The 2020 volume of Ceramics in America is a celebration of the depth and diversity of ceramics in the American context. Beautifully illustrated articles explore the use of clay from the most basic building bricks to refined earthenwares promoting the political and economic issues of the American Revolution. Of special interest is the origin of the ceramic manufacturing spark in America, looking at the Franklin Institute in Philadelphia cited by historians and connoisseurs as the height of recognition of achievement for ceramic production in the United States. The archaeological discovery of rare "black delft" teapot fragments from Charleston's Drayton Hall is recounted in an exciting collector's narrative. Other articles will include a profile of North Carolina potter David Stuempfle who continues the old-age tradition of producing wood fired stoneware, a study of Thomas Jefferson's Chinese porcelain, and Pueblo pottery collected by a German Museum in the early twentieth century.
This is the first volume to bring together archaeology, anthropology, and art history in the analysis of pre-Columbian pottery. While previous research on ceramic artifacts has been divided by these three disciplines, this volume shows how integrating these approaches provides new understandings of many different aspects of Ancient American societies. Contributors from a variety of backgrounds in these fields explore what ceramics can reveal about ancient social dynamics, trade, ritual, politics, innovation, iconography, and regional styles. Essays identify supernatural and humanistic beliefs through formal analysis of Lower Mississippi Valley "Great Serpent" effigy vessels and Ecuadorian depictions of the human figure. They discuss the cultural identity conveyed by imagery such as Andean head motifs, and they analyze symmetry in designs from locations including the American Southwest. Chapters also take diachronic approaches—methods that track change over time—to ceramics from Mexico’s Tarascan State and the Valley of Oaxaca, as well as from Maya and Toltec societies. This volume provides a much-needed multidisciplinary synthesis of current scholarship on Ancient American ceramics. It is a model of how different research perspectives can together illuminate the relationship between these material artifacts and their broader human culture. Contributors: | Dean Arnold | George J. Bey III | Michael Carrasco | David Dye | James Farmer | Gary Feinman | Amy Hirshman | Yumi Park Huntington | Johanna Minich | Shelia Pozorski and Thomas Pozorski | Jeff Price | Sarahh Scher | Dorothy Washburn | Robert F. Wald
This cohesive edited volume showcases data collected from more than seven thousand ceramic artifacts including pottery, figurines, clay pipes, and other objects from sites across South America. Covering a time span from 900 BC to AD 1500, the essays by leading archaeologists working in South America illustrate the diversity of ceramic provenance investigations taking place in seven different countries. An introductory chapter provides a background for interpreting compositional data, and a final chapter offers a review of the individual projects. Students, scholars, and researchers in archaeological study on the interactions between the indigenous peoples of South America and studies of their ceramics will find this volume an invaluable reference.
Most people would be surprised at how ceramics are used, from creating cellular phones, radio, television, and lasers to its role in medicine for cancer treatments and restoring hearing. The Magic of Ceramics introduces the nontechnical reader to the many exciting applications of ceramics, describing how ceramic material functions, while teaching key scientific concepts like atomic structure, color, and the electromagnetic spectrum. With many illustrations from corporations on the ways in which ceramics make advanced products possible, the Second Edition also addresses the newest areas in ceramics, such as nanotechnology.
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} At the height of the Arts and Crafts era in Europe and the United States, American ceramics were transformed from industrially produced ornamental works to handcrafted art pottery. Celebrated ceramists such as George E. Ohr, Hugh C. Robertson, and M. Louise McLaughlin, and prize-winning potteries, including Grueby and Rookwood, harnessed the potential of the medium to create an astonishing range of dynamic forms and experimental glazes. Spanning the period from the 1870s to the 1950s, this volume chronicles the history of American art pottery through more than three hundred works in the outstanding collection of Robert A. Ellison Jr. In a series of fascinating chapters, the authors place these works in the context of turn-of-the-century commerce, design, and social history. Driven to innovate and at times fiercely competitive, some ceramists strove to discover and patent new styles and aesthetics, while others pursued more utopian aims, establishing artist communities that promoted education and handwork as therapy. Written by a team of esteemed scholars and copiously illustrated with sumptuous images, this book imparts a full understanding of American art pottery while celebrating the legacy of a visionary collector.
