Cats were illustrated in medieval manuscripts throughout the Middle Ages, often in exquisite detail and frequently accompanied by their natural prey, mice. Medieval cats were viewed as treasured pets, as fearsome mousers, as canny characters in fables, as associates of the Devil, and as magical creatures. Featuring an array of fascinating illustrations from the British Library's rich medieval collection, Cats in Medieval Manuscripts includes anecdotes about cats--both real and imaginary--to provide a fascinating picture of the life of the cat and its relationship with humans during the Medieval period. A great gift for all cat-lovers.
From ancient Egypt to the modern day, cats have been one of the most beloved pets. In fact, images of cats appear extensively in medieval manuscripts, where they are depicted as pets and mousers, appear in bestiaries and marginalia, and are even depicted in religious iconography. This delightful and informative gift book presents a wealth of cat imagery from a variety of medieval sources and is peppered with fascinating facts about the medieval view of cats and many stories of people and their pets in the Middle Ages. Among the amusing anecdotes are tales of cats having free rein of dining halls, prompting books of manners to admonish owners for petting cats while they sat on the dining table; instructions to anchoresses to not keep any animal as a pet except a cat; and examples of leases that also specify the number and age of a home's feline inhabitants. Sure to charm cat lovers and medievalists alike, Medieval Cats is a whimsical compendium of illustrations and tales.
Throughout the Middle Ages, medieval manuscripts often featured dogs, from beautiful and loving depictions of man's best friend, to bloodthirsty illustrations of savage beasts, to more whimsical and humorous interpretations. Featuring stunning illustrations from the British Library's rich medieval collection, Dogs in Medieval Manuscripts provides--through discussion of dogs both real and imaginary--an astonishing picture of the relationship of dogs to humans in the medieval world. Now in a gift book format.
Having rested unknown for centuries in the Library of the Earls of Macclesfield at Shirburn Castle, Oxfordshire, the Macclesfield Psalter is the most important medieval manuscript discovered in living memory and has captured the nation's imagination.
Perhaps at no other time in Western history have animals played such a dominant role in the visual and literary arts as they did during the Middle Ages. Animals were prevalent and essential in all aspects of medieval life, and as a result, they were employed by artists for a variety of purposes: to illustrate saint's lives, populate farm scenes, act as characters in fables, and even crawl among the very letters forming the text. And while artists used a host of animals, both real and fantastic, for these purposes, one of the most popular animals was man's best friend. Dogs were as important to humans during the Middle Ages as they are today, and this new book celebrates that association through their appearance in medieval manuscripts. A follow-up book to Kathleen Walker-Meikle's Medieval Cats, published by the British Library in 2011, Medieval Dogs presents a wealth of dog imagery from a variety of medieval sources and is peppered with fascinating facts about the medieval view of dogs and many stories of people and their pets in the Middle Ages. Among the themes explored in the accompanying text are the roles of the medieval dog, dog breeds, dogs and saints, the names of dogs, canine faithfulness, veterinary care of dogs, dog feeding, the mourning of dogs and burial practices, and medieval poetry about dogs, with translations of some short poems included here. Medieval Dogs is sure to charm dog lovers and medievalists alike.
From medieval manuscript to Japanese prints, from Steinlen's splendid drawings to 17th century prints, the author introduces the reader to the hundreds of books and manuscripts (belonging to the Bibliothèque Nationale de France in Paris) in which the lovely feline is represented. The cat has been the main character of many tales, but also the inhabitant of the most diverse books: from natural histories to household manuals, from medieval prayer books to famous writers' manuscripts. A wonderful selection for all who love cats and books!
Sometimes a friendly fireside companion, more often elusive and independent, the cat possesses an enigmatic appeal and unfathomable mystery, which have inspired writers poets, artists and craftsmen alike from the illuminations of the Lindisfarne Gospels to Rudyard Kipling.
A world of art inhabited entirely by cats is introduced in this book. From the feline Mona Lisa to the white-tailed Botticelli Venus, Susan Herbert is known for her cat characters - her humorous versions of well-known paintings. In this book she explores the art of the Middle Ages. It features resplendent cats dining in medieval banqueting halls; aristocratic cats at a jousting ceremony; and humble cats huddled around a kitchen fire. These costumed cats appear against a backdrop of castles and scenery, and among the medieval illuminations and Book of Hours. The paintings are all based on authentic works of the 13th to the 16th centuries. Other titles by Susan Herbert are: The Cats Gallery of Art, The Cats History of Western Art, Impressionist Cats, and Diary of a Victorian Cat.
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.
