A provocative contribution to the history of early modern Euro-Asian interactions that provides new perspectives on the encounter between Catholicism and Hinduism in India
After a year in peace, the time for a new adventure is here. Soleil, along with her friends, Sky, Selene and Leo must awaken the moon power before the Red Moon sheds the last tear of blood. They will have to face new dangers, they will suffer great losses, they will make big sacrifices, The journey will take them to visit new places, meet new enemies, new allies, new battles. Soleil will have to do her best to get the help of the Amazonian queen Hipolita if she wants to get out of the Amazon River alive. After new challenges and new powers, Soleil will have to trust Selene to survive this dangerous adventure. To win, this time Soleil will have to lose more than she is willing to offer. Tras un ano en calma, el momento de una nueva aventura se acerca. Soleil, junto a sus amigos, Sky, Selene y Leo deberan despertar el poder lunar antes que La Luna Roja derrame la ultima lagrima de sangre. Deberan enfrentar nuevos peligros, sufriran grandes perdidas, se haran sacrificios, visitaran nuevos lugares, conoceran nuevos enemigos, nuevos aliados, nuevas batallas. Soleil, tendra que idearselas para conseguir la ayuda de la reina amazonica Hipolita si desea salir con vida del rio amazonas. Tras nuevos retos y poderes, Soleil tendra que confiar en Selene para sobrevivir a esta peligrosa aventura. Para vencer, esta vez Soleil debera perder mas de lo que esta dispuesta a ofrecer.
The Daily Planet is a long-awaited selection of Patricia Aufderheide's most important critical essays, updated and organized thematically to demonstrate the breadth of her thinking on media and film, public telecommunications policy, and contemporary society. The result is a pithy and provocative exploration of "the culture of daily life under capitalism". Here, Aufderheide demonstrates criticism that is both activist and analytical. She probes the processes that shape our culture by examining diverse subjects, including the struggle to create quality children's television programming, the meaning of Paul Harvey, the evolution of the war film over the past thirty years, and the ways journalism is changed by the Internet and other new technologies. Throughout, Aufderheide foregrounds democratic values, displaying the penetrating insights that have made her a leading public intellectual and commentator on contemporary culture.
While much has been written about national history and citizenship, anthropologist Trevor Stack focuses on the history and citizenship of towns and cities. Basing his inquiry on fieldwork in west Mexican towns near Guadalajara, Stack begins by observing that people talked (and wrote) of their towns’ history and not just of Mexico’s. Key to Stack’s study is the insight that knowing history can give someone public status or authority. It can make someone stand out as a good or eminent citizen. What is it about history that makes this so? What is involved in knowing history and who is good at it? And what do they gain from being eminent citizens, whether of towns or nations? As well as academic historians, Stack interviewed people from all walks of life—bricklayers, priests, teachers, politicians, peasant farmers, lawyers, and migrants. Resisting the idea that history is intrinsically interesting or valuable—that one simply must know the past in order to understand the present—he explores the very idea of “the past” and asks why it is valued by so many people.
Esta publicación, que celebra las dos décadas de vida del CAAM, recoge retazos de la activadad desarrollada por el museo durante estos años tomados de su propio patrimonio autorreferencial, es decir, textos ya editados en diversos soportes y que configuran parte del archivo de la memoria de este Centro de Arte. El libro consta de los capítulos: "Introducción", una breve valoración histórica del Centro; "El discurso cartográfico", sobre el relato de los responsables institucionales; "Un contenedor para una travesía atlántica", en torno a la valoración inaugural del proyecto arquitectónico de Sáenz de Oíza; "Narrativas de exploración artística", en torno al pensamiento curatorial; "Laboratorio crítico de contextos", sobre el debate crítico suscitado en el Centro; "Revista Atlántica, el prodigio de la interrogación", en torno a las contribuciones de las solventes voces críticas de la revista; y "El viaje en prospectiva", una hoja de ruta que inserta al CAAM en el siglo XXI.
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. Representations of China in Latin American Literature (1987-2016) analyses contemporary Latin American novels in which China is the main theme. Using ‘China’ as a multidimensional term, it explores how the novels both highlight and undermine assumptions about China that have shaped Latin America’s understanding of ‘China’ and shows ‘China’ to be a kind of literary/imaginary ‘third’ term which reframes Latin American discourses of alterity. On one level, it argues that these texts play with the way that ‘China’ stands in as a wandering signifier and as a metonym for Asia, a gesture that essentialises it as an unchanging other. On another level, it argues that the novels’ employment of ‘China’ resists essentialist constructions of identity. ‘China’ is thus shown to be serving as a concept which allows for criticism of the construction of fetishized otherness and of the exclusion inherent in essentialist discourses of identity. The book presents and analyses the depiction of an imaginary of China which is arguably performative, but which discloses the tropes and themes which may be both established and subverted, in the novels. Chapter One examines the way in which ‘China’ is represented and constructed in Latin American novels where this country is a setting for their stories. The novels studied in Chapter Two are linked to the presence of Chinese communities in Latin America. The final chapter examines novels whose main theme is travel to contemporary China. Ultimately, in the novels studied in this book ‘China’ serves as a concept through which essentialist notions of identity are critiqued.
This fully illustrated, edited volume brings together fresh insights into the changing urban space of Barcelona from the beginning of the twentieth century to the present day. The volume will contribute to the excavation of the avantgarde in Barcelona, as well as its legacy in the post-war period, although its primary focus will be on the relationship between environment, identity and performance as explored by countercultural artists and communities from the 1960s to the present day.