The Potter's Brush

The Potter's Brush

Author: Richard L. Wilson

Publisher: Freer Gallery of Art and Arthur M. Sackler Gallery

Published: 2001-01-01

Total Pages: 239

ISBN-13: 9781858941578

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Ogata Kenzan (1663-1743) is regarded as Japan's greatest ceramic artist. The Potter's Brush is an exploration of the development of Kenzan's distinctive pottery, as well as the work of his successors who appropriated his designs. Lavishly illustrated throughout, The Potter's Brush shows how nearly two centuries of innovation produced one of the first `designer brands', and will appeal to ceramicists, collectors and lovers of Japanese art.


The Encyclopedia of Ceramics

The Encyclopedia of Ceramics

Author: William Percival Jervis

Publisher: Franklin Classics Trade Press

Published: 2018-10-25

Total Pages: 672

ISBN-13: 9780344221538

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


I Will Survive

I Will Survive

Author: Gloria Gaynor

Publisher: Macmillan + ORM

Published: 2014-03-11

Total Pages: 253

ISBN-13: 1466865954

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I Will Survive is the story of Gloria Gaynor, America's "Queen of Disco." It is the story of riches and fame, despair, and finally salvation. Her meteoric rise to stardom in the mid-1970s was nothing short of phenomenal, and hits poured forth that pushed her to the top of the charts, including "Honey Bee," "I Got You Under My Skin," "Never Can Say Goodbye," and the song that has immortalized her, "I Will Survive," which became a #1 international gold seller. With that song, Gloria heralded the international rise of disco that became synonymous with a way of life in the fast lane - the sweaty bodies at Studio 54, the lines of cocaine, the indescribable feeling that you could always be at the top of your game and never come down. But down she came after her early stardom, and problems followed in the wake, including the death of her mother, whose love had anchored the young singer, as well as constant battles with weight, drugs, and alcohol. While her fans always imagined her to be rich, her personal finances collapsed due to poor management; and while many envied her, she felt completely empty inside. In the early 1980s, sustained by her marriage to music publisher Linwood Simon, Gloria took three years off and reflected upon her life. She visited churches and revisited her mother's old Bible. Discovering the world of gospel, she made a commitment to Christ that sustains her to this day.


The Art of Ogata Kenzan

The Art of Ogata Kenzan

Author: Richard L. Wilson

Publisher: Weatherhill, Incorporated

Published: 1991

Total Pages: 280

ISBN-13:

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Ogata Kenzan (1663-1743) is Japan's most famous ceramic artist, and his work has had a far-reaching influence on the art of pottery, not only in Japan but, through Bernard Leach and his followers, the West as well. With his brother, the painter Korin, Kenzan was a member of the cultivated elite circle that transformed the world of Japanese design from the taste of a courtly few to a popular movement embracing every social class and encompassing all of the arts and crafts. Richard Wilson illuminates Kenzan's life and work simultaneously, tracing the phases of Kenzan's artistic and commercial development, their relationship to Japanese culture, and their bearing on the issues of authenticity and connoisseurship in Japanese art.