History of Early Stone Sculpture at Mathura
History of Early Stone Sculpture at Mathura

Author: Sonya Rhie Quintanilla

Publisher: BRILL

Published: 2007

Total Pages: 539

ISBN-13: 9004155376

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This volume provides the first comprehensive chronology of the earliest known stone sculptures from the north Indian city of Mathura. It includes new evidence for the reattribution of objects, emergence of the anthropomorphic Buddha image, and predominance of a heterodox sect of Jainism.

Madan Mohan
Madan Mohan

Author: Sushant Bharti

Publisher: Simon and Schuster

Published: 2024-03-26

Total Pages: 160

ISBN-13:

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Conservation Architect and Researcher Sushant Bharti highlights the significance of the Madan Mohan, an ancient and important temple in Vrindavan, India that has had a prominent impact both locally and globally throughout its history. The text includes a captivating portrayal of the temple both at home and in the Indian diaspora, a tribute to the attractive, ever enchanting nature of the structure and its spiritual potency. The establishment of Gaudiya Vaishnavas in the Braj region catalysed a novel movement centered around the devotion to Radha and Krishna. This movement, in turn, spurred construction of the Madan Mohan, one of the most significant and prominent temples in the area during the Mughal reign. In the late 16th and early 17th centuries, each temple emerged as a distinct exemple of Mughal artistry, showcasing a seamless integration of diverse architectural components and novel experimentation. The Madan Mohan temple stands as a remarkable testament to the confluence of social, economic, and political forces that transcended regional boundaries during the zenith of Mughal dominance.

The Art of Ancient India
The Art of Ancient India

Author: Susan L. Huntington

Publisher: Motilal Banarsidass

Published: 2014-01-01

Total Pages: 849

ISBN-13: 8120836170

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To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.