In 'History of the Fan' by G. Woolliscroft Rhead, readers are taken on a fascinating journey through the cultural and historical significance of fans. This detailed account explores the evolution of fans from practical tools to symbols of status and fashion, illuminating their significance in various societies. Rhead's writing style is engaging and informative, making this book a valuable resource for anyone interested in the social history of everyday objects. The author's meticulous research and attention to detail provide a comprehensive overview of the fan's role in different cultures and time periods. G. Woolliscroft Rhead, a renowned expert in decorative arts and material culture, brings his expertise to 'History of the Fan' by delving into the rich history and symbolism of this often overlooked accessory. Rhead's extensive knowledge and passion for the subject shine through in his meticulous exploration of the fan's evolution and cultural significance. I highly recommend 'History of the Fan' to readers interested in cultural history, decorative arts, or fashion studies. Rhead's thorough examination of this everyday object sheds light on its often overlooked importance and provides valuable insights into the social and cultural dynamics surrounding it.
An examination of the development, role, and influence of the British decorative art dealers who invented an Anglo-Gallic style for elite interiors. In this volume Diana Davis demonstrates how London dealers invented a new and visually splendid decorative style that combined the contrasting tastes of two nations. Departing from the conventional narrative that depicts dealers as purveyors of antiquarianism, Davis repositions them as innovators who were key to transforming old art objects from ancien régime France into cherished “antiques” and, equally, as creators of new and modified French-inspired furniture, bronze work, and porcelain. The resulting old, new, and reconfigured objects merged aristocratic French eighteenth-century taste with nineteenth-century British preference, and they were prized by collectors, who displayed them side by side in palatial interiors of the period. The Tastemakers analyzes dealer-made furnishings from the nineteenth-century patron’s perspective and in the context of the interiors for which they were created, contending that early dealers deliberately formulated a new aesthetic with its own objects, language, and value. Davis examines a wide variety of documents to piece together the shadowy world of these dealers, who emerge center stage as a traders, makers, and tastemakers.
The world's most comprehensive, well documented and well illustrated book on this subject. With extensive subject and geographical index. 338 photographs and illustrations, many old and rare, many recent in color. Free of charge in digital PDF format on Google Books.
Typical of the genre of literature which presented short biographies of women to demonstrate their accomplishments, this book sketches the lives of twenty prominent British women.