Catullus in Twentieth-Century Music
Catullus in Twentieth-Century Music

Author: Stephanie Oade

Publisher: Oxford University Press

Published: 2024-08-24

Total Pages: 353

ISBN-13: 0198918704

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One of the most famous voices to have survived from the Roman world, Catullus's poetry is still amongst the most popular and widely read. But what is it that makes this 2,000-year-old voice so relevant, so personal, and so endlessly fascinating? Reinvigorating discussions around the nature of Catullus's lyricism, Catullus in Twentieth-Century Music takes a completely new approach to Catullus and ideas of lyric. It centres around four musical works from the twentieth century, each one capturing the essence of Catullus in musical retellings and showcasing a very personal response to the original text. Considering how and why these musical composers used Catullus's poetry as their stimulus allows us to uncover new ideas about Catullus's poetry. By considering the very process of reception, Stephanie Oade takes a broader view of lyric, identifying traits and characteristics that are common to both music and poetry, thus transcending the boundaries of individual art forms in order to consider the genre in larger, interdisciplinary terms. It offers insights into compositional processes and challenges audiences to think about ways of engaging with music and poetry. More than anything, it shows how ancient voices continue to resound in modernity and offer everlasting expression for our own experiences and emotions.

Sappho and Catullus in Twentieth-Century Italian and North American Poetry
Sappho and Catullus in Twentieth-Century Italian and North American Poetry

Author: Cecilia Piantanida

Publisher: Bloomsbury Publishing

Published: 2021-01-14

Total Pages: 273

ISBN-13: 1350101915

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Going beyond exclusively national perspectives, this volume considers the reception of the ancient Greek poet Sappho and her first Latin translator, Catullus, as a literary pair who transmit poetic culture across the world from the early 20th century to the present. Sappho's and Catullus' reception has shaped a transnational network of poets and intellectuals, helping to define ideas of origins, gender, sexuality and national identities. This book shows that across time and cultures translations and rewritings of Sappho and Catullus articulate modernist poetics of myth and fragmentation, forms of confessionalism and post-modern pastiche. The inquiry focuses on Italian and North American poetry as two central yet understudied hubs of Sappho's and Catullus' modern reception, also linked by a rich mutual intellectual exchange: key case-studies include Giovanni Pascoli, Ezra Pound, H.D., Salvatore Quasimodo, Robert Lowell, Rosita Copioli and Anne Carson, and cover a wide range of unpublished archival material. Texts are analysed and compared through reception and translation theories and inserted within the current debate on the Classics as World Literature, demonstrating how sustained transnational poetic discourse employs the ancient pair to expand notions of literary origins and redefine poetry's relationship to human existence.

Encyclopedia of American Poetry: The Twentieth Century
Encyclopedia of American Poetry: The Twentieth Century

Author: Eric L. Haralson

Publisher: Routledge

Published: 2014-01-21

Total Pages: 867

ISBN-13: 131776322X

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The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.

Uniting Music and Poetry in Twentieth-Century Spain
Uniting Music and Poetry in Twentieth-Century Spain

Author: Nelson R. Orringer

Publisher: Rowman & Littlefield

Published: 2021-04-15

Total Pages: 275

ISBN-13: 1793630496

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In Uniting Music and Poetry in Twentieth-Century Spain, Nelson R. Orringer uses both literary and musical analysis to study sung poems in twentieth-century Spain. In nine chapters, each focusing on an individual sung poem, song cycle, or various poems set by the same composer, Orringer enriches and deepens interpretations of the art-songs by comparing the poet's vision to the composer's. In examining composers such as Falla, Turina, Mompou, Toldrà, Rodrigo, Montsalvatge, and Rodolfo Halffter, Orringer shows that Spanish art-song is an exceptional product of Spain’s Silver Age and reveals a new way to understand and appreciate poems set to music in twentieth-century Spain.

Musicians & Composers of the 20th Century
Musicians & Composers of the 20th Century

Author: Alfred William Cramer

Publisher:

Published: 2009

Total Pages: 386

ISBN-13:

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Benny Goodman, Dizzy Gillespie, Jim Morrison, Kurt Cobain...these are the people who helped shape the history of music. Their stories and others are told in Musicians and Composers of the 20th Century. This five volume set offers biographical and critical essays on over 600 musicians in just about every genre imaginable, from Accordion Players to Musical Theater Composers to World Music, and everything in between.

Catullus and His World
Catullus and His World

Author: Timothy Peter Wiseman

Publisher:

Published: 1985

Total Pages: 287

ISBN-13: 9780521266062

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This book is the first attempt to read the poems of Gaius Valerius Catullus in his own context; to look at the poet and his works against the cultural realities of the first century BC as recent advances in historical research allow us to understand them. Catullus' own social background, the circumstances of the literary life of his time, the true extent of his works and the variety of audiences he addressed - these and other questions are explored by Professor Wiseman with new and startling results. Contemporary high society and politics are illustrated through Clodia and Caelius Rufus, considered not as mere adjuncts to Catullus' story but as significant historical personalities in their own right. A final chapter on nineteenth- and twentieth-century interpretations of Catullus' world shows how anachronistic preconceptions have prevented a proper understanding of it, and made this radical reappraisal necessary. Anyone with a serious interest in Latin literature or Roman history will want to read this book. Students in the upper levels of school or at university will find it essential background reading to their work on Catullus and Cicero's Pro Caelio.

Twentieth-century Music in Western Europe
Twentieth-century Music in Western Europe

Author: Arthur Cohn

Publisher: Philadelphia : Lippincott

Published: 1965

Total Pages: 536

ISBN-13:

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Arthur Cohn turns his attention to thirty composers of this century in Western Europe--defining this century as beginning where Debussy ends. The discussion is based on attentive study of their compositions that have been recorded. Mr. Cohn discusses each man’s aesthetic criteria and follows with critical essays on each composition. The second section of the book rates some 2000 recordings, with notations on instruments, performing organizations and artists, conductors, labels, comparisons when more than one recording of the same work exists.

Translation as Muse
Translation as Muse

Author: Elizabeth Marie Young

Publisher: University of Chicago Press

Published: 2015-09-05

Total Pages: 268

ISBN-13: 022627991X

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Poetry is often understood as a form that resists translation. Translation as Muse questions this truism, arguing for translation as a defining condition of Catullus's poetry and for this aggressively marginal poet's centrality to comprehending cultural transformation in first-century Rome. Young approaches translation from several different angles including the translation of texts, the translation of genres, and translatio in the form of the pan-Mediterranean transport of people, goods, and poems. Throughout, she contextualizes Catullus's corpus within the cultural foment of Rome's first-century imperial expansion, viewing his work as emerging from the massive geopolitical shifts that marked the era. Young proposes that reading Catullus through a translation framework offers a number of significant rewards: it illuminates major trends in late Republican culture, it reconfigures our understanding of translation history, and it calls into question some basic assumptions about lyric poetry, the genre most closely associated with Catullus's eclectic oeuvre.