Dictionary Catalog of the Harris Collection of American Poetry and Plays, Brown University Library, Providence, Rhode Island
Author: Brown University. Library
Publisher:
Published: 1972
Total Pages: 740
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Brown University. Library
Publisher:
Published: 1972
Total Pages: 740
ISBN-13:
DOWNLOAD EBOOKAuthor: George Thomas Tanselle
Publisher: Harvard University Press
Published: 1971
Total Pages: 1146
ISBN-13: 9780674367616
DOWNLOAD EBOOKAuthor: Boston Public Library
Publisher: Boston : G. K. Hall
Published: 1972
Total Pages: 834
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress
Publisher:
Published: 1920
Total Pages: 66
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Office of Education
Publisher:
Published: 1921
Total Pages: 944
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress
Publisher:
Published: 1916
Total Pages: 262
ISBN-13:
DOWNLOAD EBOOKIncludes index and appendices.
Author: Toronto Public Library
Publisher:
Published: 1915
Total Pages: 426
ISBN-13:
DOWNLOAD EBOOKAuthor: Eric Weisbard
Publisher: Duke University Press
Published: 2021-04-23
Total Pages: 447
ISBN-13: 147802139X
DOWNLOAD EBOOKIn Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genreācultural studies in the form of notes on the fly, on sounds that never cease to change meaning.