Baroque, the book establishes five major phases of significant historical change that unlock longer and more meaningful continuities. This new framework shows how the major religious and secular functions of art have been forged, sustained, transformed, revived, and revolutionized over the ages; how the institutions of Church and State have consistently aspired to make art in their own image; and how the rise of art history itself has come to provide the dominant conceptual framework within which artists create, patrons patronize, collectors collect, galleries exhibit, dealers deal, and art historians write. Though the coverage of topics focuses on European notions of art and their transplantation and transformation in North America, space is also given to cross-fertilizations with other traditions---including the art of Latin America, the Soviet Union, India, Africa (and Afro-Caribbean), Australia, and Canada. Written by a team of 50 specialist authors working under the direction of renowned art historian Martin Kemp, The Oxford History of Western Art is a vibrant, vigorous, and revolutionary account of Western art serving both as an inspirational introduction for the general reader and an authoritative source of reference and guidance for students.