Central Europe as a Meeting Point of Visual Cultures
Central Europe as a Meeting Point of Visual Cultures

Author: AA. VV.

Publisher: Viella Libreria Editrice

Published: 2021-11-08T17:39:00+01:00

Total Pages: 250

ISBN-13: 8833139379

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The end of World War I in 1918 meant a radical transformation of Central Europe: the multicultural space of former empires became divided into individual nation-states. This altered all spheres of life, deeply impacting the discipline of art history as well. The cosmopolitan vision of art history developed by figures from the Vienna School such as Franz Wickhoff and Alois Riegl was gradually replaced by new self-referential narratives. This nationalist tendency was reinforced by the division of Europe after World War II. In the wake of Jiří Kroupa’s pioneering studies, this volume takes a truly transcultural approach to art produced in the Central European region from the 12th to the 20th century. Freed from national prejudices, a region shaped by the constant movement of people, ideas, and objects emerges.

Eclecticism in Late Medieval Visual Culture at the Crossroads of the Latin, Greek, and Slavic Traditions
Eclecticism in Late Medieval Visual Culture at the Crossroads of the Latin, Greek, and Slavic Traditions

Author: Maria Alessia Rossi

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2021-11-22

Total Pages: 452

ISBN-13: 3110695618

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This volume builds upon the new worldwide interest in the global Middle Ages. It investigates the prismatic heritage and eclectic artistic production of Eastern Europe between the fourteenth and seventeenth centuries, while challenging the temporal and geographical parameters of the study of medieval, Byzantine, post-Byzantine, and early-modern art. Contact and interchange between primarily the Latin, Greek, and Slavic cultural spheres resulted in local assimilations of select elements that reshaped the artistic landscapes of regions of the Balkan Peninsula, the Carpathian Mountains, and further north. The specificities of each region, and, in modern times, politics and nationalistic approaches, have reinforced the tendency to treat them separately, preventing scholars from questioning whether the visual output could be considered as an expression of a shared history. The comparative and interdisciplinary framework of this volume provides a holistic view of the visual culture of these regions by addressing issues of transmission and appropriation, as well as notions of cross-cultural contact, while putting on the global map of art history the eclectic artistic production of Eastern Europe.

Geographies of Affect in Contemporary Literature and Visual Culture
Geographies of Affect in Contemporary Literature and Visual Culture

Author:

Publisher: BRILL

Published: 2020-12-15

Total Pages: 257

ISBN-13: 9004442553

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Opening a dialogue between the literary and filmic works produced in Central Europe and in the Anglophone world, this volume explores the role of affects and emotions such as shame, fascination and withdrawal in contemporary literature and culture.

Santini and Italy. Proceedings from the international conference Rome, Accademia Nazionale di San Luca – Palazzo Carpegna, 6th–7th June 2023
Santini and Italy. Proceedings from the international conference Rome, Accademia Nazionale di San Luca – Palazzo Carpegna, 6th–7th June 2023

Author: Kalina, Pavel

Publisher: Palacky University Olomouc

Published: 2024

Total Pages: 232

ISBN-13: 8024463989

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This book contains proceedings of the international conference Santini and Italy, held in Rome in June 2023. In his contribution, Augusto Roca de Amicis describes the nature of the structural relations of Santini's work to Italian architecture. Pavel Kalina discusses the development of Santini scholarship in the art historical literature of the 20th and early 21st centuries. Richard Biegel shows in his contribution that the sources of Santini's work can be found not only in Italian but also in French architecture. Michael Young's text points to the connection between Santini's architecture and contemporary literary theory and practice, which blended different languages and styles. In his article, Ulrich Fürst stresses the importance of a sense of originality for the design of the Benedictine monastery church at Rajhrad, whose construction demonstrated its independence from the monastery of Břevnov, for which the Dientzenhofers worked. Johana Bronková explores the relationship between Santini's architecture and the work of the great Italian architect Francesco Borromini. Marisa Tabarrini presents a completely new discovery - the unknown plans of Santini's church of St. Peter and Paul in Prague's Zderaz. Important for understanding the functioning of Baroque buildings is the article by Jakub Řehak, who analyses the water and ventilation system of the monastery in Plasy. On the other hand, Madleine Riedenklau's text is devoted to the literature on the monastery and church in Sedlec. Irena Bukačová introduces the reader to the past and present of the pilgrimage site in Mariánská Týnice.

