More than 60,000 books have been published on the Civil War. Most Americans, though, get their ideas about the war--why it was fought, what was won, what was lost--not from books but from movies, television, and other popular media. In an engaging and accessible survey, Gary W. Gallagher guides readers through the stories told in recent film and art, showing how these stories have both reflected and influenced the political, social, and racial currents of their times.
A “well-reasoned and timely” (Booklist) essay collection interrogates the Lost Cause myth in Civil War historiography. Was the Confederacy doomed from the start in its struggle against the superior might of the Union? Did its forces fight heroically against all odds for the cause of states’ rights? In reality, these suggestions are an elaborate and intentional effort on the part of Southerners to rationalize the secession and the war itself. Unfortunately, skillful propagandists have been so successful in promoting this romanticized view that the Lost Cause has assumed a life of its own. Misrepresenting the war’s true origins and its actual course, the myth of the Lost Cause distorts our national memory. In The Myth of the Lost Cause and Civil War History, nine historians describe and analyze the Lost Cause, identifying ways in which it falsifies history—creating a volume that makes a significant contribution to Civil War historiography. “The Lost Cause . . . is a tangible and influential phenomenon in American culture and this book provides an excellent source for anyone seeking to explore its various dimensions.” —Southern Historian
The New Deal era witnessed a surprising surge in popular engagement with the history and memory of the Civil War era. From the omnipresent book and film Gone with the Wind and the scores of popular theater productions to Aaron Copeland's "A Lincoln Portrait," it was hard to miss America's fascination with the war in the 1930s and 1940s. Nina Silber deftly examines the often conflicting and politically contentious ways in which Americans remembered the Civil War era during the years of the Depression, the New Deal, and World War II. In doing so, she reveals how the debates and events of that earlier period resonated so profoundly with New Deal rhetoric about state power, emerging civil rights activism, labor organizing and trade unionism, and popular culture in wartime. At the heart of this book is an examination of how historical memory offers people a means of understanding and defining themselves in the present. Silber reveals how, during a moment of enormous national turmoil, the events and personages of the Civil War provided a framework for reassessing national identity, class conflict, and racial and ethnic division. The New Deal era may have been the first time Civil War memory loomed so large for the nation as a whole, but, as the present moment suggests, it was hardly the last.
If one is to believe contemporary historians, the South never had a chance. Many allege that the Confederacy lost the Civil War because of internal division or civilian disaffection; others point to flawed military strategy or ambivalence over slavery. But, argues distinguished historian Gary Gallagher, we should not ask why the Confederacy collapsed so soon but rather how it lasted so long. In The Confederate War he reexamines the Confederate experience through the actions and words of the people who lived it to show how the home front responded to the war, endured great hardships, and assembled armies that fought with tremendous spirit and determination.Gallagher’s portrait highlights a powerful sense of Confederate patriotism and unity in the face of a determined adversary. Drawing on letters, diaries, and newspapers of the day, he shows that Southerners held not only an unflagging belief in their way of life, which sustained them to the bitter end, but also a widespread expectation of victory and a strong popular will closely attuned to military events. In fact, the army’s “offensive-defensive” strategy came remarkably close to triumph, claims Gallagher—in contrast to the many historians who believe that a more purely defensive strategy or a guerrilla resistance could have won the war for the South. To understand why the South lost, Gallagher says we need look no further than the war itself: after a long struggle that brought enormous loss of life and property, Southerners finally realized that they had been beaten on the battlefield.Gallagher’s interpretation of the Confederates and their cause boldly challenges current historical thinking and invites readers to reconsider their own conceptions of the American Civil War.
“Does for the Civil War period what Howard Zinn’s A People’s History of the United States did for the study of American history in general.” —Library Journal Historian David Williams has written the first account of the American Civil War as viewed though the eyes of ordinary people—foot soldiers, slaves, women, prisoners of war, draft resisters, Native Americans, and others. Richly illustrated with little-known anecdotes and firsthand testimony, this path-breaking narrative moves beyond presidents and generals to tell a new and powerful story about America’s most destructive conflict. A People’s History of the Civil War is a “readable social history” that “sheds fascinating light” on this crucial period. In so doing, it recovers the long-overlooked perspectives and forgotten voices of one of the defining chapters of American history (Publishers Weekly). “Meticulously researched and persuasively argued.” —The Atlanta Journal-Constitution
Cover -- Title Page -- Copyright -- Contents -- List of Illustrations -- Preface to the First Edition -- Preface to the Bicentennial Edition -- Introduction -- 1. The Road to War, 1801-1812 -- 2. The Declaration of War -- 3. The Baltimore Riots -- 4. The Campaign of 1812 -- 5. Raising Men and Money -- 6. The Campaign of 1813 -- 7. The Last Embargo -- 8. The British Counteroffensive -- 9. The Crisis of 1814 -- 10. The Hartford Convention -- 11. The Treaty of Ghent -- Conclusion -- A Note on Sources -- Notes -- Index -- back cover.
More than 150 years after the end of the Civil War, scores of websites, articles, and organizations repeat claims that anywhere between 500 and 100,000 free and enslaved African Americans fought willingly as soldiers in the Confederate army. But as Kevin M. Levin argues in this carefully researched book, such claims would have shocked anyone who served in the army during the war itself. Levin explains that imprecise contemporary accounts, poorly understood primary-source material, and other misrepresentations helped fuel the rise of the black Confederate myth. Moreover, Levin shows that belief in the existence of black Confederate soldiers largely originated in the 1970s, a period that witnessed both a significant shift in how Americans remembered the Civil War and a rising backlash against African Americans' gains in civil rights and other realms. Levin also investigates the roles that African Americans actually performed in the Confederate army, including personal body servants and forced laborers. He demonstrates that regardless of the dangers these men faced in camp, on the march, and on the battlefield, their legal status remained unchanged. Even long after the guns fell silent, Confederate veterans and other writers remembered these men as former slaves and not as soldiers, an important reminder that how the war is remembered often runs counter to history.
Science fiction meets murder mystery in this edge-of-your-seat thriller. The Lost Causes are five teens with serious problems and only one thing in common: people have written them off. Now theyêre thrown together in group therapy, with vague promises of healing. Their problems do go away when they drink the water their therapist gives them. But thatês because itês not just water Ä Unknowingly, the teens have ingested a serum that gives them psychic powers, part of an FBI plan to find out who was behind the grisly murder that has rocked their small town. Their new powers will help them uncover clues and follow leads that have eluded the authorities, and their outsider status gives them the perfect cover. But the same traits that make them top investigators also make them vulnerable. As they close in on the murderer, they expose a much larger conspiracy that puts them directly in harmês way and makes them wonder who ã if anyone ã they can trust.
