WANDA GAG

WANDA GAG

Author: Audur H. Winnan

Publisher: Smithsonian Books (DC)

Published: 1993-07-17

Total Pages: 356

ISBN-13:

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"One of the most praised printmakers of the 1920s and 1930s, Wanda Gag (1893-1946) produced an inventive body of work dealing with the forces of nature and infusing everyday objects with special character and energy. Her work reflects her Minnesota childhood, her Bohemian immigrant roots, and her self-image as a New Woman. Continually struggling with the financial and personal demands of her artistic career, Gag was, ironically, most famous for Millions of Cats (1928), one of her illustrated children's books." "Presenting the first catalogue raisonne of Gag's prints, Audur H. Winnan includes 196 lithographs, wood engravings, linoleum cuts, etchings, and study drawings. Among the featured prints are the well-known Lamplight, Elevated Station, Grandma's Kitchen, Grandma's Parlor, and Stone Crusher. Gag's media and methods are described, often in the artist's own words, including her unusual use of sandpaper as a matrix for lithographs and as a support for brush-and-ink drawings and watercolors. Also featuring many of her watercolors and drawings, the book traces each step of Gag's career and her role in the New York art world." "Winnan completes her portrait with selections from Gag's expressive diaries and letters. With extraordinary candor the artist describes her intimate personal thoughts and experiences and her friendships and encounters with many notable artists and other personalities, including Adolf Dehn, Lewis Gannett, Howard Cook, Rockwell Kent, John Marin, Georgia O'Keeffe, Diego Rivera, Alfred Stieglitz, John Taylor Arms, and Carl Zigrosser. Throughout her personal writings, Gag reflected on her career, the restrictions placed on women by society, and her sexual desires. Wanda Gag reveals both the internationally recognized artist who drew inspiration from van Gogh and Cezanne, and the vibrant, erotic woman who admitted to being amazed by her own passions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Hilma Af Klint: the Complete Catalogue Raisonné

Hilma Af Klint: the Complete Catalogue Raisonné

Author: Hilma af Klint

Publisher: Bokforlaget Stolpe AB

Published: 2022-09

Total Pages: 0

ISBN-13: 9789198523669

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Hilma af Klint became known to a wider audience in 2013, nearly 70 years after her death, in conjunction with Moderna Museet's Stockholm exhibition Hilma af Klint: Abstract Pioneer. Six years later, her work was exhibited at the Guggenheim Museum in New York. Both exhibitions saw record numbers of visitors, and today she is one of the world's most acclaimed artists. Hilma af Klint has become incredibly popular and beloved throughout the world, notes Daniel Birnbaum, co-editor with Kurt Almqvist. What makes her art interesting is that the works are highly interconnected. A catalogue raisonné is necessary in order to see the different cycles, motifs and symbols that recur in a fascinating way. If people want to truly understand how Hilma af Klint's works function, they need these books. The paintings in the catalogue raisonné are presented in the same order as Olof Sundström, also a follower of anthroposophy, numbered them in 1945, based on Hilma af Klint's notes. The forewords to the volumes are short and concise. They present facts about the works rather than interpretations. The works are printed in an exclusive edition designed by Patric Leo housed in a specially produced slipcase to hold all seven volumes. These books will be essential in all future research on Hilma af Klint's artistry --- Daniel Birnbaum. Today Hilma af Klint is recognised as one of the world's most esteemed artists - an unprecedented triumph. Hilma af Klint's time is now. Her art has become an important part of our Swedish cultural heritage. Few artists have been given the privilege of a catalogue raisonné. Thanks to Bokförlaget Stolpe's comprehensive work, we now have the opportunity to become acquainted with the entirety of Hilma af Klint's artistry. This would not have been possible without the support of the Axel and Margaret Ax:son Johnson Foundation for Public Benefit. As chairman of The Hilma af Klint Foundation, I would like to convey my warmest thanks. -- Ulrika af Klint, Chair, The Hilma af Klint Foundation.