A reissue with a foreword and supplement, of a modern classic published in 1960. The invention of the mechanical clock was one of the most important turning points in the history of science and technology. This study revealed six centuries of mechanical clockwork preceding the first mechanical escapement clocks of the West of about AD 1300. Detailed and fully illustrated accounts of elaborate Chinese clocks are accompanied by a discussion of the social context of the Chinese inventions and an assessment of their possible transmission to medieval Europe. For this revised edition, Dr Joseph Needham has contributed a new foreword on recent research and perceptions. In a supplement John H. Combridge details a modern reconstruction of Su Sung's timekeeping device, which together with textual studies modifies our understanding of this important early technology.
A key work of ancient Chinese philosophy is brought back to life in Ian Johnston's compelling and definitive translation, new to Penguin Classics. Very little is known about Master Mo, or the school he founded. However, the book containing his philosphical ideas has survived centuries of neglect and is today recognised as a fundamental work of ancient Chinese philosophy. The book contains sections explaining the ten key doctrines of Mohism; lively dialogues between Master Mo and his followers; discussion of ancient warfare; and an extraordinary series of chapters that include the first examples of logic, dialectics and epistemology in Chinese philosophy. The ideas discussed in The Book of Master Mo - ethics, anti-imperalism, and a political hierarchy based on merit - remain as relevant as ever, and the work is vital to understanding ancient Chinese philosophy. Translator Ian Johnston has an MA in Latin, a PhD in Greek and a PhD in Chinese, and was Associate Professor of Neurosurgery at Sydney University until his retirement. He has published translations of Galen's medical writings, early Chinese poetry (Singing of Scented Grass and Waiting for the Owl), and early Chinese philosophical works (the Mozi and - with Wang Ping - the Daxue and Zhongyong). In 2011 he was awarded the NSW Premier's Prize and the PEN medallion for translation. Unlike previous translations, this version includes the complete text. It also includes an introduction and explanatory end notes. 'A landmark endeavour' Asia Times 'A magnificent and valuable achievement' Journal of Chinese Studies 'Eminently readable and at the same time remarkably accurate...Johnston's work will be the standard for a long time' China Review International 'Compelling and engaging reading...while at the same time preserving the diction and rhetorical style of the original Chinese' New Zealand Journal of Asian Studies
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.
Containing more than 2,500 entries and over 1,000 color plates and line drawings, this book addresses artistic, stylistic, technical, and historical aspects of Chinese ceramics. Entries are grouped into themes such as shapes and forms; ceramic materials and manufacture; decoration methods, glazes, and colors; and marks and inscriptions. Each entry is accompanied by references in Pinyin (phonetic Romanized Chinese) as well as Chinese characters for further verification. Information is rendered instantly accessible through four indices--English, Pinyin, Chinese Classical literature, and museum illustrations.
Illuminating one thousand years of history, The Pilgrim Art explores the remarkable cultural influence of Chinese porcelain around the globe. Cobalt ore was shipped from Persia to China in the fourteenth century, where it was used to decorate porcelain for Muslims in Southeast Asia, India, Persia, and Iraq. Spanish galleons delivered porcelain to Peru and Mexico while aristocrats in Europe ordered tableware from Canton. The book tells the fascinating story of how porcelain became a vehicle for the transmission and assimilation of artistic symbols, themes, and designs across vast distances—from Japan and Java to Egypt and England. It not only illustrates how porcelain influenced local artistic traditions but also shows how it became deeply intertwined with religion, economics, politics, and social identity. Bringing together many strands of history in an engaging narrative studded with fascinating vignettes, this is a history of cross-cultural exchange focused on an exceptional commodity that illuminates the emergence of what is arguably the first genuinely global culture.
Review: "Gillette explores the impact of state involvement in Jungdezhen's porcelain production, particularly during the momentous 20th century. She considers how the Chinese government has consumed, invested in, taxed, and managed the ceramics industry, and the effects of state intervention on ceramists' lives, their local environment, and the nature of the goods they produce."--Page [4] of cover
Nicholas of Cusa and Early Modern Reform sheds new light on Cusanus’ relationship to early modernity by focusing on the reform of church, the reform of theology, the reform of perspective, and the reform of method – which together aim to encompass the breadth and depth of Cusanus’ own reform initiatives. In particular, in examining the way in which he served as inspiration for a wide and diverse array of reform-minded philosophers, ecclesiastics, theologians, and lay scholars in the midst of their struggle for the renewal and restoration of the individual, society, and the world, our volume combines a focus on Cusanus as a paradigmatic thinker with a study of his concrete influence on early modern thought. This volume is aimed at scholars working in the field of late medieval and early modern philosophy, theology, and history of science. As the first Anglophone volume to explore the early modern reception of Nicholas of Cusa, this work will provide an important complement to a growing number of companions focusing on his life and thought.