The U.S. Capitol abounds in magnificent art that rivals its exterior architectural splendor. The fine art held by the U.S. Senate comprises much of this treasured heritage. It spans over 200 years of history & contains works by such celebrated artists as Augustus Saint-Gaudens, Hiram Powers, Daniel Chester French, Charles Willson Peale, Gilbert Stuart, Walker Hancock, & Alexander Calder. This volume provides previously unpublished information on the 160 paintings & sculptures in the U.S. Senate. Each work of art -- from portraiture of prominent senators to scenes depicting significant events in U.S. history -- is illus. with a full-page color photo, accompanied by an essay & secondary images that place the work in historical & aesthetic context.
William Hogarth (1697-1764) was among the first British-born artists to rise to international recognition and acclaim and to this day he is considered one of the country's most celebrated and innovative masters. His output encompassed engravings, paintings, prints, and editorial cartoons that presaged western sequential art. This comprehensive catalogue of his paintings brings together over twenty years of scholarly research and expertise on the artist, and serves to highlight the remarkable diversity of his accomplishments in this medium. Portraits, history paintings, theater pictures, and genre pieces are lavishly reproduced alongside detailed entries on each painting, including much previously unpublished material relating to his oeuvre. This deeply informed publication affirms Hogarth's legacy and testifies to the artist's enduring reputation. Published for the Paul Mellon Centre for Studies in British Art
"[V. 1] contains all the paintings belonging to the museum as of October, 1971, plus a few of the more important acquisitions made before the manuscript was submitted to the printer five months later." -- Preface.
The Folger Shakespeare Library contains the finest collection of Shakespearean art ever assembled. Its 200 paintings include scenes from Shakespeare's plays, portraits of the actors, and portraits of the playwright and his contemporaries--works painted by artists including Benjamin West, Henry Fuseli, Thomas Sully, George Romney, and Thomas Nast. This lovely volume is an analysis, history, and catalogue of this important collection. It includes 34 color plates and several hundred b&w figures. Annotation c. by Book News, Inc., Portland, Or.
The Paintings of Hendrick ter Brugghen (1588-1629), is the first major study of this important early seventeenth-century master since Benedict Nicolson's classic monograph of 1958. It comprises two chapters that explore ter Brugghen's development as an artist and the reception of his work among contemporaries, followed by a truly monumental catalogue raisonné of ter Brugghen's 89 authentic paintings, 54 pictures associated with the artist and/or his workshop, 141 rejected works, 42 lost works, and lastly, 10 drawings that have been linked to ter Brugghen directly or related to his paintings. Already celebrated during his lifetime, and avidly collected by elite cognescenti in the Dutch Republic and abroad, ter Brugghen executed a dazzling variety of paintings, ranging from Bible subjects and saints, to fascinating mythological images, as well as scenes of daily life, including musicians. Although his knowledge of paintings by Caravaggio that he had seen during his early sojourn in Rome always remained acute, these experiences were continually tempered by his awareness of older Northern European artistic traditions and conventions, with the result that ter Brugghen created pictures whose subject matter and style are fascinating, and at times, unique. Until his untimely death in August of 2003, Leonard J. Slatkes was Distinguished Professor of Art History at Queens College of the City University of New York, NY. He was an internationally renowned expert on the art of the Dutch Caravaggisti, to whom he had devoted many essays, books, and exhibition catalogues. Slatkes had begun conducting research on ter Brugghen's paintings in the 1960's, with the expectation of eventually publishing a new monograph on the artist. Wayne Franits, a former student of Slatkes's, is currently Professor of Fine Arts at Syracuse University, Syracuse, NY. He has authored numerous publications on seventeenth-century Dutch and Flemish art.
"Leonor Fini (1907-1996) was one of the most extraordinary artists of the twentieth century. She never formally trained as an artist but drew from many influences, notably the Flemish Masters, Symbolism, and Surrealism. An independent and passionate woman who felt an instinctual hostility to the idea of being part of any artistic group or movement, she shared with her avant-garde circle a fervent belief in the power of desire for social and political subversion. This authoritative Catalogue Raisonné is as timely as it is crucial, bringing Fini's vast body of work to the public so that her immense talent may be discovered, researched, and enjoyed."--Publisher's description.
The third volume of a catalogue raisonné of Luc Tuymans’s paintings, surveying nearly two hundred works, charts the artist’s investigation into painting’s relationship to history and technology. Tuymans is widely credited with having contributed to the revival of painting in the 1990s. His sparsely colored, figurative works speak in a quiet, restrained, and at times unsettling voice and are typically painted from preexisting imagery that includes photographs and video stills. The works in this volume, made between 2007 to 2018, show Tuymans at his most virtuosic, subtly but provocatively addressing a range of topics including religion, corporatization, and cultural memory, in addition to modernism and the history of painting. The Internet, in particular, is central to these works as well as the screen—leading to a new style of contemporary image. The works are mediatized to the nth degree, despite the artist’s continuous use of the traditional medium of painting. There is a certain kind of light that comes out of a screen, which can be found in Tuymans’s recent paintings. This volume includes an editor’s note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans’s persistent assertion of the relevance and importance of painting—a conviction that he maintains even in today’s digital world, when his work continues to be a touchstone for artists and scholars.