Between 1790 and 1840, millions of middle-class Americans throughout the nation encountered "Fancy": they rode in a Fancy sleigh, dressed up in Fancy clothes, blew their noses in Fancy handkerchiefs, bought goods at Fancy shops, ate at Fancy tables on Fancy dishes, and slept under Fancy coverlets. Not just fancy but Fancy: an early nineteenth-century cultural phenomenon born out of new and enlightened ways of seeing, understanding, and responding to the surrounding world. Fancy expressed itself in just about everything that pleased the senses; generally colorful and boldly patterned, it elicited delight, awe, surprise, whim, and caprice. Whether experienced in the form of painted surfaces, kaleidoscopic quilts, or imaginary landscapes, Fancy engaged the emotions and expanded the imagination, expressing the core of human fancy. "American Fancy" offers an appropriately fantastic experience of this uniquely American sensibility. Author Sumpter Priddy has assembled and produced an original oeuvre in the field of decorative arts, going beyond the traditional modes of furniture analysis, which concentrate on style, history, and construction, to consider the perceptual and emotional responses through which the original users and viewers would have interacted with these material things. To this end he employs the interpretive methods used in the fields of literature, fine arts, philosophy and even psychology. Rich, fully illustrated, wondrously researched, and bound in a cover that imitates a typical Fancy pattern, "American Fancy" does its marvelous subject true.
"Salt-glazed Stoneware in Early Americachronicles the traditions of stoneware imported from England and Germany as well as the often overlooked work of American potters during the eighteenth century. Drawing on archaeological and documentary sources and featuring objects from Colonial Williamsburg's holdings as well as from more than forty-five public and private collections, the book provides an invaluable overview of the goods found in early America." "More than 300 photos present a wide range of stoneware, whether robustly potted in brown or gray or delicately fashioned in white. The book's broad scope makes Salt-glazed Stoneware in Early America an essential reference for archaeologists, curators, and collectors, and its accessible style will appeal to specialists and nonspecialists alike." --Book Jacket.
Ralph and Terry Kovel are proud to present the most authoritative and current art pottery book on the market, Kovels' American Art Pottery: The Collector's Guide to Makers, Marks, and Factory Histories. After the Kovels began collecting American art pottery in the 1960s, they decided to research and write their first book on the subject, The Kovels' Collector's Guide to American Art Pottery (Crown, 1974). Since that time, art pottery has become one of the most important and popular areas of collecting in this country. Today, many pieces are still very affordable, and collectors everywhere are searching for art pottery treasures. Many other pieces are represented in museum collections, and some pieces are selling for thousands of dollars. The Kovels have never stopped researching the history of art pottery factories and products, and have been continuously gathering new or previ-ously unpublished information from rediscovered catalogs and records, archaeological digs, and family histories. And now, they offer the most com-plete and up-to-date pottery book available, Kovels'American Art Pottery. Written with the collector in mind, this book emphasizes all the information needed for an under-standing of art pottery factories and their wares. The Kovels list large and small art pottery firms and include a general history of each one. Makers, artists and their backgrounds, artists' and factory marks, dates, and lines of pottery are all described in detail. The Kovels discuss the well-known factories such as Rookwood, Weller, and Grueby, as well as the lesser-known or recently recognized potteries such as Avon, Radford, and Zanesville. More than 215 potteries are listed here fromA to Z. There is also a full section on tile factories following the art pottery portion of the book. Kovels' American Art Pottery is extensively illustrated with more than 700 beautiful color and black-and-white photographs of art pottery pieces. Also included are fascinating historical photographs and more than 1,000 illustrations of actual artist and factory marks. The thorough range of photographs and illustrations will enable any collector to identify a piece of art pottery by its decoration, shape, color, or identifying mark. And to complete this valuable reference, a bibliography is provided for all those who wish further information about the historical aspects of a pottery. Kovels' American Art Pottery is an indispensable book for all collectors, dealers, museums, or antiques enthusiasts who wish to know all they can about this exquisite art form.
