Channel 4 and the British Film Industry, 1982-1998
Channel 4 and the British Film Industry, 1982-1998

Author: Laura Mayne

Publisher: Edinburgh University Press

Published: 2024-04-30

Total Pages: 201

ISBN-13: 147443729X

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This monograph offers the first ever comprehensive study of Channel 4's film production, distribution and broadcasting activities and represents a significant contribution to British cinema and television history. The importance of Channel 4 to the British film industry over the last 40 years cannot be overstated. The birth of the Channel in 1982 heralded a convergence between the UK film and television sectors which was particularly notable given that the two industries had historically been at loggerheads. In addition to its role as a broadcaster and curator of feature film programming, since its inception Channel 4 has funded or co-funded hundreds of feature films through its film commissioning arm, Film4. The Channel's commitment to financing between 15-20 films per year helped form the backbone of the ailing film sector throughout the 1980s and early 1990s, while Film4 funding has also been instrumental to the success of many companies which have become vital to the British film industry.

British Animation
British Animation

Author: Clare Kitson

Publisher:

Published: 2008

Total Pages: 244

ISBN-13:

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"Clare Kitson celebrates one of the most creative sources of broadcast animation - Britain's pioneering Channel 4, winner of three Academy Awards for animation. Kitson, who served as Channel 4's commissioning editor from 1989 until 1999, helped foster the channel's growing reputation as a broadcasting powerhouse. In British Animation: The Channel 4 Factor, she takes a look back at this exceptional era - celebrating thirty landmark works and the artists who made them." --Book Jacket.

British Social Realism
British Social Realism

Author: Samantha Lay

Publisher: Wallflower Press

Published: 2002

Total Pages: 148

ISBN-13: 9781903364413

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British Social Realism: From Documentary to Brit Grit details and explores the rich tradition of social realism in British cinema from its beginnings in the documentary movement of the 1930s to its more stylistically-eclectic and generically-hybrid contemporary forms. Samantha Lay examines the movements, moments and cycles of British social realist texts through a detailed consideration of practice, politics, form, style and content, using case studies of key texts including Listen to Britain, Saturday Night and Sunday Morning, Letter to Brezhnev, and Nil By Mouth. The book considers the challenges for social realist film practice and production in Britain, now and in the future.

The British film and television industries
The British film and television industries

Author: Great Britain: Parliament: House of Lords: Select Committee on Communications

Publisher: The Stationery Office

Published: 2010-01-24

Total Pages: 624

ISBN-13: 9780108459306

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British Film and Television Industries--Decline or Opportunity?, Volume II: Evidence

Channel 4
Channel 4

Author: Maggie Brown

Publisher: Bloomsbury Publishing

Published: 2021-05-20

Total Pages: 320

ISBN-13: 1911239821

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This book covers a dramatic decade in the fortunes of Britain's quirkiest broadcaster. It opens in 2009, with the realisation that Channel 4's biggest money spinner, Big Brother, had become a toxic asset and would have to be discarded, at the same time as advertising revenues were shrinking in the wake of the 2008 financial crash. Maggie Brown's compelling narrative, which draws on interviews with key players in Channel 4's story and unique access to the broadcaster's archives, takes us inside the boardroom battles, changes in senior management and commissioning teams, interventions by the media regulator Ofcom, and the channel's response to a rapidly-changing media and political landscape. Brown describes how the channel, under its new chief executive David Abraham, successfully fought off the threat of privatisation, which became a reality after the Conservatives' general election victory in 2015. The price for remaining publicly funded was a substantial relocation of Channel 4's operations, with Leeds announced in 2018 as a new 'regional hub'. The Channel 4 story is also one of ambitious and innovative programming, with a new director of content, Jay Hunt, instigating radical changes in commissioning and scheduling. Brown traces programming hits and losses during this period, with the departure to competitors of celebrity chefs, Black Mirror and Charlie Brooker, horse racing and Formula 1, and a reappraisal of the remit of institutions such as Channel 4 News and Film 4. But there were successes too, with the 2012 Paralympics helping to restore a public service sheen, and new programmes such as Gogglebox in 2013 connecting with younger audiences, and, in 2016, the coup of taking The Great British Bake Off from its home at the BBC.

Television Broadcasting in Contemporary France and Britain
Television Broadcasting in Contemporary France and Britain

Author: Michael Scriven

Publisher: Berghahn Books

Published: 1999

Total Pages: 260

ISBN-13: 9781571817549

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This is the first study devoted to the highly significant roles played by France and Britain in the formulation of European audiovisual policy, providing a truly comparative analysis of the contemporary audiovisual scene in the two countries.

Channel 4 annual report
Channel 4 annual report

Author: Great Britain: Parliament: House of Commons: Culture, Media and Sport Committee

Publisher: The Stationery Office

Published: 2010-12-14

Total Pages: 68

ISBN-13: 9780215555588

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For the past three years, the Committee has conducted an annual evidence session with the Chairman and Chief Executive of Channel four Television Corporation because as a statutory corporation it is accountable to Parliament for the delivery of its statutory remit. This year was a significant moment in Channel 4's history. The enactment of the Digital Economy Act at the end of the last Parliament amended the Communications Act 2003 to give Channel 4 a new and expanded remit and duties. A new management team was also put in place. The Committee agrees that the Digital Economy Act sets out sensible primary functions for Channel 4 to work towards and that Channel 4 has identified the correct method-self-reliance-to deliver them. Aligning all its portfolio of channels in support of these primary functions will not be easy, and it is essential that there is adequate external scrutiny of Channel 4's progress. The Committee welcomes recent draft guidance from Ofcom to establish a regime for establishing, monitoring, reviewing and enforcing public service-related obligations for Channel 4 across its network. However, Ofcom's ability to police Channel 4's new remit is limited, and the Committee is not convinced that Channel 4 is sufficiently accountable for its output outside its core channel. The Committee questioned the new management team on its remuneration policy, and the size of the final remuneration that outgoing Chief Executive Mr Duncan received. The Committee also urges Channel 4 to redouble its efforts to increase the proportion of UK-originated commissioning from the nations and regions. It proposes that Channel 4 set a medium term target of 15% of network spend on originated programming coming from the nations

Public service content
Public service content

Author: Great Britain: Parliament: House of Commons: Culture, Media and Sport Committee

Publisher: The Stationery Office

Published: 2007-11-15

Total Pages: 404

ISBN-13: 9780215037244

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Incorporating HCP 314 i-viii, session 2006-07

Fires Were Started
Fires Were Started

Author: Lester D. Friedman

Publisher: Wallflower Press

Published: 2006

Total Pages: 372

ISBN-13: 9781904764717

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Fires Were Started is a provocative analysis of the responses of British film to the policies and political ideology of the Conservative governments of Margaret Thatcher and it represents an original and stimulating contribution to our knowledge of British cinema. This second edition includes revised and updated contributions from some of the leading scholars of British cinema, including Thomas Elsaesser, Peter Wollen and Manthia Diawara. The book discuss prominent filmmakers such as Peter Greenaway, Derek Jarman, Ken Russell, Nicolas Roeg and Stephen Frears, it also explores some lesser known but equally important territory such as the work of Black British filmmakers, the Leeds Animation Workshop and Channel 4's Film on Four. Films discussed include Distant Voices, Still Lives, My Beautiful Launderette, Chariots of Fire and Drowning by Numbers.