Terry's survey of Catholic Church music, exploring its history, development, and key composers. A comprehensive guide to the music of the Church. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book is about the culture of American Christianity and what it does to our understanding of God, self, and community as reflected in the way Christians worship.
"The Church has always sought a dynamic balance between the expressive and the formative attributes of liturgical music. (This book) traces the development of the Church's music through the ages and is a chronicle of the music we have used in the earthly Liturgy of the Church. .... " [from back cover]
"Music and silence-how I detest them both!"Screwtape, under-secretary to the devil, The Screwtape Letters by C. S. LewisIt's easy to see why the enemies of mankind would hate and fear both sacred silence and sacred music. Both bring joy, spur contemplation, and draw the soul nearer to the Lord. Both have been part of our private prayer as well as our communal liturgy for thousands of years.The Psalms-biblical songs of praise, supplication, and wonder-have been sung for three thousand years. Naturally, Jesus, His disciples, and later the early Christian community also sang hymns (from the Greek word meaning "songs of praise"), as The New Testament makes clear. We sing because we love, and sung praise elevates our words, takes them out of the realm of the commonplace, and increases our joy. The holy pleasure of singing to God involves the entire person-spirit, heart, mind, and body-and unites us not only with the Divine but also with one another as a worshiping community.This collection of hymns for the singing Catholic congregation exemplifies the best of the genre. These songs are religiously orthodox, beautiful, sacred, and-for the most part-familiar. But here you will also find worthy hymn tunes and texts that are new to you.We present this book to propose not that hymns replace the proper chants for that days Mass* but live happily alongside them. In most instances the proper chants for processions are the prerogative of cantors and choirs and, as they change very day as part of the Mass aren't practical to be sung by the congregation. Hymns, on the other hand, belong to all the faithful and serve as a key means of the "active participation" spoken of in Vatican II's Constitution on the Sacred Liturgy. Hymns have been sung as an important part of the Liturgy of the Hours for century upon century, so they are nothing new, new only to be sung at Mass. "To promote active participation, the people should be encouraged to take part by means of acclamations, responses, psalmody, antiphons, and songs, as well as by actions, gestures, and bodily attitudes. And at the proper times all should observe a reverent silence."Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Paragraph 30In a parish where the scriptures are sung, the introit will accompany the procession of the ministers and the cross. Clergy, choir, and people can then sing a congregational hymn. The same is true at offertory and Communion: hymns can follow the proper chants. And at the conclusion of Mass, a suitable hymn can send the people forth with the praise of Almighty God on their lips.May this book bring joy to all who sing from it! What is the source of the Sung Antiphons for the Roman liturgy Mass?The proper texts of the Antiphons of the Roman liturgy may be found in: Graduale Romanum; English translations of these texts are also widely available. The antiphons from the Roman Missal, third edition, may also serve as proper texts. For more information see: Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Musicam Sacram (Instruction on Music in the Liturgy, 1967)The General Instruction of the Roman Missal, 2010.
Pamphlets are located in the pamphlet section, in the box labeled with the first heading listed below under Subjects. Pamphlets are for in library use only. Special permission to borrow the pamphlets may be granted by the librarians.
Forty years ago, Toolan composed the words and music of the famous hymn I Am the Bread of Life, performed in 25 languages worldwide. Today, Toolan is one of the most respected writers of religious hymns in the world; the story behind her work sparks creativity in other artists and musicians. (Motivation)
As the number of available priests has declined, the Sunday Mass is becoming less and less available in some parishes and dioceses. Sunday Celebrations in the Absence of a Priest addresses this growing reality by providing the appropriate ritual to be used in the celebrating community. This revised ritual edition of Sunday Celebrations in the Absence of a Priest is fully bilingual, with Spanish and English printed side by side. It includes Morning Prayer, Evening Prayer, and two appendices, Directory for Sunday Celebrations in the Absence of a Priest and Gathered in Steadfast Faith. This beautifully bound ritual book includes three ribbons and is printed in two colors. It will be a welcome addition to the sacristy or library of every parish, school, convent, and religious house.
Music is the most effective delivery system for feelings—love, joy, sadness, glory. The early Church Fathers knew that music also has power over minds, and they used that power to maximum effect, writing hymns through which the early Christians would learn, retain, and spread the Gospel message. In How the Choir Converted the World, best-selling author Mike Aquilina demonstrates how the earliest Christians used music to transform a world that desperately needed transforming. As Aquilina suggests, “If we did it once, we can do it again.”
Roman Catholic church music in England served the needs of a vigorous, vibrant and multi-faceted community that grew from about 70,000 to 1.7 million people during the long nineteenth century. This book provides a framework of the main aspects of Catholic church music in this period showing how and why it developed in the way it did. Dr Muir sets the music in its proper historical, liturgical and legal context pointing to the ways in which the music itself can be used as evidence to throw light on the changing character of English Catholicism.