The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600
The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600

Author: Maria Alessia Rossi

Publisher: Taylor & Francis

Published: 2024-02-22

Total Pages: 428

ISBN-13: 1003844898

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This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.

Visual Cultures of Death in Central Europe
Visual Cultures of Death in Central Europe

Author: Aleksandra Koutny-Jones

Publisher: BRILL

Published: 2015-09-17

Total Pages: 275

ISBN-13: 9004305254

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In Visual Cultures of Death in Central Europe, Aleksandra Koutny-Jones explores the emergence of a remarkable cultural preoccupation with death in Poland-Lithuania (1569-1795). Examining why such interests resonated so strongly in the Baroque art of this Commonwealth, she argues that the printing revolution, the impact of the Counter-Reformation, and multiple afflictions suffered by Poland-Lithuania all contributed to a deep cultural concern with mortality. Introducing readers to a range of art, architecture and material culture, this study considers various visual evocations of death including 'Dance of Death' imagery, funerary decorations, coffin portraiture, tomb chapels and religious landscapes. These, Koutny-Jones argues, engaged with wider European cultures of contemplation and commemoration, while also being critically adapted to the specific context of Poland-Lithuania.

The Art and Culture of Scandinavian Central Europe, 1550–1720
The Art and Culture of Scandinavian Central Europe, 1550–1720

Author: Kristoffer Neville

Publisher: Penn State Press

Published: 2019-12-10

Total Pages: 257

ISBN-13: 0271085231

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Politically and militarily powerful, early modern Scandinavia played an essential role in the development of Central European culture from the sixteenth to the eighteenth century. In this volume, Kristoffer Neville shows how the cultural ambitions of Denmark and Sweden were inextricably bound to those of other Central European kingdoms. Tracing the visual culture of the Danish and Swedish courts from the Reformation to their eventual decline in the eighteenth century, Neville explains how and why they developed into important artistic centers. He examines major projects by figures largely unknown outside of Northern Europe alongside other, more canonical artists—including Cornelis Floris, Adriaen de Vries, and Johann Bernhard Fischer von Erlach—to propose a more coherent view of this part of Europe, one that rightly includes Scandinavia as a vital component. The seventeenth century has long seemed a bleak moment in Central European culture. Neville’s authoritative and unprecedented study does much to change this perception, showing that the arts did not die in the Reformation and Thirty Years’ War but rather flourished in the Baltic region.

The Oxford Handbook of Communist Visual Cultures
The Oxford Handbook of Communist Visual Cultures

Author: Aga Skrodzka

Publisher: Oxford University Press

Published: 2020-06-04

Total Pages: 799

ISBN-13: 0190885556

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Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals and suggesting that it has visually shaped the modern world in undeniable and complex ways. Together, contributors answer curcial questions like: What can be salvaged and reused from past communist experiments? How has communism impacted the cultures of late capitalism? And how have histories of communism left behind visual traces of potential utopias? An interdisciplinary look at the cultural currency of communism today, The Oxford Handbook of Communist Visual Cultures demonstrates the value of revisiting the practices of the past to form a better vision of the future.

Collecting Asian Art
Collecting Asian Art

Author: Markéta Hánová

Publisher: Leuven University Press

Published: 2024-02-29

Total Pages: 273

ISBN-13: 9462703787

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Rather than centering on the well-known collections in Western European and North American museums, Collecting Asian Art turns to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections of East Asian, South Asian, and West Asian art in Vienna, Prague, Berlin, Warsaw, Kraków, Budapest, and Ljubljana, it outlines the transregional connections and networks that gradually developed. Collecting Asian Art locates Asian art across the twentieth-century in Central Europe via discourse and ideology, and discusses key collections and the way individual collectors built their networks. It thus explores transregional connections that developed through collecting activities and strategies in the prewar, interwar and postwar eras. Contributors also examine the personal connections between a group of Indologists from postwar Prague and modernist Indian artists from the early 1950s to the 1980s and also discuss the systematic archiving of East Asian art collections in Slovenia. A concluding conversation looks at colonisation and decolonisation from a broader perspective by approaching it through recent art historical discussions on the global dimensions of modernism. By defining the region through its external relationships and its entanglements with regions across Asia rather than as a self-contained unit, the contributions in this volume outline how these transregional connections and networks evolved and changed over time, thus highlighting their singularity in comparison to developments in Western Europe. Based on recent research, Collecting Asian Art reveals neglected sources while reinterpreting well-known ones.