Chinese-Islamic Works of Art, 1644–1912
Chinese-Islamic Works of Art, 1644–1912

Author: Emily Byrne Curtis

Publisher: Routledge

Published: 2019-11-27

Total Pages: 130

ISBN-13: 1000752798

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Chinese-Islamic studies have concentrated thus far on the arts of earlier periods with less attention paid to works from the Qing Dynasty (1644-1912). This book focuses on works of Chinese-Islamic art from the late seventeenth century to the present day and bring to the reader’s attention several new areas for consideration. The book examines glass wares which were probably made for a local Chinese-Muslim clientele, illustrating a fascinating mixture of traditional Chinese and Muslim craft traditions. While the inscriptions on them can be related directly to the mosque lamps of the Arab world, their form and style of decoration is characteristically that of Han Chinese. Several contemporary Chinese Muslim artists have succeeded in developing a unique fusion of calligraphic styles from both cultures. Other works examined include enamels, porcelains, and interior painted snuff bottles, with emphasis on either those with Arabic inscriptions, or on works by Chinese Muslim artists. The book includes a chapter written by Dr. Shelly Xue and an addendum written by Dr. Riccardo Joppert. This book will appeal to scholars working in art history, religious studies, Chinese studies, Chinese history, religious history, and material culture.

Chinese Snuff Bottles (in Slipcase)
Chinese Snuff Bottles (in Slipcase)

Author: Denis S. Low

Publisher: Laurence King

Published: 2007

Total Pages: 424

ISBN-13:

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Imperial Court of the Manchus (Qing Dynasty 1642-1911). Powdered snuff was regarded as having medicinal qualities and with Court patronage, rapidly grew in popularity. Ornate and intricate bottles to hold and dispense the "medicinal" snuff were designed by Chinese craftsmen using a bewildering array of materials: porcelain, enamel, metal, wood, jadeite, ivory and glass, often employing techniques known only in China at the time. Snuff bottles are elaborately decorated, invariably miniature and admired for their tactile qualities. The surviving examples are highly prized by collectors and students of the history of arts and crafts in China. This book is the third catalogue of the vast Denis Low collection of snuff bottles, which numbers more than 1000. Its publication coincides with an exhibition of 355 snuff bottles from this world-renowned collection at the Asian Civilisations Museum of Singapore from July to November 2007. Largely organised by the material of fabrication, each snuff bottle is carefully described and provenance details are given. Although this book is not meant to be a scholarly study of snuff bottles, much research has been done by Denis Low, the results of which can be seen from the notes he presents on the style, design, decoration, use or uniqueness of each example featured here.