The early medieval manuscripts of Ireland and Britain contain tantalizing clues about the cosmology, religion and mythology of native Celtic cultures, despite censorship and revision by Christian redactors. Focusing on the latest research and translations, the author provides fresh insight into the beliefs and practices of the Iron Age inhabitants of Ireland, Britain and Gaul. Chapters cover creation and cosmogony, the deities of the Gaels, feminine power in narrative sources, druidic belief, priestesses and magical rites.
The early medieval manuscripts of Ireland and Britain contain tantalizing clues about the cosmology, religion and mythology of native Celtic cultures, despite censorship and revision by Christian redactors. Focusing on the latest research and translations, the author provides fresh insight into the beliefs and practices of the Iron Age inhabitants of Ireland, Britain and Gaul. Chapters cover creation and cosmogony, the deities of the Gaels, feminine power in narrative sources, druidic belief, priestesses and magical rites.
The essays in this collection, many originally presented at a 2008 colloquium on Celtic Cosmology and the Power of Words, aim to examine the worldviews held by the Celtic peoples, particularly the Gaelic (Irish and Scottish) perspectives. Texts and inscriptions, some of them pre-Christian, in Celtic languages and in Celtic Latin provide the sources for the worldviews under study. This area of research is also linked to that of the power of words, which refers to human belief in powerful speech acts. Naming and story-telling processes convey knowledge of the cosmos; this knowledge is connected to the landscape and its roads, rivers, mountains and hills. Cosmology is a description of the order and structure of the world as perceived by human beings, and its study is a study of layers – in the earth, in the language and in the tales.
Queen of the Night helps readers understand the role and power of the moon in the ancient religions, folklore, and mythology of Ireland and the British isles and then discover how to tap that power in their daily lives. Queen of the Night is a journey into the world of Celtic cosmology, shamanism, and sacred animals, as well as Celtic language, art, and culture, to discover the power and centrality of the moon. Since the earliest times, from stone circles and passage graves to the rites and customs of Druids, the moon has been the symbol of the Goddess and has played a crucial role in worship and celebration. In 13 chapters representing the moon's monthly and annual cycles, NicMhacha tells the story of Celtic moon mythology, as well as touching upon Greek, Hindu, and Norse traditions. Each chapter sets forth the role of the moon in Celtic tradition and culture and includes poetry, quotes, or prayers honoring the moon. At the end of each chapter, she offers meditations, ceremonies, and exercises to help readers connect with the moon and apply its power to their lives. From the world of fairies to bards, seekers, and shamans; from the moon's role in the secret meetings of women spinners to the role of sacred animals and mythic beings, Queen of the Night is a lively, informative, and transformative book for anyone who wants to understand and experience the power of the moon.
Scant records remain of the ancient Celtic religion beyond some eleventh- and twelfth-century written material from the Irish Celts and the great Welsh document Mabinogion. This classic study by a distinguished scholar, builds not only upon the surviving texts but also upon folk customs derived from the rituals of the old cults. A masterly and extremely readable survey, it offers a reconstruction of the essentials of Celtic paganism: fascinating glimpses into primitive forms of worship involving rites centered on rivers and wells, trees and plants, and animals; and examinations of evidence from Celtic burial mounds to explore beliefs and customs related to the culture of the dead, including rites of rebirth and transmigration.
PaGaian Cosmology brings together a religious practice of seasonal ritual based in a contemporary scientific sense of the cosmos and female imagery for the Sacred. The author situates this original synthesis in her context of being female and white European transplanted to the Southern Hemisphere. Her sense of alienation from her place, which is personal, cultural and cosmic, fires a cosmology that re-stories Goddess metaphor of Virgin-Mother-Crone as a pattern of Creativity, which unfolds the cosmos, manifests in Earth's life, and may be known intimately. PaGaian Cosmology is an ecospirituality grounded in indigenous Western religious celebration of the Earth-Sun annual cycle. By linking to story of the unfolding universe this practice can be deepened, and a sense of the Triple Goddess-central to the cycle and known in ancient cultures-developed as a dynamic innate to all being. The ritual scripts and the process of ritual events presented here, may be a journey into self-knowledge through personal, communal and ecological story: the self to be known is one that is integral with place. PaGaian Cosmology may be used as a resource for individuals or groups seeking new forms of devotional expression and an Earth-based pathway to wisdom within.
Many people are familiar with the Irish archaeological landscapes of Newgrange and the Boyne Valley, and the royal sites of Rathcroghan in Co. Roscommon, Navan in Co. Armagh and Tara in Co. Meath. In this book, John Waddell focuses on aspects of the mythology associated with these places, demonstrating that elements of pre-Christian Celtic myth preserved in medieval Irish literature shed light on older traditions and beliefs, not just in Ireland but elsewhere in Europe as well. Their mythological associations permit the exploration of the archaeological implications of several mythic themes, namely sacral kingship, a sovereignty goddess, solar cosmology and the perception of an Otherworld.
This book provides a comprehensive overview of Celtic mythology and religion, encompassing numerous aspects of ritual and belief. Topics include the presence of the Celtic Otherworld and its inhabitants, cosmology and sacred cycles, wisdom texts, mythological symbolism, folklore and legends, and an appreciation of the natural world. Evidence is drawn from the archaeology of sacred sites, ethnographic accounts of the ancient Celts and their beliefs, medieval manuscripts, poetic and visionary literature, and early modern accounts of folk healers and seers. New translations of poems, prayers, inscriptions and songs from the early period (Gaulish, Old Irish and Middle Welsh) as well as the folklore tradition (Modern Irish, Scottish Gaelic, Welsh, Cornish, Breton and Manx) complement the text. Information of this kind has never before been collected as a compendium of the indigenous wisdom of the Celtic-speaking peoples, whose traditions have endured in various forms for almost three thousand years.
Our understanding of Celtic astrology is based mainly on the speculations of modern authors--mostly drawn from classical Greek and Roman writings--and suffers from many misconceptions. European astrology uses the Greek model, containing many Babylonian and Egyptian elements. But Celtic astrology (and other Indo-European astrologies) developed earlier, with relationships to Middle Eastern systems, as well as their own independent forms. This well documented study takes a fresh look at the development of Celtic astrology and the Druids' systems of cosmology, astronomy and astrology. The author analyzes commentaries found in manuscript sources from antiquity to the Middle Ages, comparing them with cosmological and astronomical lore found in Celtic cultures. Ancient constellations, calendars, deities and rituals reveal a rich worldview.
This wide-ranging book contains twelve chapters by scholars who explore aspects of the fascinating field of Celtic mythology – from myth and the medieval to comparative mythology, and the new cosmological approach. Examples of the innovative research represented here lead the reader into an exploration of the possible use of hallucinogenic mushrooms in Celtic Ireland, to mental mapping in the interpretation of the Irish legend Táin Bó Cuailgne, and to the integration of established perspectives with broader findings now emerging at the Indo-European level and its potential to open up the whole field of mythology in a new way.
