Catalogue of Exhibitors in the United States Sections of the International Universal Exposition, Paris, 1900
Author: Exposition universelle internationale de 1900
Publisher:
Published: 1900
Total Pages: 620
ISBN-13:
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Author: Exposition universelle internationale de 1900
Publisher:
Published: 1900
Total Pages: 620
ISBN-13:
DOWNLOAD EBOOKAuthor: Astrid Swenson
Publisher: Cambridge University Press
Published: 2013-12-19
Total Pages: 433
ISBN-13: 0521117623
DOWNLOAD EBOOKA richly illustrated book exploring the origins of the modern fascination for heritage, comparing preservation in France, Germany and England.
Author: United States. Commissioners to the Paris Universal Exposition, 1878
Publisher:
Published: 1878
Total Pages: 298
ISBN-13:
DOWNLOAD EBOOKAuthor: Matilda McQuaid
Publisher: ABRAMS
Published: 1996
Total Pages: 68
ISBN-13:
DOWNLOAD EBOOKAuthor: Mauricio Tenorio-Trillo
Publisher: Univ of California Press
Published: 2024-06-12
Total Pages: 391
ISBN-13: 0520378091
DOWNLOAD EBOOKThis intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
Author: A. Geppert
Publisher: Springer
Published: 2010-11-03
Total Pages: 424
ISBN-13: 0230281834
DOWNLOAD EBOOKImperial expositions held in fin-de-siècle London, Paris and Berlin were knots in a world wide web. Conceptualizing expositions as meta-media, Fleeting Cities constitutes a transnational and transdisciplinary investigation into how modernity was created and displayed, consumed and disputed in the European metropolis around 1900.
Author: John Allwood
Publisher:
Published: 1977
Total Pages: 200
ISBN-13:
DOWNLOAD EBOOKAuthor: Guillermo Curbera
Publisher: CRC Press
Published: 2009-02-23
Total Pages: 336
ISBN-13: 1439865124
DOWNLOAD EBOOKThis vividly illustrated history of the International Congress of Mathematicians- a meeting of mathematicians from around the world held roughly every four years- acts as a visual history of the 25 congresses held between 1897 and 2006, as well as a story of changes in the culture of mathematics over the past century. Because the congress is an int
Author: Sigfried Giedion
Publisher: Getty Publications
Published: 1995-09-01
Total Pages: 250
ISBN-13: 0892363193
DOWNLOAD EBOOKWith Building in France, Building in Iron, Building in Ferroconcretre (1928)—published now for the first time in English—Sigfried Giedion positioned himself as an eloquent advocate of modern architecture. This was the first book to exalt Le Corbusier as the artistic champion of the new movement. It also spelled out many of the tenets of Modernism that are now regarded as myths, among them the impoverishment of nineteenth-century architectural thinking and practice, the contrasting vigor of engineering innovations, and the notion of Modernism as technologically preordained.