Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
This biography of Isabel Crawford is a lively account of a feisty and fascinating Baptist missionary. Born in Canada in 1865, she had an independent spirit leading her to remarkable accomplishments in a life marked by obstacles. Her conversion at age ten created a lifelong commitment to Christian service. In her teens a near-fatal illness left her deaf, but nevertheless in 1893 she completed studies to become a missionary. Rejected for overseas service, she was assigned to a troubled Indian mission in Oklahoma. She began her work there with great reluctance but developed a lifelong bond with her beloved Kiowa converts. Her success as a woman missionary created friction with the American Baptist Home Mission Society, and she left the mission in 1906. Remaining committed to the Women's Home Mission Society, Crawford became a sought-after inspirational speaker for them and later served again as missionary, this time in western New York. She retired in 1930 and moved back to Canada in 1942. Crawford is buried, as she had arranged, at her Saddle Mountain, Oklahoma, mission. The biography is enriched by extensive use of Crawford's witty and perceptive descriptions of the extraordinary challenges and variety of experiences that marked her life.
On May 11, 1911, the New York Public Library opened its “marble palace for book lovers” on Fifth Avenue and 42nd Street. This was the city’s first public library in the modern sense, a tax-supported, circulating collection free to every citizen. Since before the Revolution, however, New York’s reading publics had access to a range of “public libraries” as the term was understood by contemporaries. In its most basic sense a public library in the eighteenth and most of the nineteenth centuries simply meant a shared collection of books that was available to the general public and promoted the public good. From the founding in 1754 of the New York Society Library up to 1911, public libraries took a variety of forms. Some of them were free, charitable institutions, while others required a membership or an annual subscription. Some, such as the Biblical Library of the American Bible Society, were highly specialized; others, like the Astor Library, developed extensive, inclusive collections. What all the public libraries of this period had in common, at least ostensibly, was the conviction that good books helped ensure a productive, virtuous, orderly republic—that good reading promoted the public good. Tom Glynn’s vivid, deeply researched history of New York City’s public libraries over the course of more than a century and a half illuminates how the public and private functions of reading changed over time and how shared collections of books could serve both public and private ends. Reading Publics examines how books and reading helped construct social identities and how print functioned within and across groups, including but not limited to socioeconomic classes. The author offers an accessible while scholarly exploration of how republican and liberal values, shifting understandings of “public” and “private,” and the debate over fiction influenced the development and character of New York City’s public libraries in the eighteenth and nineteenth centuries. Reading Publics is an important contribution to the social and cultural history of New York City that firmly places the city’s early public libraries within the history of reading and print culture in the United States.
Since its founding in 1869 by the Cumberland Presbyterian Church, Trinity University has been engaged in realizing the dreams of its founders to become “a University of the highest order.” In Trinity University: A Tale of Three Cities, R. Douglas Brackenridge, professor emeritus of religion at Trinity, brings a wealth of scholarship and knowledge to this institutional history. Brackenridge traces Trinity’s unique heritage from its founding in Tehuacana and growth in Waxahachie to its emergence in San Antonio as a top private university for the study of liberal arts and sciences. He draws on historical records and reports, oral histories, newspaper accounts, books, correspondence, and archives to document the university’s challenges and successes. He describes Trinity’s development within the broader context of private, church-related universities in America, while profiling the administrators, faculty, staff, and students who have contributed to Trinity’s rich heritage. The result is a well-researched story of the founding and the progression of one of the nation’s exceptional institutions for higher learning. Illustrations picture Trinity’s campuses in three cities and include black and white photographs.
Drawing on sources including Masonic manuals, tourist guidebooks and religious texts, this illustrated study explores the rites of building passage over the past 150 years. The author suggests that architecture is a performing art as well as a fine art.