Catullus and Roman Comedy

Catullus and Roman Comedy

Author: Christopher B. Polt

Publisher: Cambridge University Press

Published: 2021-01-21

Total Pages: 229

ISBN-13: 1108879578

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In the past century, scholars have observed a veritable full cast of characters from Roman comedy in the poetry of Catullus. Despite this growing recognition of comedy's allusive presence in Catullus' work, there has never been an extended analysis of how he engaged with this foundational Roman genre. This book sketches a more coherent picture of Catullus' use of Roman comedy and shows that individual points of contact with the theatre in his corpus are part of a larger, more sustained poetic program than has been recognized. Roman comedy, it argues, offered Catullus a common cultural vocabulary, drawn from the public stage and shared with his audience, with which to explore and convey private ideas about love, friendship, and social rivalry. It also demonstrates that Roman comedy continued to present writers after the second century BCE with a meaningful source of social, cultural, and artistic value.


Reading Roman Comedy

Reading Roman Comedy

Author: Alison Sharrock

Publisher: Cambridge University Press

Published: 2009-09-24

Total Pages: 334

ISBN-13: 1139482645

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For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.


Nature of Roman Comedy

Nature of Roman Comedy

Author: George E. Duckworth

Publisher: Princeton University Press

Published: 2015-03-08

Total Pages: 526

ISBN-13: 1400872375

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This book provides the most complete and definitive study of Roman comedy. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Life of Comedy after the Death of Plautus and Terence

The Life of Comedy after the Death of Plautus and Terence

Author: Mathias Hanses

Publisher: University of Michigan Press

Published: 2020-12-10

Total Pages: 427

ISBN-13: 0472128108

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The Life of Comedy after the Death of Plautus and Terence documents the ongoing popularity of Roman comedies, and shows that they continued to be performed in the late Republic and early Imperial periods of Rome. Playwrights Plautus and Terence impressed audiences with stock characters as the young-man-in-love, the trickster slave, the greedy pimp, the prostitute, and many others. A wide range of spectators visited Roman theaters, including even the most privileged members of Roman society: orators like Cicero, satirists like Horace and Juvenal, and love poets like Catullus and Ovid. They all put comedy’s varied characters to new and creative uses in their own works, as they tried to make sense of their own lives and those of the people around them by suggesting comparisons to the standard personality types of Roman comedy. Scholars have commonly believed that the plays fell out of favor with theatrical audiences by the end of the first century BCE, but The Life of Comedy demonstrates that performances of these comedies continued at least until the turn of the second century CE. Mathias Hanses traces the plays’ reception in Latin literature from the late first century BCE to the early second century CE, and shines a bright light on the relationships between comic texts and the works of contemporary and later Latin writers.


The Cambridge Companion to Roman Comedy

The Cambridge Companion to Roman Comedy

Author: Martin T. Dinter

Publisher: Cambridge University Press

Published: 2019-04-04

Total Pages: 449

ISBN-13: 1107002109

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Provides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters.


Writing Down Rome

Writing Down Rome

Author: John Henderson

Publisher: OUP Oxford

Published: 1998-12-17

Total Pages: 397

ISBN-13: 0191584428

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In a series of controversial essays, this book examines the Roman penchant for denigration, and in particular self-denigration, at the expense of Roman culture. Comedy in Republican Rome radically transformed both itself and the culture from which it sprang: in Poenulus, Plautus laughed at Roman depreciation of Carthage; in Adelphoe, Terence turned on his audience in provocation. The comic Roman poets played with self-mockery: in Eclogue III, Virgil tests his audience's security in judging peasant unpleasantness; in Odes III.22, Horace sends up his own pious rusticity down on the farm. In the second half of the book, Roman verse satire is the subject: the genre of male bragging mocks its own masculine aggression. The great Latin satirists make fun of making fun: Horace, Satires I.9, shows up the politics of humour, unmanned by his own good manners; Persius nails his own weaknesses in fortifying himself against the world; Juvenal, Satire 1, loathes the literary scene he bids to dominate. The book shows a vital ingredient of Roman poetry to be an energetic surge of urbane banter directed towards Roman culure.


Cicero, Catullus, and the Language of Social Performance

Cicero, Catullus, and the Language of Social Performance

Author: Brian A. Krostenko

Publisher: University of Chicago Press

Published: 2001-04-15

Total Pages: 382

ISBN-13: 9780226454443

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Krostenko (classics, U. of Chicago) explores charm, wit, elegance, and style in Roman literature of the late Republic by tracking the origins, development, and use of the terms that described them, which he calls "the language of social performance." His sociolinguistic approach is to describe the relationship between the words themselves and the ideological categories they expressed. Included in his analysis are the growth of elite aestheticism, the Latin rhetorical tradition, performance in Cicero and Catullus, and the rise of Octavian and the death of the language of social performance. Annotation copyrighted by Book News Inc., Portland, OR.


Roman Comedy

Roman Comedy

Author: David Konstan

Publisher: Cornell University Press

Published: 2018-08-06

Total Pages: 185

ISBN-13: 1501731750

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This book explores the social institutions, the prevailing social values, and the ideology of the ancient city-state as revealed in Roman Comedy. "The very essence of comedy is social," writes David Konstan, "and in the complex movement of its plots we may be able to discern the lineaments and contradictions of the reigning ideas of an age." David Konstan looks closely at eight plays: Plautus's Aulularia, Asinaria, Captivi, Rudens, Cistellaria, and Truculentus, and Terence's Phormio and Hecyra. Offering new interpretations of each, he develops a "typology of plot forms" by analyzing structural features and patterns of conventional behavior in the plays, and he relates the results of his literary analysis to contemporary social conditions. He argues that the plays address tensions that were potentially disruptive to the ancient city-state, and that they tended to resolve these tensions in ways that affirmed traditional values. Roman Comedy is an innovative and challenging book that will be welcomed by students of classical literature, ancient social history, the history of the theater, and comedy as a genre.


Reading Catullus

Reading Catullus

Author: John Godwin

Publisher: Liverpool University Press

Published: 2008

Total Pages: 168

ISBN-13:

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Of all the Roman poets Catullus is the most accessible for the modern reader. His poems range from the sublimely beautiful to the scatologically disgusting, from the world of heroic epic poetry to the dirt of the Roman streets. This accessible book, which assumes no prior knowledge of the poet or of Roman poetry in general, explores Catullus in all his many guises. In six concise chapters Godwin deals with the cultural background to Catullus' poetic production, its literary context, the role of love, Alexandrian learning and obscenity and, in the final chapter, considers the coherence and rationale of the collection as a whole.Each chapter is illustrated by readings of a number of poems, chosen to give a representative overview of Catullus' poetry. All quotations from the text are translated and a brief discursive section of 'Further Reading' is provided at the end of each chapter. A Timeline giving dates of authors mentioned and full bibliography is also supplied.